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Shepard FaireyShepard Fairey TWENTY-ONE Print Obey Giant Studio Number One Echo Park Urban Art2021
2021
About the Item
DIMENSIONS
24 × 18 in
61 × 45.7 cm
Edition 133 of 250
He gets to know the universe of graphic design very early, at age 14, when he draws images to be printed on t-shirts and skateboards. He is influenced by the work of artists such as Andy Warhol or Russian artist Alexander Rodtchenko.
In the late 1980s, Obey and a group of friends from the Rhode Island School of Design create a series of stickers and posters with the figure of wrestler Andre the Giant and stick thousands of them on the walls of American cities. Andre the Giant Has a Posse is one of the first and most important "viral" Street Art campaigns, showing the ability and force of this new illegal means of expression.
His work became world famous during the U.S. presidential campaign in 2008, with the creation of the poster HOPE of Barack Obama that became an icon of the campaign. The Institute of contemporary art in Boston considered Obey as one of the best and most influential street artists of our time.
- Creator:Shepard Fairey (1970, American)
- Creation Year:2021
- Dimensions:Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Draper, UT
- Reference Number:1stDibs: LU132728197252
Shepard Fairey
Expanding on the legacies of artists such as Keith Haring and Andy Warhol, Shepard Fairey’s practice disrupts the distinction between fine and commercial art.
A major artist of the street art movement, Fairey rose to prominence in the early 1990s through the dispersion of prints, posters, stickers and murals, related to his Obey Giant campaign, which yielded an international cultural phenomenon. Fairey’s iconic poster of President Barack Obama was adopted as the official emblem associated with the presidential campaign and encapsulates a number of recurring concerns in the artist’s work, including propaganda, portraiture and political power.
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