Shepard Fairey

Law Physics Shepard Fairey Letterpress Edition Red & Black

2015

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

"The Wall Street Public Enemy print is a critique of the culture of greed and manipulation seen on Wall Street and in the banking system. Lack of oversight from the government that i...

This is an original 19th century hand-colored lithograph entitled "Tombs of the Memlooks, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...

This is an original 19th century hand-colored lithograph entitled "Dendera, Dec 7th, 1838" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in...

This is an original 19th century hand-colored lithograph entitled "View from Under the Portico of the Temple of Dendera" by David Roberts, from his Egypt and Nubia volumes of the lar...

“INTERIORS IV : HOTEL PARADISE” Contemporary artist Peter Milton created this etching and engraving in 1987. The printed Image size is 24 x 35.50 inches and the paper size is 30.75 x 41.75 inches. This impression is signed, dated, and titled in pencil, and inscribed “84/175” – the 84th impression of an edition of 175 pieces. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.” – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...