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Gerald Leslie BrockhurstUna (The Young Creole)1925
1925
$1,000
$1,35025% Off
£760.77
£1,027.0425% Off
€889.57
€1,200.9225% Off
CA$1,398.54
CA$1,888.0325% Off
A$1,571.11
A$2,120.9925% Off
CHF 836.12
CHF 1,128.7725% Off
MX$19,427.33
MX$26,226.8925% Off
NOK 10,188.27
NOK 13,754.1725% Off
SEK 9,850.60
SEK 13,298.3125% Off
DKK 6,635.39
DKK 8,957.7725% Off
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About the Item
Una (The Young Creole). 1929. Etching. Fletcher 65 catalog iv/x. Image: 8 1/2 x 6 1/4 (sheet 15 3/8 x 10 1/4). Edition of 3 in this state (total 140 impressions). A very rich impression printed on cream wove paper. Signed and inscribed '4th state G.L.B. 3 proofs thus in pencil. Housed in a 20 x 16-inch archival mat.
The painting of the sitter was exhibited at the Royal Academy and Royal Society of Painter-Etchers and Engravers in 1930. Salaman praised "Una" saying the "ripe-lipped face, 'full of the warm South,' [who] looks at you with eyes that seem to meet your own with humorous frankness, yet leave you wondering as to what subtle audacity may be behind them."
Brockhurst's first wife, Anaïs Folon, was the model for his early etchings of young womanhood (1920 - 30). T
Born in Birmingham, the artist attended the Birmingham School of Art from the age of 12. Regarded as a 'young Botticelli' ,his drawing skills won him a gold medal and scholarship at the Royal Academy Schools in 1913. He studied in England, France and Italy, where he was profoundly influenced by Piero della Francesca, Botticelli and Da Vinci.
- Creator:Gerald Leslie Brockhurst (1890 - 1978, English)
- Creation Year:1925
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33527248602
Gerald Leslie Brockhurst
(b Birmingham, 31 Oct. 1890; d Franklin Lakes, NJ, 4 May 1978). British-born painter and etcher who became an American citizen in 1949. Precociously gifted, an excellent draughtsman, and a fine craftsman, Brockhurst won several prizes at the Royal Academy Schools and went on to have a highly successful career as a society portraitist, first in Britain and then in the USA, where he settled in 1939, working in New York and New Jersey. He is best known for his portraits of glamorous women, painted in an eye-catching, dramatically lit, formally posed style similar to that later associated with Annigoni. As an etcher Brockhurst is remembered particularly for Adolescence (1932), a powerful study of a naked girl on the verge of womanhood staring broodingly into a mirror—one of the masterpieces of 20th-century printmaking.
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