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Joan MiróHommage à Picasso (Homage to Picasso) limited edition Joan Miro silkscreen 1975
1975
About the Item
Joan Miro
Hommage à Picasso (Homage to Picasso), 1975
Silkscreen and Photograph on wove paper. Signed Twice: Hand Signed, numbered 1/50 in pencil and dated, and also signed on the plate. (from a very low edition of only 50)
20 × 24 inches
Hand-signed by artist, sticker label, Signed, numbered 1/50 and dated on recto (front) from the Album International 2 series. The work is actually signed BOTH by hand and plate.
Published by Editions Alpic Geneve
Unframed
This scarce hand signed and numbered Miro silkscreen and photograph of Picasso was published in Europe from the limited edition of only 50 - and is rarely to market. Miro created it as part of the original Album International 2 Portfolio; superb provenance as it was work acquired with the complete portfolio. It is unframed, in original (fine) condition with the full sheet printed to the edges.
Joan Miro Biography
(Spanish, 1893–1983)
Catalan artist Joan Miró (Spanish, 1893–1983) spent a few years in technical school as a teenager before he began his artistic career. He trained at Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915, after which he had his first solo show in Barcelona at the gallery of José Dalmau in 1918. Starting in 1920, Miró divided his time between Montroig, Spain, and Paris, where he commingled with poets such as Max Jacob, and took part in Dada activities. Dalmau organized a solo show for Miró in Paris at the Galerie la Licorne in 1921, and in 1924, Miró joined the Surrealist movement. The consistently Abstract nature of his works, such as The Birth of the World (1925) blended well with the dream-like ambiance of Surrealism.
After a trip to the Netherlands in 1928, Miró created the series Dutch Interiors, in which amorphous forms entered into his work. On October 12, 1929, he married Pilar Juncosa in Palma de Mallorca, and then moved to Paris. During this period, he rebelled against painting, and produced wood reliefs, assemblages, and collages. Although he was living in France, the influence of the Spanish Civil War can be observed in the intense color and strong imagery of Still-life with an Old Shoe (1937). Experimentation continued in Miró’s work until his death in 1983. His wide body of work included ceramics, various prints, drawing, and sculpture. Major projects include the 1958 ceramic murals The Sun and The Moon for the UNESCO building in Paris. He collaborated with Josep Llorens Artigas, and was awarded the Guggenheim Foundation’s Grand Prize. This collaboration can been seen in the artwork called Miró Artigas. Numerous retrospectives of his works have taken place during his lifetime and after.
- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1975
- Dimensions:Height: 20 in (50.8 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Unframed and in fine condition; this will be the first time the print has been removed from the original portfolio.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213703982
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
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