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Medium: Permanent Marker
Peter Halley, Jablonka Galerie, Köln rare exhibition poster (Hand Signed)
By Peter Halley
Located in New York, NY
Peter Halley
Jablonka Galerie, Köln (Hand Signed), 1990
Offset lithograph (Hand Signed by Peter Halley)
26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6)
Signed by Peter Halley ...
Category
1990s Abstract Geometric Permanent Marker More Prints
Materials
Offset, Permanent Marker, Lithograph
Dream of William Burroughs (rare 1970s limited edition lithograph) for Earth Day
Located in New York, NY
ROBERT RAUSCHENBERG
Dream of William Burroughs, 1972
Offset lithograph
34 1/2 × 24 inches
Edition 103/150
Signed, dated and numbered in black marker on the front
Unframed
Wonderful early 1970s print
Words appearing in a dream of William Burroughs
Co-published by Automation House and E.A.T., produced by Local One, Amalgamated Lithographers of America, New York
Signed and numbered 103/150 in black marker
This work is registered with the Robert Rauschenberg archives, reference number:
RRF 72.E001
Text reads:
THEY DID NOT FULLY UNDERSTAND THE TECHNIQUE. IN A VERY SHORT TIME THEY NEARLY WRECKED THE PLANET.
More information about this work from the Rauschenberg Foundation:
Lithopinion 26, the current affairs and graphic arts journal, dedicated its summer 1972 edition to the subject of “Our Transportation Mess.” Among the contributors were Theodore Kheel, who was a lawyer, leading labor mediator and arbitrator, as well as an environmentalist, and Senator Edward Kennedy. Kheel commissioned artists such as Romare Bearden, Christo, and Rauschenberg, his friend and client, to address the transportation system in the United States.
Rauschenberg’s contribution was inspired by a dream that William Burroughs, the Beat writer, had described to him, and which resulted in the lithograph Dream of William Burroughs (1972) published by Experiments in Art and Technology (E.A.T.). Surrounded by images of various modes of transportation, the lithograph includes the words: “They did not fully understand the technique / in a very short time they nearly wrecked the planet.” As an E.A.T. board member, Kheel understood, like Rauschenberg, that environmentalism and technology were not conflicting views but symbiotic relationships. In Lithopinion 26, E.A.T. stated that it “supports technology when it tries to help people achieve their human potentiality [and] criticizes it when it doesn’t.”
About Robert Rauschenberg:
Robert Rauschenberg ushered in a new era of postwar American art in the wake of Abstract Expressionism. His approach, along with that of his contemporary Jasper Johns, was sometimes termed “Neo-Dada,” due to its relation to both European forebears and the physical gestures of American Abstract Expressionists. His Combine works (1954 to early 1960s) blurred the distinctions between painting and sculpture, as their flat surfaces were augmented with discarded materials and appropriated images. Rauschenberg also worked with photography, printmaking, papermaking, and performance, the last of which resulted in a number of collaborations with choreographers, including Merce Cunningham, Paul Taylor, and Trisha Brown. Rauschenberg was among the founding members of the innovative group Experiments in Art and Technology (E.A.T.) in 1966, and in 1984 he established the Rauschenberg Overseas Culture Interchange (ROCI) to bring art to communities around the world, saying, “I feel strong in my beliefs, based on my varied and widely traveled collaborations, that a one-to-one contact through art contains potent peaceful powers, and is the most non-elitist way to share exotic and common information, seducing us into creative mutual understandings for the benefit of all.” Rauschenberg’s nontraditional art practice and creative energy generated an enduring influence that impacted generations of artists, as noted by art historian Branden W. Joseph: “Rauschenberg’s was a position with which artists across the board were confronted and to which they almost necessarily had to respond. … Rauschenberg’s work served as a stimulus, an impetus and a challenge.”
Robert Rauschenberg was born in 1925, in Port Arthur, Texas and died on Captiva Island, Florida in 2008. He has had numerous exhibitions worldwide, including “Robert Rauschenberg: A Retrospective,” Solomon R. Guggenheim Museum, New York (1997, traveled to Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Museum Ludwig, Cologne and Guggenheim Museum, Bilbao, through 1999); “Combines,” Metropolitan Museum of Art, New York (2005, traveled to Museum of Contemporary Art, Los Angeles, Centre Pompidou, Paris, and Moderna Museet, Stockholm in 2007); “Cardboards and Related Pieces,” Menil Collection, Houston (2007); “Traveling ‘70–‘76,” Museu de Arte Contemporânea de Serralves, Porto (2008, traveled to Haus der Kunst, Munich, and Madre, Naples in 2009); “Gluts,” The Peggy Guggenheim Collection, Venice (2009, traveled to The Tinguely Museum, Basel, Guggenheim Museum Bilbao, and Villa e Collezione Panza, Varese in 2010); and “Botanical Vaudeville,” Inverleith House, Royal Botanic Garden, Edinburgh (2011). Gagosian Gallery first exhibited Robert Rauschenberg’s work in 1986.
About William Burroughs
William S. Burroughs was a Beat Generation writer known for his startling, nontraditional accounts of drug culture...
Category
1970s Pop Art Permanent Marker More Prints
Materials
Offset, Permanent Marker, Lithograph
Sculpture: Forty Years (Book hand signed by Richard Serra)
Located in New York, NY
Richard Serra
Sculpture: Forty Years (Hand signed by Richard Serra), 2007
Hardback monograph (Signed by Richard Serra on the title page)
Hand signed with marker by Richard Serra on t...
Category
Early 2000s Minimalist Permanent Marker More Prints
Materials
Mixed Media, Permanent Marker, Lithograph, Offset
Limited Edition Skate Deck (Hand Signed and Dated by renowned Minimalist artist)
Located in New York, NY
Christopher Wool
Skate Deck, 2008 (Hand Signed and Dated 2017)
Silkscreen on Maplewood (Hand Signed by Christopher Wool, with a dateline of New York, 2017)
31 × 8 × 3/10 inches
Boldly signed and dated 2017 with the dateline "NYC" in black marker
This skateboard was created in 2008 by Supreme, Inc. and is signed on the deck...
Category
Early 2000s Contemporary Permanent Marker More Prints
Materials
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Glaspalast Edition poster, Munich, Germany 1996 (Hand Signed by Sean Scully)
By Sean Scully
Located in New York, NY
Sean Scully
Munich 1996 (Hand Signed), 2001
Offset Lithograph poster Hand signed and dated by Sean Scully in 2018
Boldly signed in black marker on the recto. Hand signed by Sean Scul...
Category
Early 2000s Abstract Permanent Marker More Prints
Materials
Lithograph, Offset, Ink, Permanent Marker
Correspondence by L. Gischia to N. Jacometti - 1960
By Léon Gischia
Located in Roma, IT
This Correspondence between Léon Gischia and Nesto Jacometti, written in French and Italian , in 1960, is composed of 7 items, prefectly readable and in excellent conditions, except...
Category
1960s Surrealist Permanent Marker More Prints
Materials
Permanent Marker
Happy New Year - Drawing by L. Gischia - 1960
By Léon Gischia
Located in Roma, IT
Happy New Year is an original black marker drawing on paper with autograph wishing notes by the French artist Léon Gischia to Nesto Jacometti, editor and collector of Graphic art.
...
Category
1960s Surrealist Permanent Marker More Prints
Materials
Permanent Marker
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Permanent Marker more prints for sale on 1stDibs.
Find a wide variety of authentic Permanent Marker more prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Léon Gischia, Robert Rauschenberg, Richard Serra, and Christopher Wool. Frequently made by artists working in the Surrealist, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Permanent Marker more prints, so small editions measuring 0.04 inches across are also available Prices for more prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $44 and tops out at $225,000, while the average work can sell for $956.
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