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Jacques VillonAdresse Sagot - Two States, Before and After Lettering1905
1905
About the Item
Jacques Villon (1875-1963), two drypoints, 1905, (Ginestet and Pouillion E156) each signed in pencil: an impression of the final state (third state of three) printed in bistre, with lettering (Adresse Sagot); and an impression of the second state (of 3), before lettering, printed in sanguine.
Both in very good condition: impression in bistre on cream wove with wide margins; impression in sanguine with wide margins, on laid paper, with very pale time staining in upper right sheet edge, minor surface soiling. Image: 9 1/2 x 8 1/2 inches (sheets: 12 1/2 x 10, 14 x 10), archival mounting.
Both fine fresh atmospheric impressions of this rarely seen image, with substantial burr from the drypoint work.
During the period 1904-6 Villon spent much time on printmaking, often focusing on portraits of women, and also made drawings for weeklies, re-using the drawings for prints. In this instance, he created an independent work of art which was ultimately used to illustrate an address card for the publisher Sagot.
- Creator:Jacques Villon (1875-1963, French)
- Creation Year:1905
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531771463
Jacques Villon
Jacques Villon was born Gaston Duchamp in 1875. He was the oldest brother of the artists Marcel Duchamp, Suzanne Duchamp-Crotti and the sculptor Raymond Duchamp-Villon. Initially a law student, in 1894 he went to Paris to study art. It was there that he met Henri Toulouse-Lautrec and other influential artists in Paris, and changed his name to Jacques Villon, after the poet. Villon made prints of some of the most well-known belle-époque portraits and genre scenes of the early twentieth century. Around 1911, he came under the influence of Picasso and other cubists, and became a leading exponent of the style, exhibiting in the 1913 Armory Show in New York. In 1922, the Galerie Bernheim-Jeune commissioned Villon to produce a series of color aquatints after 38 major nineteenth- and twentieth-century paintings. This series included works by Pierre Auguste Renoir, Henri Matisse, Pablo Picasso, Paul Cezanne, Georges Braque, Raoul Dufy, Amadeo Modigliani, Edouard Manet, Pierre Bonnard, and others. Artists who were alive at the time of the printing collaborated with Villon, and signed the prints. The project took ten years to complete. Several of these prints are valued highly today, and some went on to be reproduced by the Louvre Museum as photo-etchings. Villon's 'cubist' etchings, with their characteristic cross-hatching, are amongst the most renowned prints of the twentieth century. Jacques Villon's long career brought him fame. The diverse nature of his paintings, from end-of-the-century portraits to cubist and abstract styles to graphic works, made him a major figure in twentieth-century art. He was made a Grand Officer of the Légion d'Honneur, and upon his death in 1963, and he was given a state funeral.

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