Milton Glaser

Vintage Bob Dylan Souvenir Poster (Milton Glaser Bob Dylan 1960s)

1967

Roy Lichtenstein Ileana Sonnabend Paris 1965: Vintage original folding exhibition announcement card published on the occasion of Roy Lichtenstein's Ju...

Larry Rivers 1970s Exhibition Poster Published by: Robert Miller Gallery New York in 1977 Medium: Offset lithograph Dimensions: 32 × 30 inches Very good condition About Larry River...

Josef Albers White Line Squares: A set of 6 lithographic inserts (measuring approx 7.25 x 7.25 inches each), published as part of the 1966 ex...

Damien Hirst Skull record art 2006: Damien Hirst illustrated album cover art for The Hours 2006 - a set of two original record sleeves and vinyl records featuring Hirst's iconic skull imagery. Off-set lithograph. 7 x 7 inches (applies to each individual piece). Very good to excellent overall vintage condition. Includes the original records (likewise very good overall condition). Looks very cool framed as a set. Damien Hirst is a British Conceptual artist known for his controversial take on beauty and found-art objects. Along with Liam Gillick, Tracey Emin, and Sarah Lucas...

Andy Warhol The Thirteen Most Wanted Men (Dossier No. 2357) screen-print & exhibition catalog: Scarce 1967 Warhol Sonnabend exhibition catalog which includes the sought-after Andy Wa...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon Medium: Newspaper magazine, offset printed. Minor aging to cover commensurate with age & medium; otherwise very good condition; well-preserved. Dimensions: 14 × 11 inches (closed). Publisher: No Magazine, Los Angeles, 1981. Rare; unsigned from an edition unknown. Well-suited for framing. NO MAG: Los Angeles, CA, 1978 - 1985: Bruce Kalberg's No Mag brought a subversive art-driven perspective to early Los Angeles punk publications. Though only 14 issues were published, No Mag is considered, as Pettibon is, a seminal part of Southern California punk history. Catalogue MoMa, The Eileen and Michael Cohen Collection Raymond Pettibon emerged from Southern California DIY culture and its punk-rock sensibility, and his work still embraces a youthful edginess and sense of political engagement. Drawing from disparate cultural sources—which range from Marcel Proust and William Blake to the Bible—the artist makes cartoon-inspired ink drawings on paper which evoke the aesthetics of fanzines and concert flyers. Baseball players, trains, crashing waves, political figures, and comic book characters make frequent appearances, often accompanied by cryptic, ironic snippets of handwritten text. Pettibon has been the subject of solo shows at the New Museum, the Whitney Museum of American Art, the Tel Aviv Museum of Art, and the Kunsthalle Wien. He has exhibited at the Venice Biennale, Documenta, and the Whitney Biennial, where he was the recipient of the Bucksbaum Award in 2004. On the secondary market, Pettibon’s work has sold for over $1 million. Alongside his fine-art practice, Pettibon has illustrated album art for Sonic Youth and Black Flag, among other musical acts. Related Categories Punk, Contemporary Figurative Drawing, Contemporary Graphic Realism, Politics...

In 1897, Alphonse Mucha created illustrations for "Ilsee, Princesse de Tripoli." This double-sided print is a rare proof of an original color lithograph before any text from the story was added. This is a special edition print from edition 252 and is 12/35 on Chinese paper. 4.25" x 5.0625" image 20.75" x 17.5" frame Alphonse Mucha was born in 1860 in what is now the Czech Republic. His career began in decorative painting for theater scenery...

CHERET, JULES (1836 - 1932) "Quinquina Dubonnet" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #28, 1898. Plate #109 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. “The Dubonnet poster...

Original vintage Danish poster: ODENSE, DENMARK. THE NATIVE TOWN OF HANS CHRISTIAN ANDERSEN. Great condition original. Linen backed origina...

DUYCK, EDOUARD (1872 -1897) CRESPIN, ADOLPH (1859 –1944) "Hippodrome des Art" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #6, 1894. Plate #28 Unframed Size:11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "...Posters were created by the team of Duyck & Crespin, whose close collaborative efforts garnered them the nickname 'the Siamese twins.' Between their first joint attempt at poster-making in 1885-1886 and Duyck's death in 1897, the duo produced a large corpus of works... as well as set designs and costumes for the theatre " (Brussels p.76) This is a Belgian poster for the Ferme de Frahinfaz, on the Hippodrome des Art road near Spa. "Accommodations for riders and pedestrians. Fork and knife lunches, fresh milk, real "Faro" beer from Brussels and English beers"

DE MONVEL, BOUTET (1859 - 1927) "La Petite Poucette" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #27, 1898. Plate #106 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. Boutet de Monvel...

Antar, artist: Leonetto Cappiello. Size: 25 x 20. Year: 1907. Archival linen backed in very good condition; ready to frame. Original linen backed stone lithograph: Original vintage ...