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Walasse Ting
Nude on Blue Backgroung - Original Lithograph Poster (Maeght, 1974)

1974

Price:$190
$300.36List Price

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Nude on Blue Backgroung - Original Lithograph Poster (Maeght, 1974)
By Walasse Ting
Located in Paris, IDF
Walasse Ting Nude on Blue Backgroung, 1974 Original Lithograph Poster Printed signature in the plate On heavy paper 63 x 50 cm (c. 25 x 20 in) Created for the artist exhibition in M...
Category

1970s American Modern Nude Prints

Materials

Lithograph

Games Of Masks - Lithograph
By Leonor Fini
Located in Paris, IDF
Leonor FINI (1908-1996) Games Of Masks, 1980 Lithograph Printed signature in the plate On Vellum 43 x 36 cm (c. 16.92 x 14.1 in) Excellent condition
Category

1980s Modern Nude Prints

Materials

Lithograph

Greece : Pink Nude with Wheat Ear - Original lithograph, 1982
By Alekos Fassianos
Located in Paris, IDF
Alekos FASSIANOS Greece : Pink Nude with Wheat Ear, 1982 Original lithograph Printed signature in the plate On heavy paper 56 x 75 cm (c. 22 x 30 inch) For the Fassianos exhibition...
Category

1980s Modern Nude Prints

Materials

Lithograph

A Long Wait - Original handsigned lithograph - Ltd 250
By Jean-Baptiste Valadie
Located in Paris, IDF
Jean-Baptiste VALADIE A Long Wait Original lithograph Handsigned in pencil Limited /250 copies On vellum 35 x 45 cm (c. 14 x 18 in) Excellent condition
Category

Late 20th Century Modern Nude Prints

Materials

Lithograph

Federico Fellini with a Nude - Original handsigned lithograph - 100 ex
By Edouard Pignon
Located in Paris, IDF
Edouard PIGNON Federico Fellini with a Nude Original lithograph Handsigned Numbered / 100 ex On vellum 70 x 50 cm (c. 28 x 20 inch) Excellent condition
Category

1970s Modern Nude Prints

Materials

Lithograph

Reclining Nude, Left Leg Raised - Lithograph (Kallir #1531)
By (after) Egon Schiele
Located in Paris, IDF
Egon SCHIELE (after) Reclining Nude, Left Leg Raised Stone lithograph after a charcoal drawing of 1914 Printed signature in the plate On vellum 50 x 64 cm (c. 19.7 x 25 inches) R...
Category

Late 20th Century Modern Nude Prints

Materials

Lithograph

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This artwork titled " Balinese Mother and Child" 1970 is an original color lithograph on Japan nacre paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed, inscribed Bon a Tirer and dated 1970 in pencil by the artist. The image size 14 x 9,75 is inches, framed size is 27.35 x 21.75 inches. Published by First Impressions, San Francisco, printed by Fikrat Al-Khouri at First Impressions Graphic Society. it is beautifully custom framed in a wooden gold frame, with gold color spacer. It is in excellent condition. About the artist: Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...
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American Nude, from 1¢ Life
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Artist: Tom Wesselmann Title: American Nude Portfolio: 1¢ Life Medium: Lithograph in colors Date: 1964 Edition: 2000 Frame Size: 20 3/4" x 28 1/2" Sheet Size: 16 1/4" x 22 3/4" Image...
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Beauty and the Beast Lithograph, 1949 Signed, titled and numbered in pencil (see photos) Edition: 20 (10/20) (see photo) Condition: Excellent cond...
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Three-Quarter View of Nude Bathing Seated Near Lamp
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Jan Matulka (1890-1972), Three-Quarter View of Nude Bathing Seated Near Lamp, lithograph, 1925, signed and dated in pencil lower right. Reference: Flint 9...
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'Eyes for the Night' — Mid-century Surrealism
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Benton Spruance, 'Eyes for the Night', lithograph, 1947, edition 35, Fine and Looney 260. Signed, dated, titled, and annotated 'Ed 35' in pencil. A fine impression, on heavy, cream ...
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Titania Lithograph, Midsummer Night's Dream, by Marion Epstein
Located in New York, NY
Marion Epstein (American, 1921-2002) Titania, 1973 Lithograph Framed: 31 1/2 x 25 x 1/2 in. Numbered, titled, signed and dated bottom For over 60 years, local artist Marion Epstein has worked through her art to bridge the personal and the political, family and career. A versatile and prolific artist, she has done sculpture, enameling, painting and photography. But it was printmaking that truly captivated her imagination. Like many artists of her generation, Epstein was powerfully influenced by the political activism of the 1960s. A member of the Women's International League for Peace and Freedom, Epstein recalls attending meetings out of town with her young son in tow. The anti-war movement influenced a number of her pieces. "Where Have All the Flowers Gone?" echoes the sentiment of the popular anti-war folk song. This very tall print (6-by-2-1/2 feet) in tones of black, cream and ochre shows a tall woman (Marion) shielding a child, with spindly flowers drooping around them. "I didn't do abstractions," says Epstein. "I was always trying to say something." Another anti-war piece, "Generations of Thy Children," combines oil painting and collage on a bisected canvas. On the right half, a lone figure of a Vietnamese child stands forlornly on a reddish orange background. The left side of the canvas is crowded with images of soldiers, artillery and politicians. Epstein's print "Metamorphosis," completed following her participation in a civil rights march in Washington, tries to capture the changes and uncertainty in America during that time. In the background a white man looms with a questioning, almost fearful look on his face while the black youth in the foreground has his eyes downcast. Works such as "Dream Deferred" and "Aching To be Free" also represent the artist's personal reflections on the struggle for racial equality. Much of Epstein's art is a complex layering of imagery and texture, line and translucent color. In her haunting print, "Ovens and Shoes," one of several works in which she addresses the Holocaust, she makes interesting use of photographic images from the U.S. Holocaust Memorial Museum in Washington, D.C. Over a saturated black print of the death camp ovens, she has superimposed a pale ochre print of the pile of discarded shoes. Layered on top of these and centered between the arches of the ovens is the violet image of a Rodin sculpture of a man. (Bio sourced from Cleveland Jewish News, by Susan Kahn)
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1970s American Modern Nude Prints

Materials

Lithograph

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