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Gerald Leslie BrockhurstAnaïs No. 21930
1930
About the Item
Anaïs No. 2. 1930. Etching. Fletcher 67. 8 7/8 x 6 3/4 (Sheet 15 x 11). Edition 111. An extremely rich proof printed on cream wove paper, on the full sheet with deckle edges. Anaïs Folin was the artist's first wife. Provenance: the Brockhurst estate. Signed in pencil. Housed in a 20 x 16-inch archival mat, suitable for framing.
Brockhurst's first wife, Anaïs Folon, was the model for his early etchings of young womanhood (1920 - 30). The marriage came under strain in 1922 when she discovered his adultery with her sister, Marguerite.
Born in Birmingham, the artist attended the Birmingham School of Art from the age of 12. Regarded as a 'young Botticelli' ,his drawing skills won him a gold medal and scholarship at the Royal Academy Schools in 1913. He studied in England, France and Italy, where he was profoundly influenced by Piero della Francesca, Botticelli and Da Vinci.
- Creator:Gerald Leslie Brockhurst (1890 - 1978, English)
- Creation Year:1930
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33522490643
Gerald Leslie Brockhurst
(b Birmingham, 31 Oct. 1890; d Franklin Lakes, NJ, 4 May 1978). British-born painter and etcher who became an American citizen in 1949. Precociously gifted, an excellent draughtsman, and a fine craftsman, Brockhurst won several prizes at the Royal Academy Schools and went on to have a highly successful career as a society portraitist, first in Britain and then in the USA, where he settled in 1939, working in New York and New Jersey. He is best known for his portraits of glamorous women, painted in an eye-catching, dramatically lit, formally posed style similar to that later associated with Annigoni. As an etcher Brockhurst is remembered particularly for Adolescence (1932), a powerful study of a naked girl on the verge of womanhood staring broodingly into a mirror—one of the masterpieces of 20th-century printmaking.
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