1970s More Prints

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

63 x 46 cms (25 x 18 ins) Edition of 40

Leonor Fini Pioneer, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Screenprint and collage Edition of 100

Richard Paul Lohse Group of eight complementary squares with four rectangles (Gruppe von acht komplementären Quadrat Mit vier Rechtecken), 1976 Colo...

Graham Sutherland (1903-1980) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Each copy of...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXXVIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions ...

Bernard Buffet (1928-1999) - La République Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The work is...

An inverted car, gleaming in chrome, speeds through sumptuous layers of pink, translucent yellow, and a veil of lacy, flower-like shapes. Across the top, the artist’s name is splashe...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XI Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpent...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche I Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpenti...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LIV Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Jim Dine Untitled from the Castelli Sonnabend Collection, 1973 Screenprint on rag paper in original portfolio sleeve Hand signed and numbered 158/300 by Jim Dine on the front. Printe...

Artist: Joan Miro Title: Plate III Portfolio: Lithographe III Medium: Lithograph Date: 1977 Edition: Unnumbered Frame Size: 19 5/8" x 16 3/4" Sheet Size: 13" x 10" Signature: Unsigne...

Salvador Dali (1904-1989) (after) - Lady Godiva Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. Fa...

A dynamic neon-yellow and black Mark Lancaster screen print combining calligraphic paint strokes, paint drips, and smooth, graphic yellow gradients characteristic of the artist's mos...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XVII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpe...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XXIV Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpe...

Colette (aka Colette Justine), Tunisian/American (1952 - ) - Real dream II, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: ...

Edition of 40 77.5 x 58.5 cms (30.5 x 23 ins)

Edition of 40 77.5 x 58.5 cms (30 1/2 x 23 ins)

Duesenberg Phyllis Krim, American (1930–2014) Date: 1978 Screenprint, signed and numbered in pencil Edition of AP 30 Image Size: 22 x 22 inches Size: 26 in. x 26 in. (66.04 cm x 66.0...

Original factory issue, Porsche Wins Road America Can-Am, 1973 vintage poster. Photo by Reichert. Reference page 74, Porsche die Rennplakate. Arc...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XLV Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Figures allongées is an print by the British artist  Henry Moore  (Castleford, 1898 - Much Hadham, 1986). This color lithograph on paper was edited by the French magazine XXe Siécle...

Marc Chagall (1887-1985) - Poèmes, Planche VIII Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensio...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XLVII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Original concert poster: Joan Baez in Concert Under the Stars, Oct 31, 1975, Orange County, CA. Artist: Rick Griffin. Size: 9.75" x 23 3/8". Blac...

Artist: Joan Miro Title: Plate V Portfolio: Lithographe III Medium: Lithograph Date: 1977 Edition: Unnumbered Frame Size: 19 5/8” x 16 3/4” Sheet Size: 10" x 13" Image Size: 10" x 13...

Edition of 100 46.4 x 67.3 cms (18 1/4 x 26 1/2 ins)

Artist: Christo Title: The Museum of Modern Art, Wrapped (Rear), Project for New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK and Special ...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

A large framed screenprint by Pop Artist Ron Kleemann of a shiny chrome prop plane, parked on a tarmac glistening with rainwater. The title "Mustang Sally Forth...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

T'ou't  se tient is an Artwork realized in 1975, by Roberto Sebastián Antonio Matta Echaurren (Santiago, Chile, 1911 - Civitavecchia, Italy, 2002). Colored Lithograph on paper. The ...

KUKRYNIKSY Новый «Болшой Скачок» Пекина [The new Great Leap of Peking [Beijing]] Moscow, Izadetelstvo 'Plakat' 1979 54 x 37 cm, 11 (of 12) posters loosely inserted in a printed pape...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XVI Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Bernard Buffet (1928-1999) - Robespierre Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The work is i...

71 x 71 cms (28 x 28 ins) Edition of 50

Original " LIDO REVUE BONJOUR LA NUIT CHAMPS ELYSEES BLUEBELLS GIRLS" vintage poster by the artist Rene Gruau. (Hello the Night). This poster features 30 Bluebell girls at the Lid...

Artist: Salvador Dali Title: Surrealist Portrait of Dali Surrounded by Butterflies Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XX...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

Artist: Joan Miro Title: Plate I Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x ...

ARTIST: Salvador Dali TITLE: Monument To Picasso MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 158/500 MEASUREMENTS: 22.25" x 30" YEAR: 1973 FRAMED: No CONDITION: ...

Act II, Scene III - From “Romeo and Juliet”  is an artwork realized by Salvador Dalí in 1975. Mixed colored lithograph. Signed and dated on plate on the lower...

Luigi Ghirri is a vintage Poster realized in 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

MARC CHAGALL (1887–1985) André Malraux, Et Sur la Terre... A complete artist's book from 1977, printed on BFK Rives wove paper. It includes 15 etchings with aquatint, along with the...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXVI Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XIX Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Leonor Fini Infelicia, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche X Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in fra...

Calder Exhibition Print is a screen print realized by Alexander Calder in 1976. Good condition except for some folding and scratches. This beautiful and colored print was realized...

Artist: Christo Title: The Museum of Modern Art, Wrapped (Front), Project for New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK and Special...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXIX Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror 1976 Condition: Good Condition Dimensions: 38 x 56 cm Source: Derrière le miroir (DLM), n°141, 1...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXVII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...