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Georges Rouault
Obéissant jusqu'à la morte et à la morte de la croix.

1923

$2,000List Price

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L'Eventail (Anaïs) also called The Fan.
By Gerald Leslie Brockhurst
Located in Storrs, CT
L'Eventail (Anaïs) also called The Fan. 1921. Etching. Fletcher 22. Final state. 6 3/8 x 4 7/16 (sheet 11 1/2 x 9 1/4). Edition 76. An extremely rich, tonal impression printed on cr...
Category

1920s Modern Portrait Prints

Materials

Etching

Chez Madame Dupont
By Edmund Blampied
Located in Storrs, CT
Chez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full shee...
Category

1930s Modern Figurative Prints

Materials

Drypoint, Etching

Homme dévoilant une Femme. (Man unveiling a woman).
By Pablo Picasso
Located in Storrs, CT
Homme dévoilant une Femme. (Man uncovering a woman). 1931. Drypoint. Bloch 138; Baer 203 B.d. Vollard Suite, plate 5. Printed by: Lacourie...
Category

Mid-20th Century Modern Portrait Prints

Materials

Etching

En Pension.
By Edmund Blampied
Located in Storrs, CT
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...
Category

1920s Modern Figurative Prints

Materials

Drypoint, Etching

Una (The Young Creole)
By Gerald Leslie Brockhurst
Located in Storrs, CT
Una (The Young Creole). 1929. Etching. Fletcher 65 catalog iv/x. Image: 8 1/2 x 6 1/4 (sheet 15 3/8 x 10 1/4). Edition of 3 in this state (total 140 impressions). A very rich impress...
Category

Early 20th Century Modern Portrait Prints

Materials

Etching

Amanda (Marguèrite), No. 1
By Gerald Leslie Brockhurst
Located in Storrs, CT
Amanda No. 1 (Marguèrite). 1920. Etching. Fletcher 18. 3 1/2 x 2 3/8 (sheet 9 x 7 1/4). Edition 55. . A rich proof printed with plate tone on cream laid paper with full margins. Sign...
Category

Early 20th Century Modern Portrait Prints

Materials

Etching

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Chromatic Composition by Max Papart, French (1911–1994) Date: circa 1980 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of 2/60 Image Size: 24.5 x ...
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Electronic Man by Max Papart French (1911–1994) Date: circa 1982 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of HC Image Size: 22 x 29.5 inches ...
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Flavius Valerius from The Romans, Modern Aquatint Etching by Enrico Baj
By Enrico Baj
Located in Long Island City, NY
Artist: Enrico Baj, Italian (1924 - 2003) Title: Flavius Valerius Constantinus Chlorus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition: 24/70;...
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"Mes Petites Amies, Les Deux Sœurs" signed by Jacques Villon
By Jacques Villon
Located in Milwaukee, WI
This is a drypoint and aquatint artwork by Jacques Villon. The artist signed in pencil on the lower right. As well as signed in plate at the top right of the image. This is a wonderful artwork of different intaglio processes being brought together in a beautiful almost seamless harmony. The thin pencil like markings and hair detailing are made using the Drypoint printmaking method. Whilst the color details around the girls are made using the Aquatint etching method. Jacques Villon shows his skills as a printmaker with the way these pieces line up perfectly and with how clean the rest of the plate is around the girls. An unnumbered impression, apart from the numbered edition of 50. Catalogue Raisonne E101, pg. 66-67 (Ginestet & Pouillon. It depicts two young girls. 15" x 11 1/2" art 25 1/8" x 20" frame French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...
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Early 1900s Modern Figurative Prints

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Le Matin - Etching by James Tissot - 1886
By James Tissot
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Wonderful mezzotint and etching on China paper applied. The inscription reads: "Le matin/ J. J. Tissot Sc. et ex. 1886". Titled, signed and dated on plate on the lower margin, below ...
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1880s Modern Figurative Prints

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