1970s More Prints

Monogrammed. Very good conditions.

Figures allongées is a print realized by the British artist Henry Moore (Castleford 1898 - Much Hadham 1986). This color lithograph on paper, was ...

Photography of the Absence is a vintage poster of the exhibition of the Italian photographer Luigi Ghirri (1943-1992) held in Rome, Galleria Rondanini, in 1976. Offset print, in ver...

The Climber is a peculiar and beautiful lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around 1975 from one of his drawings...

Calder Exhibition Print is a screen print realized by Alexander Calder in 1976. Good condition except for some folding and scratches. This beautiful and colored print was realized...

Untitled is a beautiful original colored lithograph on cream-colored paper realized by the Italian artist Primo Conti (1900-1988). An original print, repr...

Hand signed. Edition of 60 prints, realized by Schifano at the very beginning of the 1970s. Very good conditions.

Dali's Presentation is the title page for Dali's interpretation of the Currier & Ives series which reproduces the original ornate border used for the Currier & Ives logo with a Dalian touch by turning it upside down and putting his own crown on the top and adding calligraphic flourishes. It reads.... Colored Lithographs For the People... The World of Currier & Ives as interpreted by Salvador Dali Les Fleurs et Fruit, Fire, Fire, Fire, American Yacht Race, Central Park Winter New York, American Trotting...

Urban landscape is a modern artwork realized by the belgian illustrator Jean-Michel Folon (1934- 2005). Original etching and aquatint. Hand signed and numbered on the lower margi...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Gastronomy Trial Proof MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: Tirage 500 This is a Trial Proof MEAS...

Peter Paul "Chateau Anonyme" From Portfolio "Portrait #14 - Peter Paul" with Karin Szekessy Year: 1973 Medium: Color Lithograph on Arches Edition: 80 Size: 25.59 x 19.88 in. Publishe...

Image dimensions: 50 x 36.5 cm. Dancer II is an original contemporary artwork realized by Marino Marini in 1977. Color etching and acquatint depicting a dancer. Edited by Graphis ...

Image dimensions: 44.5 x 37 cm. Hand Signed lower right in pencil. Very good conditions.

Image dimensions: 64x49 cm. Rare and beautiful work by Marino Marini, belonging to the Series "Il Teatro delle Maschere".

Reiner Schwarz "Die Melancholie" Year: 1973 Medium: Color Lithograph Edition: 100 Size: 25.98 x 19.68 in. Signed, numbered and titled After fleeing and expelling from Silesia, Reine...

The Hell of Cruel Beauties is a contemporary artwork realized in 1972. Etching and drypoint on watermarked paper Chiffon de la Dore, (image cm 18x13; sheet cm 31x45) Hand signed an...

Night Driver is an original contemporary artwork realized by Mario Schifano in the 1970s. Hand-signed and titled on the lower margin. Numbered on the lower left margin Edition 53/...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Hans Schleger 'Zero' (1898-1976) London Transport Coach Stop Poster Screenprint poster c. 1970 16x20 cm Printed for London Transport These posters were designed to be used as temporary stops when the usual stop required amendment for instance owing to road works or similar events. Printed on paper they were designed to be posted up at the alternative site, possibly over a different sort of stop (bus stop, coach stop, request stop, etc.). Working with Edward Johnson's special typeface created for London Transport, Hans Schleger - or Zero as he signed himself - adopted the famous roundel used by London Underground for use at Bus Stops. Born in Germany, Schleger was an influential graphic designer. After serving during the First World War, he studied at the Berlin Kunstgewerbeschule, being taught by Emil Orlik. The same year Walter Gropius founded the Bauhaus at Weimar and Schleger learned the same principles of breaking down the barriers between architecture, design, fine art and craft. A firm believer in the Bauhaus principles of simplicity in design and reduction to essentials, these may be seen in the clean lines of the roundel. In 1924 he moved to New York, applying Modernism to American advertising, and then returned to Berlin in 1929 working for the British advertising...

Hand monogrammed and numbered in pencil. Original title: "Lo stesso giorno". Original etching realized by Chia in 1979. Image dimensions: 12 x 7.5 cm. Very good conditions. Sandro C...

DIRTY HARRY (1971) Vintage poster created for the first Japanese release of the Don SIEGEL directed thriller starring Clint EASTWOOD * Format: B2: 20×28 inches (51×73 cm) * Condit...

Flower is a lithograph on paper realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition, XX/XXV.

Night Driver is a contemporary artwork realized by Mario Schifano in the 1970s. Hand-signed and titled on the lower margin. Numbered on the lower left. Edition 57/60. Good conditi...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 96/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlborou...

TIVA LANDSCAPE is a limited edition color lithograph printed on archival Arches paper, 100% acid free by Lamar Briggs (1935-2015) American painter and Texas artist who was born in La...

Image dimensions: 41.5 x 38 cm. Female Nude is a wonderful and rare lithograph realized by the artist Ivo Pannaggi in a circulation of 100 prints around ...

Hand Signed. Edition of 99 pieces, plus 20 pieces in roman numbers. Very good condition.

Night Driver is a contemporary artwork realized by Mario Schifano in the 1970s. Hand-signed and titled on the lower margin. Numbered on the lower margin. Edition 39/60 Good condit...

Abstract Composition is an original colored lithograph realized in the half of XX century. The artwork is hand signed on the lower right margin. Numbered on the lower left. Edition...

'Poolside Pairs' Slim Aarons Limited Edition Estate Stamped Print, Printed Later Former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), wife of art d...

Hand signed and numbered. Edition of 100 prints. Trimmed margins. Good conditions.

Analysis Loosed the Idea is an original Screen Print realized by Paolo Pasotto in 1976 Hand-signed. Numbered. Edition 90/100.

Artist: Alexander Calder Title: Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Lithograph in colors Year: 1975 Edition: Unnumbered Sheet Size: 15" x 11" Image Siz...

Fiore disponibile is an original lithograph realized by Renzo Margonari in 1976. Hand-signed. Artist's Proof.

Selfishness is an Original Screen Print realized in 1976 by Paolo Pasotto. Good conditions. Hand-signed. Numbered. Edition,85/89

Shah Mat Suite - Duncan Tighe O’Donoghue, American (1942–2023) Date: circa 1979 Etching with Aquatint, signed in pencil Edition of V Size: 22 in. x 15 in. (55.88 cm x 38.1 cm)

DIRTY HARRY (1971) Vintage poster created for the first Japanese release of the Don SIEGEL directed thriller starring Clint EASTWOOD * Format: B2: 20×28 inches (51×73 cm) * Condit...

105.4 x 74 cms (41 1/2 x 29 1/8 ins) Edition of 100 Paper: Arches Cover Signature: Signed "Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right; artist's c...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Artist: Christo Title: The Museum of Modern Art, Wrapped (Front), Project for New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK and Special...

Image dimensions: 37 x 44.5 cm. Hand Signed. Excellent conditions.

"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...

Ex Libris Ewy is an original Contemporary Artwork realized in the 1970s Original woodcut print on ivory-colored paper. The work is glued on cardboard. Total dimensions: 21 x 15...

Flower Signal is an original lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 122/125.

A Dialect of Paradise Tighe O’Donoghue, American (1942–2023) Date: 1979 Etching with Aquatint, signed in pencil Size: 30 x 22 in. (76.2 x 55.88 cm)

Interesting Colored etching on watermarked paper, representing some characters in a metaphysical theatre. Hand-numbered and hand-signed with pencil on lower margin by the artist, Mou...

Fiore Segnale is an original lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 115/125.

Hommage to Hermann Poppelbaum is an Original Screen Print realized in 1976 by Paolo Pasotto. Good conditions. Hand-signed. Numbered. Edition,86/88 The artwork is depicted through...

Nude is an original lithograph artwork, realized by Sergio Barletta, hand-signed, edition of 100 prints. In very good conditions. Here the artwork represents a different pose of n...

ARTIST: Salvador Dali TITLE: After 50 Years of Surrealism The Grand Inquisitor Expels The Savior MEDIUM: Etching SIGNE...

Agrà Nero su Nero is a colored serigraph on paper realized by the Italian artist Sante Monachesi and published by Euromuseum Editore, Ancona. Signed in pencil on the lower margin, t...

Image dimensions: 33x22.5 cm. Edition of 25 prints, numbered and hand signed. Excellent conditions.

Image dimensions: 46 x 24 cm. Wall and Trowel is a peculiar and rare lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around...

La Prigione (The Prison) is a wonderful colored lithograph on paper, realized in 1973 by the Italian artist, Marcello Ercole, published by La Nuova Foglio, the publishing house of Ma...

Hand Signed. Edition of 75 prints. Published in the catalogue "Henry Moore: The Graphic Work 1931-1972", Gerald Cramer Editeur, Geneva 1973, N. 180. Very Good Conditions.

Hand signed. Edition of 100 prints. From the portfolio “Transesports” of 6 coloured etchings and aquatints on Japon Nacré paper. Printed by Georges Visat, Paris and published by Éd...

Image dimensions: 22 x 16 cm. This artwork by Henry Moore is hand signed, numbered and dated. This original aquatint is from an edition of 100 prints. This wonderful etching represents the famous bronze sculpture, Glenkiln Cross. This original graphic work is in excellent conditions. Passepartout included : 50 x 35 cm Reference: Cramer, 188. Henry Moore is best known for his semi-abstract monumental bronze sculptures. He is also famous for depicting Londoners during the Blitz during WWII, his series of drawings and graphic works on paper. His original prints represent abstractions of the human figure, typically reclining figures. Prints are the most affordable and reasonably priced artworks...

Hand signed and numbered. Edition of 125 prints. Very good conditions. Fabio Mauri (Rome, 1926 – Rome, 2009) was an italian artist, writer and dramatist. He was one of the main ital...

Original engraving #3 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...