21st Century and Contemporary More Prints

Martini Corner, with the Kodak film rebate, vintage interior photograph from Richard Heeps Dream in Colour series. An interior vignette from Bisbee, Arizona, the saturated colours an...

This archival pigment print on Canson paper comes directly from the publisher, Lincoln Center Editions. It is signed and numbered en verso by the artist. It is in excellent condition and has never been framed. Note: The image of the framed print is for reference purposes only. Carrie Mae Weems (b. 1953) is an American artist whose extensive body of work investigates cultural identity, sexism, class, political systems, and the consequences of power. Weems is widely recognized for her revolutionary approach to the expression of narratives about women, people of color and working-class communities, “conjuring lush art...

Colours Of The Night #1 and #4: This pair of figurative art prints on paper capture the essence of timeless style. A neutral, atmospheric background evokes an evening-like ambiance. ...

Artist: Julian Opie Title: Ashley with Leather Jacket Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 250 Frame Size: 20" x 17" Sheet Size: 13" x 10" Signature: Unsigned

Pussy Riot - $20 Giclée Print on Hahnemühle Photo Rag Pearl 21 x 29.7 cm Edition of 150 comes with hand-signed, numbered (1-150), stamped and dated COA. Pu...

Screenprint Edition of 125 Signed and numbered Mint White Cube The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the selle...

Carte Postale is a digital print realized by the italian artist Chiara Santoro in 2021. Stamp signed.

Salt, Pepper and Vinegar make up this still life photograph, taken in a Clacton-on-Sea cafe at the seaside in the year of the great British staycation. It has been taken in true Rich...

Algiers Motel Apartments, photograph from Richard Heeps' Dream in Color series. This visually arresting artwork captures the essence of a sunbathed, mid-century modern apartment str...

"Flowers," Michael De Feo, 2019 Silkscreen on 320 gram Coventry Rag paper Dimensions: 30.25" x 22.5" An edition of 50 Signed and numbered by the Artist ...

Seafront Shelters, are a typical of the British Seaside, they are part of a Seaside Towns identity, with nods to various architectural heritage. Photograph from Richard Heeps', On-Se...

Hand-Embellished Print on Archival Bamboo Paper with Unique Painted Stencil Signed and Numbered Edition of 25 with 5 APs The Rolling Stones, The Rolling Stones Tongue...

Zhiyong Jing's "Aerobic/Limited" is a captivating limited edition print that showcases the essence of dynamic movement and vibrant energy. This 46 x 53.4...

James Siena at PACE Gallery, 2019 Offset lithograph exhibition invitation (Hand signed by James Siena) 19 1/2 × 14 1/2 inches Unframed This exquisite fold...

André Butzer (German, b. 1973) Untitled, 2019/2022 Medium: Etching in colors on wove paper Dimensions: 33 x 43 cm Edition of 15: Hand-signed, numbered and dated in pencil Condition: ...

Captured when documenting the Preston Hall Museum, this atmospheric piece beautifully captures the nostalgic feeling of a record collection, the added detail of 'His Master's Voice' ...

Colours Of The Night #2 #3 #4: This set of 3 figurative art prints on paper capture the essence of timeless style. A neutral, atmospheric background suggests an evening-like ambiance...

This detailed artwork showing slightly distressed piano keys has a beautiful painterly effect. It was photographed by Richard Heeps in Preston Hall Museum, ...

Heidler & Heeps Vinyl Collection Twenty-One Piece Multi-Color Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this bea...

Franz Graw Bull Color Offset Lithograph Year: 2023 Size: 11.81 x 15.74 inches (30 x 40 cm) Edition: 100 Signed and numbered in pencil COA provided Franz Graw (b. 1964) is a Düsseld...

Artist: Julian Opie Title: Apartment 2 Portfolio: 2021 Apartments Medium: Woodcut on Somerset Velvet 300gsm Date: 2021 Edition: 18/20 Sheet Size: 18" x 15 1/4" Signature: Hand signed...

ICES Cornflower Blue, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex co...

Broken Family, 2020 by Matt Gondek Giclée fine art print, edition 93/100 60.3 x 47.5cm (not considering the frame) 23 ⁴⁷/₆₄ x 18 ⁴⁵/₆₄ (not considering the frame) Hand signed and num...

"Fan the Flames is about the unfortunate truth that unchecked capitalism and a livable planet will soon be incompatible. Capitalism is predicated on exp...

Artist: Julian Opie Title: Hirofumi with File Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 250 Frame Size: 20" x 17" Sheet Size: 13" x 10" Signature: Unsigned

This piece titled "Flight Risk" is a limited edition photographic print by Andrew Pinkham and is made from archival pigment on cotton rag. This piece measures 20"h x 20"w unframed an...

'Countdown To Violence' by Prefab77, 2012 Size 60 x 90 cm Limited Edition of 10 (#4/10) 5 layer spraypaint stencils & 1 layer gloss black screenprint, on hand painted, hand-deckled F...

'A Side Recording'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vi...

Lariat Motel, photograph from Richard Heeps Dream in Colour series. The neon in this classic Americana roadside sign glows in the evening light. It was captured in its original site ...

Artist: Jonas Wood Title: Large Shelf Still Life Year: 2017 Medium: Poster Technique: Offset lithograph printed in colours on wove paper, the full sheet printed to the edges Classifi...

This silk twill scarf is from an unsigned edition of 500. The artist’s signature is reproduced in the lower right image and is stitched to the label, verso. It is hand numbered in bl...

Etching in colours with letterpress relief and a 266-page book Signed on the front and numbered on the back by the artist Print: 31.9 × 22.4 cm (12.5 x 8.8 in) Book: 32 × 23 cm (12.5...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

'Brutalist Symphony', photograph by Richard Heeps from the London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of t...

Contemporary black and white figurative limited edition copperplate print by Polish artist Krzysztof Skorczewski. Print depicts an imaginary archite...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The deep green t...

CryptoPunks, Larva Labs, 10,000 on Chain, 2023 Archival pigment print on 330gsm Somerset Enhanced Radiant White paper with a silkscreen matte varnish seal 60 × 60 cm (23 3/5 × 23 3...

Artist: Hijack Title: Puzzled Medium: Unique silkscreen on Archival Fine Art Paper Size: 22 x 30 Inches Edition: 38 of 45 Year: 2006 Notes: "Puzzled," released as an edition of 45 w...

Amusements, seaside typography photography from Richard Heeps' On-Sea series. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, it is pres...

"Falling for You," Eric Orr, 2022 Silkscreen on 290 gram Coventry Rag paper Dimensions: 13 3/4" x 17 1/4" Signed and numbered by the Artist in pencil An editio...

Janet Davidson-Hues Signed, Sealed and Delivered Year: 2011 Medium: Lithograph Edition: 20 Paper: Rives BFK, White Paper Size: 13.125″ x 42″ Image Size: 6.625″ x 36″ Signed lower rig...

Tracey Emin, a leading figure in contemporary art, is renowned for her raw and introspective exploration of personal experiences and emotions. Her works, often autobiographical and c...

'Superman and Batman' by DJ Leon, 2020. The piece measures 44.5 x 30.5 inches. This digital C print on aluminum with resin incorporates, appropriat...

Susan Davidoff Night Walk Set of 3 (Natural Structures, Shifting Daylight) Year: 2013 Medium: Lithographs Edition: 36 Paper: Rives BFK, White (each) Paper Size: 22″ x 21.75″ (each) I...

Damien Hirst (British, born 1965) The Currency Unique Print (H11), 2022 Medium: Archival giclée print on paper Dimensions: 100 × 150 cm (39 2/5 × 59 1/...

Blue Martini, from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable Art Fai...

News Stand, from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable Art Fair Milan 2019 and the series is...

Heidler & Heeps B Side Vinyl Nine Piece Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising c...

Blank Tape Side A, from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and ...

Set of 6 drawings, 2022 by Rodrigo Spinel From the series Terms and conditions Gliceé printed on Hahnemule Fiber matte paper, intervened by the art...

Ben Eine 3 x prints Rise Up, Stand Up, Speak Up 1 layer blend with black overlay on Somerset printmaking paper 50 x 50 cm - each 19.69 x 19.69 in Edition of 150 Ben Eine is a promin...

This vibrant image is a stellar example of Denzil Forrester’s depictions of dub and reggae clubs – a subject that has been central to his practice since the late 1970's. "I’m interes...

Men, photograph by Richard Heeps, from his Jersey Shore series. Taken in Wildwood, the historic Doo-Wop Town of New Jersey, this kitsch signage is perfect Pop Art and is typical of R...

Mark di Suvero Future Shadow II, ca. 2001 Lithograph on Arches 88 Paper with Deckled Edges Signed and numbered from an edition of 5 by the artist on the front 32 × 23 inches Unframed The work was gifted directly by the artist to the present owner. This is a variation of a print the artist created as a donation to the Venice California...

Artist: Julian Opie Title: Monique with Evening Dress Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 250 Frame Size: 22" x 16" Sheet Size: 16 1/2" x 11" Image Size: 1...

Artist: Julian Opie Title: Hijiri with Book Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 250 Frame Size: 20" x 17" Sheet Size: 13" x 10" Signature: Unsigned

Heidler & Heeps Vinyl Collection Eight Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautiful...

Artist: Julian Opie Title: Anya with Veil Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 250 Frame Size: 20" x 17" Sheet Size: 13" x 10" Signature: Unsigned