Framed More Prints

Royal Mansion at Dawn, from Richard Heeps Dream in Colour series. Photographed in Arizona this artwork has the classic Americana road trip feel, the pastel colours and the aluminium ...

AILA Purple, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’ personal past and their personalities. Tapes are significant in both their lives...

'Under the boardwalk, down by the sea' - one of Richard's favourite songs by The Drifters, that this photo is not only named after, but really emulates. T...

30 Cents Singapore Orchid, from the Heidler & Heeps Stamp Collection. These historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards fro...

Foyer VIII, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has becom...

Foyer VII, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become...

Heidler & Heeps B Side Vinyl Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. ...

Artist: Alexander Calder Title: Waves (Derriere le Miroir 156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Date: 1966 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Shee...

A purple sparkly dice suspended on a black background, hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have developed ...

Three Minutes Thirty, an intense red orange artwork in the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Nat...

'Telephone VII' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines bright contrastin...

Three Minutes Thirty, a purple artwork in the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler ...

Kynance Cove which is part of the ’Coast Paintings’ series. Created in 2019, ’Coast Paintings’ are colourful action paintings which convey the energy, excitement and change experienc...

'Lariat Motel' is classic roadside Americana 'Sign Porn' photography and Richard Heeps captured it in its original site. The owners since sold the Lariat Motel and donated the 1950's...

Pablo Picasso (1881-1973) - Le Ballet Technique: Lithograph Year: 1954 Dimensions: 31 × 22 cm Publisher: Pantheon Signature: Signed in Plate Catalogue Reference: Cramer 62 Condition...

TABACCHI Sign, from Richard Heeps series A Short Series of Milan, part of Richard's portfolio of street photography he is building up which depict the colour, fabric and structure of...

This artwork titled "Figure Rouge avec Portrait de Quevedo" from the suite, Visions De Quevedo, 1975. is an original engraving with pochoir hand coloring on Richard de Bas paper, by ...

Artist: Pablo Picasso Title: Round Head of a Man with Tiny Features (Plate XVII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...

Dice suspended on a black background, hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have developed their own dichrom...

Dice suspended on a black background, hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have developed their own dichrom...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Darth Bot, Natasha Heidler brings childhood favourite toys to life in her conceptual photography. This artwork is a limited edition of 25, gloss photo...

Street Pop Art limited edition silkscreen print ‘Virtual Insanity’ by prodigy contemporary street-artist Hijack, was created in 2020 as a part of his environmentally conscious series...

This is a rare 19th century satirical lithograph by Honoré-Victorin Daumier entitled "Types Parisiens, L'InstItuteur: Votre fils me fera honneur!....c'est un joli sujet!!!", No. 24 (Parisian Types, The Institutor: Your son will be my honor! ... it's a nice subject !!), published in Paris in the satirical magazine La Caricature, May 24, 1840 by Aubert et Cie. It depicts a man presenting his son to another man, presumably a teacher or school headmaster, who politely states that it would be an honor to take care of such a nice boy, as he watches the boy picking his nose. An apparent teaching poster or map hangs on the wall in the background. This rare Daumier lithograph...

John Hoyland was a British artist and one of the country's leading abstract painters. Hoyland was born in Sheffield, Yorkshire, and educated at Leighton Park School, before going on...

The pleasure we share is an original artwork realized by Ugo Nespolo. Serigraph in 44 colors, glitter collage interventions, gilded and silver details and dry chalcography. Hand-s...

Large, scarce limited edition color aquatint by Alexander Calder, from a limited edition of 90. Signed by Calder and numbered in pencil. Printed and published by 2RC Edizioni d'Art...

A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...

Color engraving, representing 99 maritime flags in 1756, bearing the inscription: Made in the Cartes de la Marne depot for the service of the Roy's vessels by Order of M. de Machault Keeper of the Seals of France, by Sr. Bellin Engineer of the Navy. 1756 Gravure en couleurs, représentant 99 pavillons maritimes en 1756, portant l'inscription : Fait au dépôt des Cartes de la Marne pour le service des vaisseaux du Roy par Ordre de M. de Machault garde des Sceaux de France, par Sr. Bellin Ingénieur de la Marine 1756 Includes early marine flag...

Artist: Julian Opie Title: Ruth Smoking 5 Portfolio: 26 Portraits Medium: Screenprint Date: 2006 Edition: 250 Frame Size: 21 1/4" x 16 1/2" Sheet Size: 15" x 9 3/4" Signature: Unsigned

Erté Six Serigraph with gold foil on paper 1980 Ed: 205/350 18 x 13.5 inches, 28 x 23.5 (framed) Hand-signed in pencil lower right recto and numbered in pencil lower left recto

Artist: Marc Chagall Title: Blue Still Life Portfolio: Derriere le Miroir 99-100 Medium: Lithograph Date: 1957 Edition: 2500 Frame Size: 19 1/2" x 17 3/4" Sheet Size: 15" x 11" Signa...

"Medinet Abou, Thebes" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon ...

Artist: Gene Davis Title: Royal Curtain Medium: Screenprint on Arches paper Date: 1980 Edition: 185/250 Frame Size: 35" x 26 1/2" Sheet Size: 29 3/4" x 21 3/4" Signature: Hand signed...

"L'oiseau de sables" ("Bird of the Sands") is an original signed lithograph by Georges Braque executed in 1962. It is 37 of an edition of 125. The work is one of five lithographs cre...

Artist: Joan Miro Title: Miro as Sculptor Medium: Lithograph in colors Date: 1976 Edition: Unnumbered Frame Size: 15 1/8" x 22 3/4" Sheet Size: 7 7/8" x 15 1/2" Signature: Signed in ...

Artist: Pablo Picasso Title: Square Head of a Woman Pouting (Plate XIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet S...

Artist: Joan Miro Title: Plate 13 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 1...

Title: Zion Subject: Various biblical images depicting Creation and prayer 1922 Medium: woodcut Frame: 14" x 18" Image: 12.5" x 16.75" Provenance: owned and signed verso by Peter Keil. Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis. Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community. He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg. As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period. His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition. In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure. In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students. In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival. Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable. Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available). In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius. They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed. In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period. In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success. In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany. In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art. Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...

Antoni Tapies (Spanish, 1923-2012) Color Etching, aquatint and polychrome carborundum print Estisores-2, c. 1979 Hand signed and numbered 31/75 in pencil in the lower margin, publi...

This Peace and Freedom print is a new take on symbols and themes that have been consistent in my art for several years. The text and imagery speak for themselves, but basically, the ...

ICES Cornflower Blue, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex co...

ICES Satsuma Orange, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coa...

Heidler & Heeps Vinyl Collection Twenty-Five Piece Multi-color Starburst Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborate...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Ephraim Bonus (B278), Year: 1878 (of original 1647), Medium: Heliogravure, Image Size: 8 x 6.75 inches, Size...

Artist: Joan Miro Title: Plate 6 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

Artist: Joan Miro Title: Plate X Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 26" Sheet Size: 12 1/2" x 20" Image Size: 12 1/2" x ...

Rare Limited Edition Serigraph of John Lennon's "A Cat Climbing" originally drawn in 1977, this limited edition was released by Bag One Arts (The Lennon Estate) in 1999 and has been...

All the hype is an original artwork realized by Ugo Nespolo. Serigraph in 44 colors, glitter collage interventions, gilded and silver details and dry chalcography. Hand-signed and...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Heidler & Heeps Vinyl Collection Set of Three Framed Artworks. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

Artist: Marc Chagall Title: Self-Portrait (Frontispiece) Portfolio: Mourlot Lithographe I Medium: Lithograph Date: 1960 Edition: Unnumbered Frame Size: 19 3/4" x 16 5/8" Sheet Size: ...

Heidler and Heeps Vinyl Collection 7" B Side Recording. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising...

This figurative art print communicates the essence of timeless style. A neutral, atmospheric background creates an evening-like ambience. This art print comes professionally framed i...

A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...

"Derriere Le Miroir" is an original color lithograph created by the artist Saul Steinberg. Edition: 53/150 Artwork Size: 14"x 20" Frame Size: 33 1/8"x 25 5/8" From the Saul Steinb...

Artist: Jean Arp Title: Constellations Portfolio: XXe Siecle No. 4 Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19 3/4" x 16 3/4" Sheet Size: 12 5/8" x 9 5/8" Signature...