1960s More Prints

Marc Chagall - Cover - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Marc Chagall (born in 1887) Marc Chaga...

Pablo Picasso (1881-1973) - Deux femmes nues Lithograph from 1967. The edition of 89/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the pu...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Pablo Picasso (1881-1973) - Femme nue couchée et joueur de flûte Lithograph from 1967. The edition of 29/500 on Auvergne Richard de Bas paper. With two watermarks - one of the pap...

Salvador Dali (1904-1989) - The Inferno, Canto 25 - The Centaur Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is in Exc...

Vintage original Wimbledon Tennis Poster - 1970s Daily Express Artwork by Don Knight. The poster showcases a humorous and eye-catching illustration, with the word "Wimbledon" prominently displayed, capturing the tournament's spirit. Celebrate Wimbledon's timeless charm with this original Daily Express Tennis Poster by the renowned artist Don Knight. This vibrant and whimsical poster, with its unique Wimbledon-inspired artwork, captures the essence of the prestigious tennis tournament. Its vibrant colors, pink 'Wimbledon' text, and tennis ball and racquet imagery make it a must-have for any tennis enthusiast or art collector. This eye-catching poster, with its bold graphic design, captures the playful spirit of Wimbledon. The cartoon-style illustration shows a tennis player with an oversized pink "Wimbledon" text across their midsection, a yellow tennis...

Marc Chagall (1887-1985) - Then Moses assembled all the Congregation of the children of Israel, and sayde unto them... Lithograph from 1966. The edition of 20 on Japanese paper. D...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Marc Chagall (1887-1985) - The Bay of Angels Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Salvador Dali (1904-1989) - The Paradise, Canto 22 - The Angel of the Seventh Sphere Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm...

Raoul Ubac - Rythm - Original Woodcut Title: Rythm Dimensions: 32 x 24 cm Revue Art de France The painter-sculptor Raoul Ubac was born in 1910 in Malmédy (Ardennes, Belgium). He wen...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm As published in Chagall Lithographe 1957-1962. VOLUME II. Unsigned, as issued, from the edition of several thousand Condition : Excellent Reference: Mourlot/Gauss 401 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion...

Pablo Picasso (1881-1973) - The Goat at the Fence Phototype and pochoir from 1962. From the edition of 1,000 copies, this example is number 334, as noted in the colophon. Dimensio...

Original Lithograph by Jean Cocteau Title: Taureaux Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau Writer, artist and fi...

Pablo Picasso (1881-1973) - Hic Phototype and pochoir from 1962. From the edition of 1,000 copies, this example is number 334, as noted in the colophon. Dimensions of sheet: 40 x ...

Pablo Picasso (1881-1973) - Minoutaure et nue Lithograph from 1967. The edition of 29/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the p...

Pablo Picasso (1881-1973) - Guitare Lithograph, pochoir from 1962. An unnumbered copy from a limited edition of 261. Dimensions of work: 48.5 x 36 cm Publisher: Leda, Éditions d'...

This vibrant original poster by Henri Matisse was published by the French Tourism Office to promote tourism in the South of France. Printed by the renowned Atelier Mourlot, it captur...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Les Rois Mages Book containing 6 etchings and one lithograph on Arches blanc including 2 by Salvador Dali: "L'Incantation and Isis soutenant Osiris mutile", the other 5 by: Hans Bell...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 27 x 37.9 cm Dimensions in frame: 43.2 x 53.2 cm Publisher: Éditions Cercle d'...

Pictured in this Jim Dine lithograph is Sybil Vane, the innocent yet glamorous actress and object of Dorian Gray's affection and obsession in Oscar Wilde's novel The Picture of Doria...

Pablo Picasso (1881-1973) - Nature morte à la coupe Lithograph, pochoir from 1962. An unnumbered copy from a limited edition of 266. Dimensions of work: 48.5 x 36 cm Publisher: L...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

Salvador Dali (1904-1989) - The Purgatory, Canto 14 - A Spirit Questions Dante Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publ...

Salvador Dali (1904-1989) - The Purgatory, Canto 25 - Mounting the Seventh Terrace, Lust Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43....

"Marc Chagall (1887-1985) - L'apparition au Cirque Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condi...

Pablo Picasso (1881-1973) - Peintre et modèle aux cheveux longs Etching and aquatint on Auvergne paper from 1966. With Pablo Picasso watermark. The edition of III/X. Dimensions o...

Image dimensions: 38 x 28 cm. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Velin d'Arches. Includes passepartout. Hans Be...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Salvador Dali (1904-1989) - The Purgatory, Canto 11 - The Proud Ones Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les...

Salvador Dali (1904-1989) - The Inferno, Canto 9 - The Furies Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les Heure...

The Giants - Hell Plate 2 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited editi...

Salvador Dali (1904-1989) - The Paradise, Canto 27 - The Gloria Patri Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Le...

The Purgatory, Canto 2 - The Purgatory, Canto 2 - La Barque du Nocher Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Le...

101.6 x 71.1 cms (40 x 28 ins) Edition of 40 Signed lower left; numbered lower centre, printer's chop lower right. Publisher: Hollander's Workshop, New ...

Salvador Dali (1904-1989) - The Inferno, Canto 14 - Blasphémateurs Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les H...

Salvador Dali (1904-1989) - The Paradise, Canto 6 - The Sphere of Mercury Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher...

Salvador Dali (1904-1989) - The Inferno, Canto 22 - The Liars Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les Heures...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

Artist: Le Corbusier Medium: Lithographic Poster, 1963 Dimensions: 29.5 x 19.25 in, 74.9 x 48.9 cm Classic Poster Paper - Perfect Condition A+ This rich and beautiful lithographi...

Original vintage poster: "BUS RILEY'S BACK IN TOWN". Horizontal format theater release movie poster. Very good to excellent condition. Ready to frame. Cleaned and starched.. This is an original 22...

Salvador Dali (1904-1989) - The Paradise, Canto 3 - The First Sphere Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les...

"The Arts Council of Great Britain asked Richard Hamilton to organise a Duchamp retrospective at the Tate Gallery in 1966. The almost complete works of Marcel Duchamp opened on 18 Ju...

Salvador Dali (1904-1989) - The Paradise, Canto 1 - Dante Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les Heures Cla...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

Marc Chagall (1887-1985) - And in those dayes, when Moses was growen, he went foorth unto his brethren, and looked on their burdens Lithograph from 1966. The edition of 20 on Japan...

Salvador Dali (1904-1989) - The Purgatory, Canto 24 - The Tree of Penitence Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publish...

Salvador Dali (1904-1989) - The Inferno, Canto 7 - The Avaricious and the Prodigal Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm ...

Marc Chagall (1887-1985) - The Angel Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Alfred Jensen Duality Triumphant I (Mid Century Modern Geometric Abstraction), 1963 Color Silkscreen on wove paper Pencil signed, dated, named and number 19/52 by Alfred Jensen on th...

Hand signed and numbered. Edition of 120 copies. Provenance: "La Rive Gauche" 28/4/1970.

Salvador Dali (1904-1989) - The Inferno, Canto 17 - The Usurers Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les Heur...

Salvador Dali (1904-1989) - The Inferno, Canto 12 - The Minotaur Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les Heu...

Salvador Dali (1904-1989) - The Inferno, Canto 25 - The Centaur Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les Heur...

Salvador Dali (1904-1989) - The Purgatory, Canto 31 - Dante's Confession Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher:...

Salvador Dali (1904-1989) - The Paradise, Canto 23 - Triumph of Christ and the Virgin Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 c...

This colorful lithographic was printed at the Atelier Mourlot in 1984 after Miro's 'Personnage et Oiseua', 1969, depicting the abstract form of a head with birds. This print has been blind embossed with the Galerie Mourlot...

Les Infortunes de la Vertu is a modern artwork realized by Hans Bellmer. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Véli...