1960s More Prints
2
to
84
686
250
61
190
755
175
9
212
201
204
208
115
Overall Height
to
Overall Width
to
180
125
109
51
20
4
2
1
13
9
8
8
5
5
5
3
3
3
3
2
2
2
2
1
1
1
1
1
228
677
6,166
3,757
81
155
290
543
536
727
940
1,013
633
426
143
40
34
28
26
19
383
351
87
48
47
Period: 1960s
The original limited edition 1965 Los Angeles County Museum of Art LACMA poster
Located in New York, NY
Alexander Calder
The original Los Angeles County Museum of Art poster, 1965
Limited Edition vintage Offset Lithograph
32 × 24 3/4 inches 81.3 × 62.9 cm
Edition of 300
This is the OR...
Category
Modern 1960s More Prints
Materials
Lithograph, Offset
The House in My Village, from 1960 Mourlot Lithographe I
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: The House in My Village
Portfolio: Mourlot Lithographe I
Medium: Lithograph
Year: 1960
Edition: Unnumbered
Framed Size: 21 7/8" x 18 7/8"
Image Size: 12 1...
Category
Modern 1960s More Prints
Materials
Lithograph
Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
By Joan Miró
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò.
Mixed colored lithograph.
The poster was realized in occasion of the exhibition of the arti...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Original Vintage Travel Poster Africa SAS Airline Otto Nielson Elephants Design
Located in London, GB
Original vintage travel poster - Africa by SAS Scandinavian Airlines System - featuring stunning artwork by the notable Danish artist Otto Nielsen (1916-2000) of elephants walking in...
Category
1960s More Prints
Materials
Paper
Original "The Honeymoon Machine" U. S. 1-sheet movie poster
Located in Spokane, WA
Honeymoon Machine, original 1 sheet U. S. theater poster; acid-free archival linen backed; this poster is ready to frame. Very fine condition with original theater-issued fold mark...
Category
American Modern 1960s More Prints
Materials
Offset
Very Scarce Original Vintage Sport Poster Rome Olympic Games Italy Testa Russian
Located in London, GB
Very scarce original vintage sport poster for the XVII Olympic Games in Rome featuring a great design by Armando Testa (1917-1992) with a Russian text. Design depicts the twin brothe...
Category
1960s More Prints
Materials
Paper
Acrobats at Play, from 1963 Mourlot Lithographe II
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Acrobats at Play
Portfolio: Mourlot Lithographe II
Medium: Lithograph
Date: 1963
Edition: Unnumbered
Frame Size: 21 7/8" x 18 7/8"
Sheet Size: 12 3/4" x 9...
Category
Modern 1960s More Prints
Materials
Lithograph
Woman Juggler, from 1960 Mourlot Lithographe I
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Woman Juggler
Portfolio: Mourlot Lithographe I
Medium: Lithograph
Year: 1960
Edition: Unnumbered
Framed Size: 21 7/8" x 18 7/8"
Image Size: 12 1/2" x 9 1/...
Category
Modern 1960s More Prints
Materials
Lithograph
Apparition at the Circus, from 1963 Mourlot Lithographe II
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Apparition at the Circus
Portfolio: Mourlot Lithographe II
Medium: Lithograph
Date: 1963
Edition: Unnumbered
Frame Size: 21 7/8" x 18 7/8"
Sheet Size: 12 ...
Category
Modern 1960s More Prints
Materials
Lithograph
Original Vintage Asia Travel Poster Ramayana Ballet Festival Indonesia Temple
Located in London, GB
Original vintage travel advertising poster for the Ramayana Ballet Festival Indonesia every full moon June-October featuring a monkey god dance performance with an ancient temple and...
Category
1960s More Prints
Materials
Paper
Original Vintage Asia Travel Poster Taiwan Republic Of China Taipei Cheongsam
Located in London, GB
Original vintage travel poster for Taiwan Republic of China issued by the Taiwan Visitors Association featuring a colourful design depicting a lady wearing a traditional cheongsam dr...
Category
1960s More Prints
Materials
Paper
Original Vintage Travel Advertising Poster USA Aer Lingus Irish Airline Treidler
Located in London, GB
Original vintage travel advertising poster for the USA by Aer Lingus Irish International Airlines featuring an illustration of New York skyscrapers rising into the blue sky with boat...
Category
1960s More Prints
Materials
Paper
Original Vintage Art Exhibition Poster Bauhaus Chicago Illinois Herbert Bayer
Located in London, GB
Original vintage exhibition poster for 50 Years Bauhaus held from 25 August to 26 September 1969 held at the S.R. Crown Hall Illinois Institute of Technolog...
Category
1960s More Prints
Materials
Paper
The Angel, from 1960 Mourlot Lithographe I
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: The Angel
Portfolio: Mourlot Lithographe I
Medium: Lithograph
Year: 1960
Edition: Unnumbered
Framed Size: 21 7/8" x 18 7/8"
Image Size: 12 1/2" x 9 1/2"
S...
Category
Modern 1960s More Prints
Materials
Lithograph
Pablo Picasso - Painter and His Model - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Pablo Picasso - Painter and His Model - Original Lithograph
1964
Dimensions: 30 x 20 cm
Edition of 200 (one of the 200 on Vélin de Rives)
Mourlot Press, 1964
Unsigned and unumbered ...
Category
Modern 1960s More Prints
Materials
Lithograph
Marc Chagall - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
Reference: Chagall Lithographe 1957-1962. VOLUME II.
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Original Vintage Travel Poster Poland Where You Can Relax Cranes Jodlowski
Located in London, GB
Original vintage travel poster for Poland where you can really relax / Pour vous relaxer venez en Pologne featuring stunning artwork by the Polish artist Tadeusz Jodłowski (1925-2015...
Category
1960s More Prints
Materials
Paper
Original Vintage Railway Poster Auvergne By Dali For SNCF Butterfly Abstract Art
Located in London, GB
Original vintage travel advertising poster for Auvergne featuring an iconic butterfly design by the renowned surrealist artist Salvador Dali (1904-1989) for the state owned French Na...
Category
Surrealist 1960s More Prints
Materials
Paper
Marc Chagall - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
Reference: Chagall Lithographe 1957-1962. VOLUME II.
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Marc Chagall - Inspiration - Original Lithograph from "Chagall Lithographe" v. 2
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph from Chagall Lithographe 1957-1962. VOLUME II.
1963
Dimensions: 32 x 24 cm
From the unsigned edition of 10000 copies without margins
Reference: Mourlot 398
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Marc Chagall - Flowered Clown - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
From Chagall Lithograph II
Reference: Mourlot 399
Condition : Excellent
Unsigned and unumbered as issued
Category
Surrealist 1960s More Prints
Materials
Lithograph
Femme, Lune, Étoile
By Joan Miró
Located in New York, NY
A very good impression of this color lithograph. Signed and numbered 26/300 in pencil by Miro. Published by Maeght, Paris, with the blind stamp lower left.
Catalogue reference: Mae...
Category
Surrealist 1960s More Prints
Materials
Color, Lithograph
Marc Chagall - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
Reference: Chagall Lithographe 1957-1962. VOLUME II.
Unsigned edition of over 5,000
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category
Surrealist 1960s More Prints
Materials
Lithograph
The Circus, from 1960 Mourlot Lithographe I
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: The Circus
Portfolio: Mourlot Lithographe I
Medium: Lithograph
Year: 1960
Edition: Unnumbered
Framed Size: 21 7/8" x 18 7/8"
Image Size: 12 1/2" x 9 1/2"
...
Category
Modern 1960s More Prints
Materials
Lithograph
Original Vintage General Post Office Poster Stanton Cotswolds Correct Address
Located in London, GB
Original vintage General Post Office poster - This is Stanton in the Cotswolds Correct Address: Stanton, Broadway, Wores Please use your correct addres...
Category
1960s More Prints
Materials
Paper
Toronto 20
By Jack Bush
Located in Toronto, Ontario
Jack Bush (1909-1977) is known as one of Canada’s most successful abstract artists of the 20th century. In the 1960's he achieved international recognition for his works that positio...
Category
Color-Field 1960s More Prints
Materials
Screen
The Clown with Flowers, from 1963 Mourlot Lithographe II
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: The Clown with Flowers
Portfolio: Mourlot Lithographe II
Medium: Lithograph
Date: 1963
Edition: Unnumbered
Frame Size: 21 7/8" x 18 7/8"
Sheet Size: 12 3/...
Category
Modern 1960s More Prints
Materials
Lithograph
Inspiration, from 1963 Mourlot Lithographe II
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Inspiration
Portfolio: Mourlot Lithographe II
Medium: Lithograph
Date: 1963
Edition: Unnumbered
Frame Size: 21 7/8" x 18 7/8"
Sheet Size: 12 3/4" x 9 5/8"...
Category
Modern 1960s More Prints
Materials
Lithograph
Profile and Red Child, from 1960 Mourlot Lithographe I
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Profile and Red Child
Portfolio: Mourlot Lithographe I
Medium: Lithograph
Year: 1960
Edition: Unnumbered
Framed Size: 21 7/8" x 18 7/8"
Image Size: 12 1/2...
Category
Modern 1960s More Prints
Materials
Lithograph
Nocturne at Vence, from 1963 Mourlot Lithographe II
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Nocturne at Vence
Portfolio: Mourlot Lithographe II
Medium: Lithograph
Date: 1963
Edition: Unnumbered
Frame Size: 21 7/8" x 18 7/8"
Sheet Size: 12 3/4" x ...
Category
Modern 1960s More Prints
Materials
Lithograph
Plate 20, from 1965 Peintures sur Cartons
By Joan Miró
Located in Washington, DC
Artist: Joan Miro
Title: Plate 20
Portfolio: Peintures sur Cartons
Medium: Lithograph
Date: 1965
Edition: Unnumbered
Frame Size: 21 1/4” x 17 1/4”
Sheet Size: 15” x 11”
Image Size: 1...
Category
Abstract 1960s More Prints
Materials
Lithograph
Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
By Joan Miró
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a lithographed poster realized by Joan Mirò.
Mixed colored lithograph.
The poster was realized in occasion of the exhibition of the artis...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Marc Chagall - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
Reference: Chagall Lithographe 1957-1962. VOLUME II.
Unsigned edition of over 5,000
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
By Joan Miró
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò.
Mixed colored lithograph.
The poster was realized in occasion of the exhibition of the arti...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Hard Margins - Lithograph - 1964
Located in Roma, IT
La divina Commedia - Hard Margins is a Color Wood-cut on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 a...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
By Joan Miró
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò.
Mixed colored lithograph.
The poster was realized in occasion of the exhibition of the arti...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Omnes the Saba Venient - Lithograph - 1964
Located in Roma, IT
Antequam Exires De Vulva ... is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and ...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Plate 6, from 1965 Peintures sur Cartons
By Joan Miró
Located in Washington, DC
Artist: Joan Miro
Title: Plate 6
Portfolio: Peintures sur Cartons
Medium: Lithograph
Date: 1965
Edition: Unnumbered
Frame Size: 21 1/4” x 17 1/4”
Sheet Size: 15” x 11”
Image Size: 15...
Category
Abstract 1960s More Prints
Materials
Lithograph
Plate 13, from 1965 Peintures sur Cartons
By Joan Miró
Located in Washington, DC
Artist: Joan Miro
Title: Plate 13
Portfolio: Peintures sur Cartons
Medium: Lithograph
Date: 1965
Edition: Unnumbered
Frame Size: 21 1/4” x 17 1/4”
Sheet Size: 15” x 11”
Image Size: 1...
Category
Abstract 1960s More Prints
Materials
Lithograph
Plate 9, from 1965 Peintures sur Cartons
By Joan Miró
Located in Washington, DC
Artist: Joan Miro
Title: Plate 9
Portfolio: Peintures sur Cartons
Medium: Lithograph
Date: 1965
Edition: Unnumbered
Frame Size: 21 1/4” x 17 1/4”
Sheet Size: 15” x 11”
Image Size: 15...
Category
Abstract 1960s More Prints
Materials
Lithograph
Interaction of Color
By Josef Albers
Located in New York, NY
Portfolio with complete text folder, bound text volume and 80 color screenprints, loose as issued.
The German edition. Published by Josef Keller, Starnberg. Original cream paste boa...
Category
Abstract Geometric 1960s More Prints
Materials
Color, Screen
Abstract - Lithograph by Ossip Zadkine - 1960s
Located in Roma, IT
Hand signed.
Edition of 150 (140/150).
Very good condition.
Category
Cubist 1960s More Prints
Materials
Lithograph
Notes pour la Nouvelle Justine - Etching by Hans Bellmer - 1968
By Hans Bellmer
Located in Roma, IT
Notes pour la Nouvelle Justine is a contemporary artwork realized by Hans Bellmer.
Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968.
Co...
Category
Surrealist 1960s More Prints
Materials
Paper, Etching
Lucifer - Woodcut print - 1963
Located in Roma, IT
Lucifer - Paradise 9 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri.
Good conditions.
Limited edition of...
Category
Surrealist 1960s More Prints
Materials
Woodcut
La divine comédie Purgatoire 33 Dante purifié by Salvador Dali - Print multiple
Located in Geneva, CH
Color engraving on wood from the Dali's portfolio " The Divin Comedy"
Lithograph without numbering
Framed. Total size with frame 30x38 cm
In perfect condition
Category
Surrealist 1960s More Prints
Materials
Engraving, Lithograph
The Irascibile - Woodcut print - 1963
Located in Roma, IT
The Irascibile from the Series "The Divine Comedy" by Dante Alighieri is a woodcut print by Salvador Dalì , realized in 1963.
Good conditions. Not signed.
Plate n.8 (as reported o...
Category
Surrealist 1960s More Prints
Materials
Woodcut
Original 'Soccer' vintage lithograph posters a.k.a. "Heads Up", Spain
Located in Spokane, WA
Original Soccer vintage sports poster. Linen backed in very good condition, ready to frame. Printed by Ortega Company in Valencia.
This type of untitled vintage poster was commonly printed and the date of an upcoming game and team would be added at the bottom of the poster. Soccer games were played quite often, allowing the local team to advertise their events without reprinting a new poster for each game or event. This poster was printed as a full lithograph, so it was expensive to produce. There is no specific designation of which two teams are being shown here in this antique poster
The poster has a nickname of ‘heads-up,” as two of the players are in the air as they position themselves to control the soccer ball.
Valencia two main clubs, FC València and Levante UD, attract hordes of fans to their matches. Both clubs play in the First Division of La Liga...
Category
Kinetic 1960s More Prints
Materials
Lithograph
The Heretics - Woodcut print - 1963
Located in Roma, IT
The Heretics - Hell plate 10 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri.
Good conditions.
Limited e...
Category
Surrealist 1960s More Prints
Materials
Woodcut
Brunetto Latini - Woodcut Print - 1963
Located in Roma, IT
Brunetto Latini - Hell Plate 34 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on ...
Category
Surrealist 1960s More Prints
Materials
Woodcut
Les Infortunes de la Vertu - Etching by Hans Bellmer - 1968
By Hans Bellmer
Located in Roma, IT
Les Infortunes de la Vertu is a modern artwork realized by Hans Bellmer.
Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968.
Copy on Véli...
Category
Surrealist 1960s More Prints
Materials
Paper, Etching
Cherub Super Limen Domus - Lithograph - 1964
Located in Roma, IT
Cherub Super Limen Domus is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Ego Sum Deus Tuus - Lithograph - 1964
Located in Roma, IT
Ego Sum Deus Tuus is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969.
Sig...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
By Joan Miró
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò.
Mixed colored lithograph.
The poster was realized in occasion of the exhibition of the arti...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Virgil Comforts Dante - Woodcut print - 1963
Located in Roma, IT
Virgil Comforts Dante is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri.
Good conditions.
Limited edition o...
Category
Surrealist 1960s More Prints
Materials
Woodcut
Peccatum Originis - Lithograph - 1964
Located in Roma, IT
Peccatum Originis is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969.
Sign...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Les 120 Journées de Sodome - Etching by Hans Bellmer - 1968
By Hans Bellmer
Located in Roma, IT
Les 120 Journées de Sodome is a contemporary artwork by Hans Bellmer.
Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968.
Copy on vélin d...
Category
Surrealist 1960s More Prints
Materials
Paper, Etching
Juliette ou les Prospérités du Vice - Etching by Hans Bellmer - 1968
By Hans Bellmer
Located in Roma, IT
Juliette ou les Prospérités du Vice is a contemporary artwork realized by Hans Bellmer.
Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968...
Category
Surrealist 1960s More Prints
Materials
Paper, Etching
Turris Babel - Lithograph - 1964
Located in Roma, IT
Gloria vultus Moysi is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969.
Si...
Category
Surrealist 1960s More Prints
Materials
Lithograph
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