Pol Bury

original lithograph

1982

Medium: original lithograph. Printed in 1970 by Triton Press and published by Art In America for a special series of original lithographs. Sheet size: 11 x 14 1/2 inches (280 x 370 m...

Medium: original lithograph. Printed in 1974 for the art revue Derriere le Miroir (issue number 209) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There is a...

Medium: original lithograph. Printed in 1964 for the special edition of Derriere le Miroir (No. 144-145-146) devoted in homage to Georges Braque, and published in Paris by the Maeght...

Medium: original lithograph. Printed in 1974 for the art revue Derriere le Miroir (issue number 209) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There is a...

Recently graduated from Pasadena’s legendary Art Center College of Design, Tom Baldwin created the series of inkjet prints Japanese Gardens in 1996 on his computer, using then-nascent graphics technology to "paint" his images on the computer screen. Baldwin embraced this technology and its accompanying printing process not just for the speed and ease of their use, but because the artist could achieve the absolute flatness that the principles of modernism preached but ultimately--because of the limitations of their tools--never reached. These colorful, semi-abstracted views of Japanese temple landscapes subtly, but radically redefine picture space. Baldwin shifts fore and backgrounds, giving equal weight to skies and hillsides. Endowing a lowly bush with a vibrant purple or orange might cause it to pop out of proportion, but ultimately lends balance and stability to the work itself, in short, returning the composition to its original, harmonious whole in keeping with the subject matter. these original prints employ a color scheme that seems more reminiscent of 1980s Japanese pop art beer advertisements...

the painting is being offered with a work and authenticity certificate

Composition is an original lithograph artwork on canvas, realized by The artist of The 20 Century Hand-signed on the lower right. Numbered on the lower left, Edition 1/49. The sta...

Recently graduated from Pasadena’s legendary Art Center College of Design, Tom Baldwin created the series of inkjet prints Japanese Gardens in 1996 on his computer, using then-nascent graphics technology to "paint" his images on the computer screen. Baldwin embraced this technology and its accompanying printing process not just for the speed and ease of their use, but because the artist could achieve the absolute flatness that the principles of modernism preached but ultimately--because of the limitations of their tools--never reached. These colorful, semi-abstracted views of Japanese temple landscapes subtly, but radically redefine picture space. Baldwin shifts fore and backgrounds, giving equal weight to skies and hillsides. Endowing a lowly bush with a vibrant purple or orange might cause it to pop out of proportion, but ultimately lends balance and stability to the work itself, in short, returning the composition to its original, harmonious whole in keeping with the subject matter. these original prints employ a color scheme that seems more reminiscent of 1980s Japanese pop art beer advertisements...