Portrait Prints

Serigraph on paper. From Paris Nights Suite. Hand signed and numbered by the artist. Image size 18.5 x 15 inches. Artwork is in excellent condition. Certificate of Authenticity i...

Susan Kiefer Rex Woodcut on paper Year: 2000 Size: 27x22in COA provided Ref.: 924802-1663 Framed woodcut print. A nude male figure in an armchair with striped and patterned backgrou...

OVID METAMORPHOSES - Metamorfosi di Ovidio is an original hand drawn lithograph by the Italian artist sculptor Marcello Tommasi (1928-2008). Printed...

The Thinker 2023 Archival pigment print 16 x 20 inches edition of 20 Skasi’s work arises from the belief that we inhabit the final romantic era before humanity's inevitable expansio...

Marina Abramović The Cleaner, 2017 Offset Lithograph poster from this European exhibition 39 2/5 × 27 3/5 inches Unframed and unsigned About The Cleaner project - courtesy of the Louisiana Museum Marina Abramović has inscribed herself in the history of art as one of the pioneers of body and performance art, and since the 1970s – with her own body and energy as her primary material – she has developed one of contemporary art’s most radical and uncompromising practices. Abramović is best known for physically and mentally demanding performance works that are often transgressive and revolve around the body, gender, energy, time, pain, presence, and identity. Her performances range from powerful, violent, and risky actions to quieter exchanges of energy and meetings with the audience. And especially in recent years, we the audience have increasingly become key players in her works. The exhibition at Louisiana comprised more than 100 works and spans more than five decades – from early concept sketches, paintings and sound works to presentations of the artist’s performances – including her collaboration with former partner Ulay. Reperformances of an early work formed part of the exhibition as well. Marina Abramović – The Cleaner was developed in dialogue with the artist and organized by Moderna Museet, Stockholm, in collaboration with Louisiana Museum of Modern Art, Henie Onstad Kunstsenter and Bundeskunsthalle, Bonn. The performance part...

Linder Soul Meets Soul on Lovers' Lips, 2025 Giclee print on 310gsm Hahnemühle PhotoRag Bright White archival pure cotton paper Edition of 75 hand-signed and numbered by the artist ...

Original Illustration based on photograph by Karen Bystedt. Signed by Shepard Fairey and Karen Bystedt. "I’ve been a fan of Andy Warhol’s art since high school. At first, his works’...

This striking poster, published by A Editions and printed in Canada, captures the quintessential style and fashion of the 1980s. The artwork features a stylized profile of a woman, h...

Self-portrait of Los Angeles Chicano artist Wayne Healy, at work on the press at Self Help Graphics. Wayne Healy (born 1946) grew up in East Los Angeles, where political events in the 1960s stimulated his commitment to execute socially and culturally relevant public art. In the third grade, he collaborated on a dinosaur mural with David Botello. In 1975, the two ran into each other after many years, and Healy and Botello co-founded what became the mural team known as East Los Streetscapers. In 1992 Healy and artist Roberto Delgado were awarded a grant by the Joint Spanish/U.S. Committee for Educational and Cultural Cooperation to paint murals in Barcelona, Spain. They have created murals and public art works throughout the United States, Europe and Mexico with traveling exhibitions including "Le Demon des Anges", "2001: Hispanic Artists...

Chris Ofili (British, b. 1968) Untitled, 2000 Medium: Etching, aquatint and drypoint, on Hahnemühle wove paper Dimensions: 25.7 × 20.8 cm (10 1/10 × 8 1/5 in) Edition of 100: Hand-si...

Chuck Sperry lives in the Haight-Ashbury district of San Francisco, where he’s made his particular style of rock poster designs for over 15 years. He operates Hangar 18, a silkscreen...

DaVinci Tee Threesome is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson(1919-2010). DaVinci Tee Threesome was printed using hand lithogr...

WORKING MOM by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on archiv...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she w...

Annie Leibovitz Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993 Offset lithograph poster (hand signed) Boldly signed in black marker on the front 30 × 24 inches Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution Unframed This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait. A coveted poster when hand signed by Annie Leibovitz Provenance: Collection of former Trustee of the Portland Museum of Art Annie Leibovitz Biography: Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery. Overview and Early Life For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects. Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children. Education and Work with Rolling Stone Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone. Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover. Photography Exhibits and Move to Vanity Fair In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue. In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984. Advertising Work, Awards, and Honors In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography. n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes...

Andrew Scott, Splash, 2024 Giclee print on 315 gsm etching cotton rag paper 33 x 45 cm ( 13 x 17.7 in) Edition of 250 Frame included Hand-signed and numbered by the artist An...

Lithograph in colors on paper. Hand signed, dated titled and numbered lower margin by Will Barnet. From edition of 300. Image size 40.25 x 30 inches. Sheet size 46.25 x 36 inches....

"The Festive Ties" is a limited edition, high-quality Dibond direct UV print, part of the Fetiches series by Natasha Lelenco. In this piece, Lelenco skillfully blends elements of nat...

FARM WOMAN, by JONATHAN GREEN, is a hand drawn, limited edition lithograph printed in 19 colors using hand lithography techniques on archival printmaking paper, 100% acid free. FARM ...

This piece titled "A Cowboy Needs A Horse" is an original artwork made from digital collage art by Lexicon Love. This piece is shipped in the pictured wood frame and measures 23”h x ...

AT YOUR SERVICE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on ar...

BEN SHAHN - Martin Luther King, Jr. - I Have A Dream is a limited run, plate signed, commemorative lithograph recreated after the wood engraving by Stefan Martin(1936 - 1994), an American wood engraver and illustrator. Printed using traditional lithography methods in 1981 on fine quality, archival Somerset printmaking paper, 100% acid free. Features a striking black and white portrait head portraying the fine wood engraved image of civil rights leader - Dr. Martin Luther King, Jr. along with text from his famed inspirational, I’ve been to the mountaintop’ speech. Printed signatures of Ben Shahn in dark reddish brown ink and Martin Luther King Jr. in gray ink. (see Photos) Artists copyright text printed...

Artist: Leonard Baskin Title: Chief American Horse - Oglalla Sioux Year: 1973 Medium: Lithograph, Signed and Numbered in pencil Edition: 100 Size: 41 x 30 inches

Artist: Alex Katz, American (1927 - ) Title: Night: William Dunas Dance 3 (Pamela) Year: 1983 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 100, 42 AP Size: 25...

JAPANESE TEMPLE is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the Dutch artist Nico Vrielink printed using traditional hand lit...

Shipping Procedure: FREE Shipping Worldwide Offest Ink on Linen. Unmounted artwork. Ships in a well-protected tube from Nigeria. Accompanied by a Certificate of Authenticity.  Th...

Part of Richard Heeps 'Man's Ruin' Series, he shot a series of portraits of Lisa over three years at the Viva Las Vegas Rockabilly Weekender. This artwork is a limited edition of 25...

Todd Slater creates an epic tapestry style portrait of Jerry for the latest installment of our Jerry Garcia Artist Series! Todd is a gig poster legend, and teaming up for a Jerry Ga...

WOMEN TOGETHER is a color lithograph by the American artist/sculptor Chaim Gross presenting an endearing figure study of seated female figures printed on archival white paper in watercolor shades of cream, light terra cotta, warm gray, light blue, light red and graphite black for the drawing. WOMEN TOGETHER is a freely expressed group portrait portraying the gathering of women seated together; their rounded cloud like body forms, gentle facial expressions and curly hair seem to flow in unison across the horizontal composition creating an almost heavenly air. Print size - 20 x 29 inches, unframed, pencil signed by Chaim Gross Edition size - 100, plus proofs Year published - 1979 Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee & Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

An Afghan woman laborer working a field of grain, with a backdrop of bombs falling from the sky. Signed, numbered and titled in pencil, from the edition of 125. As a cultural ac...

Very large advertisement poster created by Mobil for the promotion of the Masterpiece Theatre series "Miss Morison's Ghosts". It was a 1981 British supernatural television drama that...

Marina Abramovic The Artist is Present poster (Hand Signed), 2012 Offset lithograph. Hand signed by Marina Abramović LARGE: 40 × 27 inches Boldly sig...

Artist: Otto Dix (German, 1891-1969) Title: "Dame mit Reiher (Woman with a Tuft of Heron Feathers)" Portfolio: Die Schaffenden, Vol. 5, No. 1 *Signed and dated by Dix in pencil lower right Year: 1923 Medium: Original Lithograph on light cream smooth wove paper Limited edition: approx. 120 Printer: likely the artist Dix himself, Düsseldorf, Germany Publisher: Euphorion Verlag, Berlin, Germany Reference: "Otto Dix: Das Graphische Werk" - Karsch No. 62/II c, pages 84, 147 Sheet size: 16.25" x 12.25" Condition: In excellent condition Rare Notes: Provenance: private collection - Robert Kuennen, Oberlin, OH. Euphorion Verlag chop mark/blind stamp lower right. "Dix Fraukopf" (Dix Woman Head) pencil inscribed lower center. "The brim of her hat loops to make a shadow, the better to show her gaunt profile. Strands of hair writhe against her cheek and complement a fur stole on her shoulder. In 1923 Otto Dix went to Düsseldorf to learn new printing skills, including lithography which would show his drawing skills to better effect. He made a series of character studies, including this affecting portrayal of a pale woman reduced almost to a shadow of herself. Eyes closed to the exquisite world represented by those materials set out by the artist, she seems scarcely aware." - Sotheby's, London, UK Biography: Otto Dix (born December 2, 1891, Untermhaus, Thuringia, Germany—died...

Manolo Valdes La Dama de Argel, 1997 Etching and collage on handmade paper Edition 10 of 50, published by Marlborough Graphics, NY 39 x 28 inches Includes a Certificate of Authentici...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Jean Jansem (1920-2013) La soupière bleue, 1990, Lithographie sur papier Japon Signée en bas à droite et justifiée en bas à gauche 50 x 65 cm / 54 x 76 cm Edition à 120 exemplaires sur Arches plus 30 épreuves d'artiste. Ce rare exemplaire d'une édition à 30 épreuves sur papier Japon numérotées en chiffre romain. Bibliographie: Imprimeur: Mourlot, Paris Editeur: Galerie 10, Paris Bibliographie: Jansem Lithographe, 1984-1993, Flora Jansem, Paris, n. 50, reproduit p. 56, référencé p. 109. "Ma première lithographie date de 1954. Elle représente un enfant en haillons portant deux seaux d'eau, d'après un croquis rapporté de Cordoue lors de mon voyage en Espagne en 1952. Je l'exécutai sur pierre, au pinceau et à l'encre lithographique. Je fus déçu du résultat et n'en tirai qu'un essai et une épreuve. Quatre ans plus tard, je réalisai une dizaine de nouvelles lithographies, toujours sur pierre, la plupart en noir. Au lieu d'employer l'encre et le crayon...

Christian Furr HM Queen Elizabeth II, 2022 Inkjet on 310gsm Hahnemuhle paper Paper size 70.5 x 54.2 cms Image Size 54.5 x 40.2cms Edition of 70 + 5 AP hand-signed and numbered by the...

I have been a fan of the Ramones since I got into punk rock in 1984. The Ramones always impressed me with their style, blending a sense of humor with aggression and pop melody. I did...

QUIET AFTERNOON is an original hand drawn lithograph by the American woman artist Susan Sahall, printed in the early 1980's, using hand lithography techniques on archival Arches printmaking paper, 100% acid free. QUIET AFTERNOON portrays a very sensitive female portrait drawing of a seated young woman wearing a black pleated bell sleeve dress posed holding her hands clasped near her cheek, elbows resting on a table; a bouquet of pastel color flowers fill a carafe vase in front of her. She appears to be in quiet thought...

Medium: Intaglio and Chine Colle Year: 2021 Image Size: 12 x 9 inches Edition of 15 Signed, titled and numbered by the artist. A young Japanese woman contemplating her image in a mi...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

"Floral Portrait with Camellia and Insects on Green Background" is a limited edition high-quality Dibond direct UV Print, part of the "Fetiches" series by Natasha Lelenco. Known for ...

Anna Gawlikowska is a Polish artist born in 1980. She studied printmaking, painting, and graphic design at the Academy of Fine Arts of Wroclaw in Poland in the workshops of professor...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

This abstract portrait limited edition print by Ned Martin is part of the artist's Spirits Through Time series. It features a warm and earthy palette. It depicts a portrait of a woma...

Tennis, 2018, From the Series "Why This Restlessness?" by Casey Waterman Archival Inkjet Print Image size 31.5 in H x 30 in. W Sheet Size: 50 in. H x 40 in. W Edition 1 of 3 + 1AP...

Billy Childish, The Mountain that is God, 38.3 x 30.5 cm, edition of 200, 2022 hand-signed and numbered by the artist Billy Childish is a prolific British artist, musician, and wri...

THE BREAK OF DAY is an original limited edition woodcut print by the African-American painter and sculptor, Otto Neals. The woodblock used to print THE BREAK OF DAY was hand-carved b...

Raul Cordero (Cuba, 1971) '32 hrs 53 min kcal: 783 fat: 35%', 2005 photo engraving and screenprint on paper Guarro Biblos 250g. 26.8 x 33.3 in. (68 x 84.5...

Shepard Fairey Muhammad Ali "Heavyweight Ideals" Shepard Fairey Screenprint Contemporary Art, 2023 Fine Art Thick Cream Speckletone Paper Silkscreen Print with Gold Metallic Inks 24 ...

Bold print of "Brotherhood" by Kathe Kollwitz (German, 1867-1945). This piece is one of the Lithographic reproductions of the original lithographs, plate 3 from a series of 10, print...

Separe is an original offset and lithograph realized by George Grosz. The artwork is the plate n.22 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

"Zaida del Rio (Cuba, 1954) 'Untitled ', 2016 digital print on paper 11.1 x 8.3 in. (28 x 21 cm.) ID: DER-201"

Agustin Bejarano (Cuba, 1964) 'Tejedoras de mano I', 2003 engraving on paper Guarro Biblos 250g. 30.6 x 23.3 in. (77.5 x 59 cm.) Edition of 20 Unframe...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was award...

Wes Lang (American, b. 1972) To Tell The Truth, 2020⁣⁣⁣ Medium: Archival pigment print on cotton paper Dimensions: 66 x 85 cm (26 x 33 1/2 in) Edition of 75 + 20 AP : Hand-signed and...

This work is inspired by collage and surrealist artworks. I like combining images removed from their original narrative context and reconfigured into a new scenario. This screen prin...