Moses Harris

The Aurelian, A Natural History English Moths Butterflies Plate XXVII 1778 ed.

1778

“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...

Cartographers Christopher (1786-1855) and John (1791-1867) Greenwood were surveyors from Yorkshire, who undertook an ambitious project to produce a series of large-scale maps of the counties of England, Wales and Scotland.The maps represent a remarkable and impressive surveying achievement forming an important record of the counties depicted. In the years 1817-1832 the Greenwood brothers published the Atlas of The Counties of England from an Actual Survey. This Atlas was finely drafted and engraved and decorated with large vignettes of prominent buildings of the county. This map of Buckingham County is beautifully hand colored and is in very good condition. There is a vignette of Stowe House...

Gouvernement general de l'Isle de France : ou sont la France, le Valois, Soissonnois, le Beauvaisis, Laonnois, la Brie, Francoise, l'Hurepoix noyonnois et les comtes de Senlis et de ...

“INTERIORS IV : HOTEL PARADISE” Contemporary artist Peter Milton created this etching and engraving in 1987. The printed Image size is 24 x 35.50 inches and the paper size is 30.75 x 41.75 inches. This impression is signed, dated, and titled in pencil, and inscribed “84/175” – the 84th impression of an edition of 175 pieces. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.” – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...