1970s More Prints

The Imaginary Men is an artwork realized by Gaetano Pompa (1933, Forenza- 1998) in 1970s. Aquatint and etching on paper. Hand signed on the left corner. Edition of 75, numbered, 71...

The Boat  is an artwork realized by Gaetano Pompa (1933, Forenza- 1998) in 1970s. The artwork is  an aquatint and etching on paper. Hand signed on the left corner. Edition of 75, n...

Artist: Salvador Dali Title: The Pass of Gadalore Portfolio: The Quest for the Grail Medium: Etching in color Year: 1975 Edition: 39/100 Frame Size: 27" x 22" Sheet Size: 17 3/4" x 1...

ARTIST: Salvador Dali TITLE: San Francisco Suite MEDIUM: 5 Etchings SIGNED: Each piece is Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: LIII/LXXV matched numbere...

A very good impression of this color screenprint on Arches. From the edition of 150. Signed, dated and numbered in pencil. The edition numbers have been erased difficult to decipher....

Offset lithograph of the design for the "And then all that divided them merged” banner that was used to promote Judy Chicago's iconic work "The Dinner Party" which featured 39 intric...

Untitled is an artwork realized by Dorothea Tanning in 1974. Original colored lithograph. Good conditions. Printed by Atelier Pierre Chave in Vence, France. This lithograph was...

This Andy Warhol print consists of an array of yellow, purple and orange flowers in a bed of green grass. This pop art floral original silkscreen print on paper is guaranteed authen...

Rare Limited Edition Serigraph of John Lennon's "City In My Heart"" originally drawn in 1969 as part of the "Bag One" series, this limited edition was released by Bag One Arts (The ...

Poster of Ethnographic Museum in Warsaw is an original offset print realized in 1975 in Warsaw for the exhibition "Suzuka Ludowa W 30-lecui PRL". Signed on the plate on the lower ri...

A very good impression of this color monotype on cream wove paper. Signed, dated and dedicated in pencil by Motherwell. Dedicated to the art dealer and gallerist, Brooke Alexander.

Dali Martien Muni d'un Double Microscope holo-électronique is an original contemporary artwork realized in 1974. Drypoint etching and colored lithograph on Arches wove paper. Numbe...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Samurai n. 3 is an original contemporary artowork realized by Gaetano Pompa. Mixed colored etching and heliography. Hand signed and numbered on the low...

Color etching with carborundum by Antoni Clavé "Ciel", 1971 76,4 x 57,2 cm Copy Artist's Proof Edition 95 copies Antoni Clavé (Barcelona 1913 - 2005 Sai...

Aquatint in colours by Zao Wou-Ki Untitled Sheet 7 from "Canto Pisan" (portfolio with poems by Ezra Pound), 1972 50,5 x 33 cm Copy 52/150 Edition of 254 Zao Wou-Ki (Peking 1921 –...

Color lithograph by Wou-Ki Zao Untitled from "San Lazarro et ses amis" (portfolio with texts by Yvon Taillandier), 1975 56,5 x 37 cm Copy e.a. Edition of 50 Zao Wou-Ki (Peking 19...

Three Horses is an original contemporary artwork realized by Marino Marini in 1977. Mixed colored etching and aquatint. Original title: Tre cavalli Edited by Graphis Arte, Livorno...

Exhibition poster for "Andy Warhol: Pasadena Art Museum," edition size unknown, unsigned as issued. The name of American artist Andy Warhol is all but sy...

Offset lithograph in four colors on BFK paper (Edition of 300) Signed, titled, dated, and numbered in pencil, recto This artwork is offered by ClampArt, located in New York City.

Gelatin silver print Estate stamped, verso: “Printed by or under the supervision of Garry Winogrand. Copyright 1984. The Estate of Garry Winogrand. All rights reserved. Executor Jul...

Joan MIRO Escultor : Japan MEDIUM : Stone lithograph PRINTER : Atelier Mourlot SIGNATURE : Printed LIMITED : 1500 copies SIZE : 8 x 16" PAPER : Guarro vellum EDITOR : Poligrafa, Bar...

40.6 x 55.8 cms (16 x 22 ins) Edition of 100 Proofs: 9 AP, RTP, PPII, 3A, C Published by Gemini G.E.L (FS72-442) Printed by Serge Lozingot, assisted by Richard Ewen

40.6 x 55.8 cms (16 x 22 ins) Edition of 100 Proofs: 9 AP, RTP, PPII, 3A, C Published by Gemini G.E.L (FS72-442) Printed by Richard Ewen, assisted b...

40.6 x 55.8 cms (16 x 22 ins) Edition of 100 Proofs: 9 AP, RTP, PPII, 3A, C Published by Gemini G.E.L (FS72-442) Printed by Ron Adams, assisted by Cher...

40.6 x 55.8 cms (16 x 22 ins) Edition of 100

40.6 x 55.8 cms (16 x 22 ins) Edition of 100 Signed "F.Stella 72" lower right Proofs: 9 AP, RTP, PPII, 3A, C Published by Gemini G.E.L (FS72-442) Printed by Ronald Otis, assisted by Richard...

40.6 x 55.8 cms (16 x 22 ins) Edition of 100

Original vintage cinema poster for the 007 James Bond movie, Moonraker, starring Roger Moore, Lois Chiles (Holly Goodhead), Michael Lonsdale (Hugo Drax) and Richard Kiel (Jaws). Dynamic image of James Bond in outer space wearing a space suit and holding a gun as he zooms up from the earth below, looking up to the viewer. Artwork by Dan Goozee...