Fabric Prints and Multiples

Limited Edition Print on Canvas of 75 Hand Signed by Mick Fleetwood

Limited Edition Print on Canvas of 75 Hand Signed by Mick Fleetwood

Limited Edition Print on Canvas of 75 Hand Signed by Mick Fleetwood

Limited Edition Print on Canvas of 75 Hand Signed by Mick Fleetwood

Limited Edition Print on Canvas of 75 Hand Signed by Mick Fleetwood

Asymptote. 2023. Is an ongoing series working with Neuberg mathematical curvatures.

Apollonius. Proposition 78. 2023. Is an ongoing series working with Apollonius of Perga. Conic Sections geometry.

Clifford Singer has been researching Sir Isaac Newton's mathematical principles since 1978. Newton's Synod is one of the works. originally done as sculpture in 1988.

40" x 24.5" Unframed Original - Hand Embellished Giclee on Canvas Hand Signed by Johnathan Ball

40" x 30" Unframed AP Edition Hand Embellished Giclee on Canvas Hand Signed by Johnathan Ball

Christina Craemer is a Los Angeles-based artist who travels the world photographing water in its many forms, especially waterfalls. The theme and goal in all of Craemer’s work is to ...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings...

Digital print on cotton paper

Digital print on cotton paper

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by the artist. Edition of 25. Canvas is not stretched. Artwork is in excellent condition. Certific...

Small and Medium Size print edition on canvas. Framing options included in Black, White and Natural wood framing. Please contact seller for the same. Print Edition on Canvas Available Sizes: 18" x 17" - $760 24" x 22.5" - $1540 BIO Basmat Levin is an Israeli artist works between her studios in Shanghai M-50 and NYC. Her works were exhibited at ArtCN Gallery, Leo Gallery, I-Green Shanghai Pujiang Park.,Zhoupu Art Museum Why Why Art, Tangram Gallery , Dunhill Twin Villa, Shanghai . Ischam Gallery, 798, Beijing. Leo Gallery, the Baptist University Hong Kong. Art stage Singapore. ML Gallery, Antwerp, Belgium. Israel Opera House and Frishman 46 Art Space Tel Aviv to name a few. Her latest Installations include, ‘Message in a bottle’. A sustainable art installation, printed on recycled ocean plastic bottles fabrics, at Glam, Shanghai. 1410 Broadway, (ZAZ10TS), a building installation Times Square NYC., the MOCA Museum Pavilion, Shanghai, I-Green Pujiang Park, Souzho Village, a 23 x 8 meter “ Magic Wall “ of 60 of her painting. An outdoor building...

Medium and Large Size print edition on canvas. Framing options included in Black, White and Natural wood framing. Please contact seller for the same. Print Edition on Canvas Available Sizes: 24" x 22" - $1055 48" x 44" - $1700 BIO Basmat Levin is an Israeli artist works between her studios in Shanghai M-50 and NYC. Her works were exhibited at ArtCN Gallery, Leo Gallery, I-Green Shanghai Pujiang Park.,Zhoupu Art Museum Why Why Art, Tangram Gallery , Dunhill Twin Villa, Shanghai . Ischam Gallery, 798, Beijing. Leo Gallery, the Baptist University Hong Kong. Art stage Singapore. ML Gallery, Antwerp, Belgium. Israel Opera House and Frishman 46 Art Space Tel Aviv to name a few. Her latest Installations include, ‘Message in a bottle’. A sustainable art installation, printed on recycled ocean plastic bottles fabrics, at Glam, Shanghai. 1410 Broadway, (ZAZ10TS), a building installation Times Square NYC., the MOCA Museum Pavilion, Shanghai, I-Green Pujiang Park, Souzho Village, a 23 x 8 meter “ Magic Wall “ of 60 of her painting. An outdoor building...

Medium and Large Size print edition on canvas. Framing options included in Black, White and Natural wood framing. Please contact seller for the same. Print Edition on Canvas Available Sizes: 24" x 20.5" - $835 48" x 41" - $1600 BIO Basmat Levin...

Unstretched giclee on canvas. Hand signed and numbered by the artist. Edition of 35. Image size when stretched is approx 14 x 14 inches. Unstretched canvas size is 19 x 19 inches. ...

Giclee on canvas. Hand signed on front; signed, titled and dated on verso by the artist. Non editioned multiple. Canvas is not stretched. Artwork is in excellent condition. Cert...

Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...

Historia, Memoria y Silencios (Unopened XV), 2009 Archival ink on cotton paper 16h x 16w in Edition of 5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...

Historia, Memoria y Silencios (Silencios) Unopened XII, 2009 Archival ink on cotton paper 16h x 16w in 1/5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...

Historia, Memoria y Silencios (Silencios) Unopened XIII, 2009 Archival ink on cotton paper 16h x 16w in Edition of 5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974...

Historia, Memoria y Silencios (Silencios) Unopened XI, 2009 Archival ink on cotton paper 16h x 16w in 1/5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and curren...

Historia, Memoria y Silencios (Silencios) Unopened V, 2009 Archival Ink on Cotton Paper 16h x 16w in Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...

Historia, Memoria y Silencios (Silencios) Unopened VII, 2009 Archival Ink on Cotton Paper 16h x 16w in Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...

Historia, Memoria y Silencios (Silencios) Unopened III, 2009 Archival Ink on Cotton Paper 16h x 16w in Edition of 5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...

Nicolás Guzmán shows us a selection of pieces taken from his new pictorial research, in which traditional techniques are mixed with industrial materials...

17-color silkscreen Edition of 75

17-color silkscreen Edition of 75

1937 original travel poster by Georges Fustier Genève. This beautifully composed Art Deco poster depicts Lake Geneva framed by tall pines and lush gardens, with sailboats gliding acr...

1958 original travel poster by Des Asmussen Wonderful Copenhagen – Tivoli. This striking mid-century poster captures the festive spirit of Copenhagen’s famous Tivoli Gardens with fir...

This is an original poster by John Hassall titled “The Celestials,” created circa early 1900s for David Allen & Sons, Harrow, London. It features two Chinese figures performing a str...

This magnificent 1905 original poster by E. Louis Lessieux (1848–1925) was commissioned by the Paris-Lyon-Méditerranée (P.L.M.) railway company to promote travel to the beautiful coa...

This stunning 1932 original bullfighting poster by the celebrated Spanish painter Carlos Ruano Llopis (1878–1950) was created for the summer season (Verano de 1932) at the new Plaza ...

This powerful original 1946 poster by renowned French graphic artist Paul Colin (1892–1985) was created in the aftermath of World War II for the Organisme National d’Aide aux Combatt...

Werner Bronkhorst Sail Away, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 in...

LORNA SIMPSON Recall, from the Exit Art/The First World Portfolio, 1998 Silkscreen on Felt 30 × 22 inches Hand signed and numbered 17/50 on the front Unframed This impressive silkscr...

Seascape , 70x70cm, print on canvas Edition 20 pcs.

Gentrification By Grayson Perry Grayson Perry is a British artist and potter celebrated for his bold ceramics and tapestries that explore themes of ide...

Untitled (From The Tomb Of The Unknown Craftsmen) By Grayson Perry Grayson Perry is a British artist and potter celebrated for his bold ceramics and ta...

Gel Monochrome 1, Oil on Linen Painting by Ben Weiner, 2016 Additional information: Medium: Oil on linen Dimensions: 56 x 80 in By photographing paint and luxurious ephemera at c...

C10H22O7 + C10H16 + C18H32O2, Oil on Canvas Painting by Ben Weiner, 2011 Additional information: Medium: Oil on canvas Dimensions: 66 x 108 in By photographing paint and luxurious ...

Silicone Painting 2, Oil on Linen by Ben Weiner, 2016 Additional information: Medium: Oil on linen Dimensions: 28 x 42 in By photographing paint and luxurious ephemera at close ra...

TiO2, C34H22Cl2N4O2, C18H32O2, C10H16, C20H30O2, AgX, 2010 / oil on linen. Additional information: Medium: Oil on linen Dimensions: 28 x 38.35 in By photographing paint and luxuri...

C10H22O7 + C10H16 + C18H32O2, Oil on Canvas Painting by Ben Weiner, 2011 Additional information: Medium: Oil on canvas Dimensions: 30 x 41 in By photographing paint and luxurious e...

Silicone Painting 1, Oil on Linen by Ben Weiner, 2016 Additional information: Medium: Oil on linen Dimensions: 21 x 30 in By photographing paint and luxurious ephemera at close ra...

Yayoi Kusama Yellow & Black Pumpkin (plush): An iconic, vibrantly colored pop art piece - this large Kusama plush pumpkin features the universal polka dot patterns and bold colors fo...

German artist, Michael Moebius, fell in love with art at an early age, when he first started cartooning. After later coming across a book of pin-ups by Alberto Vargas, Moebius decide...

Chris Ofili - "Afromuse Couple". Digital print on 100% cotton linen. Edition 2014. Framed in yellow. A beautiful artwork that looks good in every room and especially in the livin...

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

Emilie Arnoux hails from Normandy, France. From a young age, she became fascinated by the ocean and the laid back lifestyle surf-culture engenders. Her work captures the divine energ...

Emilie Arnoux hails from Normandy, France. From a young age, she became fascinated by the ocean and the laid back lifestyle surf-culture engenders. Her work captures the divine energ...

Lyndon Barrois, Jr. Wet Dream Cousin, 2017 Ink on canvas, archival pigment print, oak frame Framed Dimensions (each): 24 x 24 inches (61 x 61 cm)

Robert Indiana Classic LOVE (Pop Art, Modern, Neo-Dada, Iconography, Tuft, Framed) Tuft - Multiple 1996/2007 Size: 29.1x29.1in Edition: 10.000 COA provided Ref.: 924802-1819 * could come framed in a black or white frame made from composite wood/plastic. No glass. ** This piece has a lead time of 2-3 weeks Tags: Pop Art, Modern, Neo-Dada, Iconography, Tuft, Framedhy Robert Indiana was an American artist associated with the pop art movement. His "LOVE" print, first created for the Museum of Modern Art's Christmas card in 1965, was the basis for his 1970 Love sculpture and the widely distributed 1973 United States Postal Service...

Emilie Arnoux hails from Normandy, France. From a young age, she became fascinated by the ocean and the laid back lifestyle surf-culture engenders. Her work captures the divine energ...