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Keith Haring
Keith Haring Theater der Welt Frankfurt (Keith Haring 1985)

1985

$1,450List Price

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Signed Ryan McGiness Women Screenprint
By Ryan McGinness
Located in NEW YORK, NY
Ryan McGinness “Women: The Blacklight Paintings": Hand signed exhibition poster created by the artist for The Standard Hotel, 2010. Screen-print with b...
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Early 2000s Pop Art Nude Prints

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Signed Ryan McGiness Screenprint
By Ryan McGinness
Located in NEW YORK, NY
Signed Ryan McGinness screen-print: Ryan McGinness, "Women: The Blacklight Paintings". The Standard Hotel, New York, 2010. Screen-print with black flo...
Category

Early 2000s Pop Art Nude Prints

Materials

Screen

Rare Original Keith Haring Vinyl Record Art (vintage Keith Haring)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Record Art 1987: A rare highly sought-after Keith Haring illustrated album cover featuring vibrant colors that make for stand-out wall art. Off-Set Lithograph on vinyl record jacket, 1987. Dimensions: 12 x 12 inches. Features a printed Keith Haring signature on the lower right. Minor shelf & edge wear; in otherwise good overall vintage condition. Includes original record (in good condition). Haring artwork credit found at bottom of last image. Keith Haring Album Art: a brief history:  Whether collaborating with Grace Jones, Andy Warhol, and Jean-Michel Basquiat, regularly frequenting clubs like Paradise Garage alongside close friend Larry Levan, or sketching DJ robots, New York artist and activist Keith Haring’s work was deeply entwined with the music world lending his vision to sounds by everyone from David Bowie to Run DMC. Looking for something cool to complement this work? Please feel free to browse additional items like this from Jean Michel Basquiat, Andy Warhol, Damien Hirst, Keith Haring & more on our 1stDibs gallery page.  Related Categories Vintage Keith Haring. Keith Haring prints. Street art. Pop art...
Category

1980s Pop Art Nude Prints

Materials

Lithograph, Offset

Keith Haring Safe Sex! (vintage Keith Haring poster)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Safe Sex poster 1987: A fun, witty, classic Haring illustration created by the artist in conjunction with his many Aids Awar...
Category

1980s Pop Art Figurative Prints

Materials

Lithograph, Offset

Keith Haring Fault Lines 1986 (4 works)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Fault Lines 1986 (set of 4 printed works): A grouping of 4 lithographs from the book Fault Lines by Brison Gysin with illustrations by Keith Haring. These works are eac...
Category

1980s Pop Art Figurative Prints

Materials

Lithograph

Roy Lichtenstein Crying Girl poster 1963 (Lichtenstein Leo Castelli gallery)
By Roy Lichtenstein
Located in NEW YORK, NY
Roy Lichtenstein Crying Girl Mailer: Folded poster/mailer published to promote the Roy Lichtenstein exhibit at Leo Castelli gallery, New York, ...
Category

1960s Pop Art Prints and Multiples

Materials

Lithograph, Offset

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Reclining Cubist Nude Woman Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to more figurative Jewish themes in his art. He is best known today for Chinese Restaurant (1915), in the collection of the Whitney Museum of American Art, "the finest canvas of his Cubist phase," in the words of art historian Avis Berman. Born in the Polish city of Białystok, then part of the Russian Empire, Weber emigrated to the United States and settled in Brooklyn with his Orthodox Jewish parents at the age of ten. He studied art at the Pratt Institute in Brooklyn under Arthur Wesley Dow. Dow was a fortunate early influence on Weber as he was an "enlightened and vital teacher" in a time of conservative art instruction, a man who was interested in new approaches to creating art. Dow had met Paul Gauguin in Pont-Aven, was a devoted student of Japanese art, and defended the advanced modernist painting and sculpture he saw at the Armory Show in New York in 1913. In 1905, after teaching in Virginia and Minnesota, Weber had saved enough money to travel to Europe, where he studied at the Académie Julian in Paris and acquainted himself with the work of such modernists as Henri Rousseau (who became a good friend), Henri Matisse, Pablo Picasso, and other members of the School of Paris. His friends among fellow Americans included some equally adventurous young painters, such as Abraham Walkowitz, H. Lyman Sayen, and Patrick Henry Bruce. Avant-garde France in the years immediately before World War I was fertile and welcoming territory for Weber, then in his early twenties. He arrived in Paris in time to see a major Cézanne exhibition, meet the poet Guillaume Apollinaire, frequent Gertrude Stein's salon, and enroll in classes in Matisse's private "Academie." Rousseau gave him some of his works; others, Weber purchased. He was responsible for Rousseau's first exhibition in the United States. In 1909 he returned to New York and helped to introduce Cubism to America. He is now considered one of the most significant early American Cubists, but the reception his work received in New York at the time was profoundly discouraging. Critical response to his paintings in a 1911 show at the 291 gallery, run by Alfred Stieglitz, was an occasion for "one of the most merciless critical whippings that any artist has received in America." The reviews were "of an almost hysterical violence." He was attacked for his "brutal, vulgar, and unnecessary art license." Even a critic who usually tried to be sympathetic to new art, James Gibbons Huneker, protested that the artist's clever technique had left viewers with no real picture and made use of the adage, "The operation was successful, but the patient died."[8] As art historian Sam Hunter wrote, "Weber's wistful, tentative Cubism provided the philistine press with their first solid target prior to the Armory Show." The Cellist...
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