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Ian Laurie
Red Door Cottage Contemporary limited edition etching

2013

$200List Price

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Standing Still IV. Contemporary Mono Print
By Barbara Wagner
Located in Brecon, Powys
Inspired by Stonehenge in England Relief monoprints on Arches 88 paper. 1 of 1 20cm x 20cm
Category

2010s Contemporary Landscape Prints

Materials

Monoprint

Standing Still V. Contemporary Mono Print
By Barbara Wagner
Located in Brecon, Powys
Inspired by Stonehenge in England Relief monoprints on Arches 88 paper. 1 of 1 20cm x 20cm
Category

2010s Contemporary Landscape Prints

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Red Door. Limited Edition Etching
By Ian Laurie
Located in Brecon, Powys
Red Door (In Blue). Typical Laurie style, well collected artist. Signed limited edition etching. Numbered 18 of 25. Each one of the edition is ...
Category

2010s Contemporary Still-life Prints

Materials

Etching

Sepia Seascape, Limited Edition Etching
By Ian Laurie
Located in Brecon, Powys
Sepia Seascape by Ian Laurie. Limited edition 5/25, signed and numbered Sepia view from the clifftops out to sea, pleasing work by this very well coll...
Category

21st Century and Contemporary Contemporary Landscape Prints

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Sailing:Contemporary Limited Edition Etching
By Ian Laurie
Located in Brecon, Powys
Signed Limited Edition Etching from the studio of this Collected British Artist. 46 of 50. each one of the edition is different in color giving...
Category

2010s Contemporary Landscape Prints

Materials

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Homeless. 19th Century Etching
By Charles-Jean-Louis Courtry
Located in Brecon, Powys
A very poignant depiction. A H Marsh is one of the English artists who devoted themselves to the representation of pathetic subjects. The gravity of this painter's idea is always to ...
Category

Late 19th Century Realist Portrait Prints

Materials

Etching

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Autumn Pine, Limited edition print, Landscape, Tree, Nature art
By Fiona Hamilton
Located in Deddington, GB
This print of a pine tree uses kitakata Japanese tissue chine collé to depict the warmth and colour of early autumnal light. It is then backed onto Hahnemule printmaking paper. The subject matter is from Ashton Court Estate in Bristol. This body of work is based on the book by Suzanne Simard, 'Finding the Mother Tree'. Trees communicate via mycorrhizal fungi to trade water and other nutrients. Ancient and mature trees nurture their offspring via these networks, as well as trading nutrients between other species. Botanist Simard has spent years working on this theory as part of a wider body of work, discovering what it means for forests, the climate and the wider Anthropocene. My work explores the ecological sublime and an appreciation of the majesty of nature. I use detailed intaglio etching, drypoint, lithography and chine collé to draw the viewer into an ethereal landscape that has an impact on our sense of place in relation to the natural world. I use primarily black and white with natural tones of chine collé and sometimes layers of lithographic texture to introduce warmth to the stark palette and to invoke a sublime emotional connection. I work from sketches, photographs, notes and memory to create my prints. ADDITIONAL INFORMATION: Black & White, Chine Collé, Drypoint, Drypoint print, Etching, Etching print on Paper Edition of 20 44 H x 32 W x 1 D cm (17.32 x 12.60 x 0.39 in) Sold unframed Image size: Height: 30cm (11.81 in) Width: 20cm (7.87 in) Complete size of sheet Height: 44cm (17.32 in) Width: 32cm (12.60 in) Depth: 1cm (0.39 in) ARTIST BIOGRAPHY: Fiona Hamilton is a printmaker based in Bristol. Interested in process she uses a combination of mediums, both traditional and contemporary, to produce unique imagery, often as one off pieces or in small limited editions. She currently works in silkscreen, cyanotype and foil. Fiona’s artwork draws on a lot of natural themes such as plants, leaves, trees and creatures including lots of birds. She mostly works directly from nature or from photographs she has taken. She regularly lugs a heavy telephoto lens about to get photos of birds...
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