Early 2000s More Prints

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

Artist: Ralph Steadman Title: Let's Party Medium: Two color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 30 x 22 Inches Edition: of 250 Year: 2006 Notes: Custom Fr...

Sean Scully Roland Garros French Open tennis tournament, Paris, France (Hand signed by Sean Scully), 2001 Offset lithograph poster (hand signed by Sean Scully) 29 3/4 inches (vertica...

Pool Slide, photograph from Richard Heeps Dream in Color series. This fun original artwork really shows Richard's unique eye as a photographer, creating this kitsch pop-art picture f...

RECITALS is mixed media limited edition print by the renowned African American artist Sam Gilliam, created using Archival Inkjet, Relief, and Stencil techniques. This vertical, rainb...

Damien Hirst Opium, 2000 Lambda C-Type print on Gloss Fuji Archive paper. Signed by the artist, lower right on recto Numbered on verso 48 x 43.7 cm 52 x 48 cm (framed) Edition 391 of...

Igor Mitoraj (1944-2014) - Angelo Fasciato Etching from 2004. Edition 30/99. Hand signed. Dimensions of work: 60 x 40.5 cm The work is in Excellent condition. Fast and secure s...

'Call Booth', photograph from Richard Heeps Salton Sea series. This cinematic neo-noir style picture shows the classic American roadside Phone Booth, something which we look at very ...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

Motel Entrance II, photograph from Richard Heeps Salton Sea series. Classic mid-century architecture in this artwork from the Salton Sea California. Rich blues, palm trees with pops ...

Artist: Ralph Steadman Title: Lono's Fighting Chair Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes: ...

Signed and titled and numbered by the artist, (23/69). Silkscreen print on handmade paper (from Bhutan). This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Signed and titled and numbered AP #3/7. This is the last print available from the edition. Silkscreen print Created at Self Help Graphics in Los Angeles This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. It is one of the personal favorites of the artist, with a nod to Vincent Van gogh. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

This piece is a giclee after an original painting created by Jonathan Winters in 1970. Jonathan Winters was an American comedian, actor, author, and artist whose iconic career spanne...

This piece is a giclee after an original painting created by Jonathan Winters in 1970. Jonathan Winters was an American comedian, actor, author, and artist whose iconic career spanned from 1949-2013. This piece is hand signed, titled, dated and numbered 14/275 from the edition of 275. The sheet size measures 21.75 x 26.5 inches and the image measures 17.5 x 23.5 inches. It was published by Andrew Weiss...

This piece is a giclée after an original painting created by Jonathan Winters in 1977. Jonathan Winters was an American comedian, actor, author, and artist whose iconic career spanne...

'Telephone VII' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines gorgeous pastel c...

'Telephone VII' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines gorgeous pastel c...

Artist: Ralph Steadman Title: Up, Up and Up Your's Medium: Three color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes:...

Yayoi Kusama Tulipe (I), A.P. from the Edition of 60. Screenprint [8 screens, 8 colors, 11 runs]. Lamé [3 colors] Image: 45.5 x 38 cm. Sheet: 65x 50 cm. Provenance: Ravenel Art Auct...

Avraham Inlender Stones III Color Offset Lithograph Year: 2003 Size: 5.9 x 5.5 inches (15 x 14 cm) Signed in pencil COA provided Avraham Inlender (1932–2003) was a Polish-born arti...

Artist: Donald Sultan Title: Wallflower 26 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...

This iconic image was captured by Richard while at Viva Las Vegas 2001, where he was photographing for Classic American magazine where it was chosen as the lead image for the feature...

Digital C-print (Edition of 25) Signed, dated, and numbered, verso 28 x 24 inches, sheet 22 x 18 inches, image This artwork is offered by ClampArt, located in New York City. Edwar...

Screenprint in colours, 2009, on Arches wove paper. Hand signed and numbered 069/299 in brown crayon. Published by Pictures on Walls, London, with the artist's blindstamp. Certific...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Swim-in-Pool Supply Co. photograph from Richard Heeps 'Dream in Color' series. This fun original artwork really shows Richard's unique eye as a photographer. Captured in Las Vegas in...

Set of two Framed Fun Typography Pop Art Prints. FUN! Carter's Yard, Maidenhead, 2022 Swim-in-Pool Supply Co. Las Vegas, 2003 Each individually framed artwork measures 39.5" x 33.5"...

Artist: Ralph Steadman Title: Twisted Meat Artist Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 15 x 22 Inches Edition: of 250 Year: 2006 Notes: ...

Offset Lithograph 50 × 50 cm - paper size 66 x 66 cm - framed size Frame included Edition of 300 Hand-signed and numbered

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Artist: Julian Opie Title: Ruth Smoking 1 Portfolio: 26 Portraits Medium: Screenprint Date: 2006 Edition: 250 Frame Size: 21 1/4" x 16 1/2" Sheet Size: 15" x 9 3/4" Signature: Unsigned

This work is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic produ...

Artist: Ralph Steadman Title: Gonzo Guilt Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 24 Inches Edition: of 250 Year: 2006 Notes: Custom Fra...

Dining Room, Kanab, cinematic interior photograph from Richard Heeps Dream in Color sereis. Captured in an American region that was often used as Western movie locations due to its ...

Rocklitzer's Raspberry Rocket, an iconic Lakester belly tank racer, photograph from Richard Heeps Bonneville Salt Flats series. This artwork is a limited edition of 25, gloss photog...

Cliclists is a screen print realized by Ugo Nespolo in 2008, in occasion of the Olympic Games in Beijing. Edition of 260. Hand signed and numbered in pencil. Excellent condition.

Sun Lounger, photograph from Richard Heeps, 'Dream in Colour' series. This cooling Palm Springs, California artwork is the perfect way to bring summer vibes into your home all year ...

Color lithograph with metallic gold powder, Edition 25 Don Ed Hardy is a painter, printmaker and tattoo artist. Fascinated by tattoos since childhood, Hardy has become a master of...

North Shore Motel, photograph from Richard Heeps Salton Sea series. Blue skies over this Californian classic mid-century modern Americana Motel exterior. Captured by Richard Heeps in...

'Telephone I' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography combines gorgeous colours of bold red and dreamy blue and it has a mid-cent...

4FT, photographed at a swimming pool in Las Vegas, part of Richard Heeps 'Dream in Colour' Series. The pop of blue colour This artwork is a limited edition of 25, gloss photographic...

'Dot's Diner' part of Richard Heeps 'Dream in Colour' Series, featuring a classic American Diner has gorgeous colours of the glowing neon lights in the twilight and a cool vibe remin...

'Beach Ball', part of Richard Heeps 'Dream in Colour' Series, it captures Palm Springs mid-century modern architecture. The stillness and the c...

Artist: Ralph Steadman Title: White Rabbit Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 30 x 22 Inches Edition: of 250 Year: 2006 Notes: Custom Fr...

DAVIES, Peter (b.1953) ‘Sandy Harbour’ 2008 Linocut 3/8 30.0 x 30.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Bitchin', part of Richard Heeps 'Man's Ruin' Series. This cool 'Bitchin' decal was shot at 4am at the Hemsby Rock 'n' Roll Weekender. This artwork is a limited edition of 25, gloss ...

Anne Dykmans' "Wind" shows a multi color ribbon flapping in the wind. The flow of the wind is shown through the movement of the fabric. It is in an edition of just 10. Anne Dykman...

This cool picture has a classic Americana feel. Richard Heeps pictures beautifully capture parts of Las Vegas which are no longer there. This iconic 'Stardust' sign presented here al...

Part of Richard Heeps 'Dream in Colour' Series, with some seriously cool colours and pool vibes. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a ...

Part of Richard Heeps 'Dream in Colour' Series, here he perfectly captures Palm Springs mid-century modern architecture and the desert oasis it...

Edition of 100. Published by the Chinati Foundation, Marfa, 2003. Works come framed with UV Filtered Acrylic Glazing. Each work is framed separately, each print is 25 3/8 x 37 3/8 i...

The seductive blue sky and the seductive milkshakes make you feel as if you are sitting in the car at this "Americana style" Roadhouse in Welkom, South Africa. It is typical of Richa...

Color lithograph, Edition 20. Don Ed Hardy’s lithographs “Storm Dragon” and “Sea Dragon” continue his lifelong exploration of dragon mythology and imagery. For 2000, the Year of the...

Vintage Las Vegas set of three framed artworks from Richard Heeps Dream in Colour series. Featuring a classic yellow Cadillac on the Las Vegas Strip ...

Royal Mansion at Dawn, from Richard Heeps Dream in Colour series. Photographed in Arizona this artwork has the classic Americana road trip feel, the pastel colours and the aluminium ...