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Joe TilsonSix Mark Stones - Original Erching by Joe Tilson - 19761976
1976
About the Item
Six Mark Stones is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson, and published by La Nuova Foglio, a publishing house of Macerata as the dry-stamp reportes on the lower right corner.
Image dimensions: 28.4x37.8 cm.
Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions.
This a plate is from the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson; and represents six mark stones as the title points.
A copy of the same print is part of the Tate Gallery's collection.
Joe Tilson (London, 1928 -)
The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools and at the School of visual art in New York (1966). He is among the protagonists of English pop art, Joe Tilson. has experimented with various materials such as paints, wood, plexiglass, and various techniques, from collage to photomontage, to engraving, reaching, in the Sixties, original solutions with the series of paintings and constructions inspired by the interlocking games of children (Key series -box; Spiral-box; etc.) or the theme of the ziqqurat. his works today are found at the Tate Gallery in London, at the Museo de arte in San Paolo, at the Kunsthalle in Basel, etc.
- Creator:Joe Tilson (1928, British)
- Creation Year:1976
- Dimensions:Height: 13.78 in (35 cm)Width: 19.69 in (50 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1022231stDibs: LU65034667442
Joe Tilson
Joe Tilson (1928 – Present) Tilson was born on 24th August, 1928 in London, England. Tilson served in the Royal Air Force from 1946 – 49, after which he studied at St Martin’s School of Art (1949-1952) and the Royal College of Art (1952 – 1955). He won the Rome Prize for graduation, taking him to Italy from 1955 - 1957. From 1958 – 1963, Tilson taught at St Martin’s School of Art, the Slade School of Fine Art, University College London and the School of Visual Arts, New York. During the 1960s, Tilson’s artistic career took off as he attracted attention for his unique wooden reliefs and constructions, prints and paintings in the emerging British Pop Art style. He held his first solo exhibition at the Marlborough Galley, London in 1962. In 1977, Tilson joined the Waddington Galleries, exhibited at the Alan Cristea Gallery and the Giò Marconi Galleries in Milan. At the Venice Biennale in 1964, Tilson’s work began to gain international popularity, earning him a retrospective at the Boyman’s Museum, Rotterdam later that year. Growing anti-consumerist feeling in the 1970s pushed Tilson to begin to incorporate a wider variety of materials in his work, including stone, straw and rope to create a timeless feel to his work. This body of work was called Alchera, and was a huge success. Tilson was made a Royal Academician in 2002 which was celebrated with a retrospective exhibition in the same year at the Royal Academy entitled Joe Tilson: Pop to Present. Tilson is collected internationally, including at the Arts Council England, London; the British Library, London; Christchurch College, Oxford; the Ludwig Múzeum, Budapest; the Tate, London; Royal Academy of Arts, London; Scottish National Gallery of Modern Art, Edinburgh; The Royal Collection; Victoria and Albert Museum, London; Museum of Modern Art (MoMA), New York and the Yale Centre for British Art, New Haven
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By Joe Tilson
Located in Roma, IT
White Horse, Woodhenge is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson.
Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions.
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Composed by three different etchings, each of these titled on the right margin, the general composition is a wonderful final effect.
A copy of the same print is preserved at the Tate Gallery.
Joe Tilson (London, 1928 -)
The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...
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Image dimensions 38.5x18 cm
Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions.
From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson, this contemporary original print represents a white horse in a primitive style on a black foreground, a "εpεkalov" prepresented ina detailed way as in the naturalistic essays, and a woodhenge, as it is reported on the right of each etchings.
Composed by three different etchings, each of these titled on the right margin, the general composition is a wonderful final effect.
A copy of the same print is preserved at the Tate Gallery.
Joe Tilson (London, 1928 -)
The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...
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Cerne Abbas, Giant, Tump - Original Erching by Joe Tilson - 1976
By Joe Tilson
Located in Roma, IT
Cerne Abbas, Giant, Tump is a colored etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson.
Image dimension: 38.5x18 cm.
Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions.
From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson.
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Composed by three different etchings, each olf these titled on the right margin, this is a very interesting contemporary artwork not to be missed for your home collection!
A copy of the same print is preserved at the Tate Gallery.
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Hand signed and numbered in pencil.
Excellent condition.
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