Mr. Brainwash

Poster: Life Is Beautiful (Queen Elizabeth II)

ca. 2016

Mr. Brainwash John Lennon & Yoko Ono from the legendary ICONS exhibition, 2010 Offset lithograph poster on gloss paper stock with deep saturated vibrant ink colors Plate signed on t...

Mr. Brainwash Obama Superman, 2009 Offset Lithograph Poster Plate signed on lower right front 36 × 24 inches Unframed This Mr. Brainwash poster on gloss stock paper with a semi gloss...

Jean-Michel Basquiat Portrait with Jack Kerouac (Invitation to Basquiat's final exhibition), 1988 Offset Lithograph for Basquiat's final exhibition Measurements: Offset print, 6″ x 9″ (folded); 10 1/2″ x 9″ (splayed open) Beyond scarce! Exhibition invitation for Basquiat's show at Vrej Baghoomian Gallery, NY, April - June 1988, photograph by (French photographer) Jerome Schlomoff. Historic, uncommon offset lithograph fold-out invitation from what would become the very last exhibition of Basquiat's short life. Indeed, what makes this exhibition invitation so extraordinary is that this exhibition ended June 11th, 1988 - almost exactly two months before Basquiat's own life ended, at the age of 27, on August 12, 1988. Some would later say that Basquiat's death seemed almost foreshadowed by the announcement’s austere design, colorless palette, and solemn portrait photograph. In the photo, he clutches the copy of Jack Kerouac’s The Subterraneans which Basquiat, an autodidact, is said to have kept in his suitcase wherever he went, (The semi-autobiographical novel is about Kerouac's affair with an African-American woman, and his entree into the world of Jazz.) Basquiat famously had a falling out with the notoriously sketchy Vrej Baghoomian, and he is said to have boycotted the opening reception on April 29th. This invitation was printed in Basquiat's lifetime - making it such a collectible. Phoebe Hoban reported in her biography, "Basquiat: A Quick Killing in Art": .."the FBI in 1994 investigated a matter in which Vrej Baghoomian, the dealer who represented the painter at the time of his death, had sold five fake Basquiats at a Paris art fair. Though he apparently hadn’t made the fakes himself, and was never convicted, “Vrej was a big crook,” says the artist Rick Prol...

Ed Ruscha Reading Ed Ruscha (Hand Signed by Ed Ruscha), 2012 Offset Lithograph Poster Boldly signed in black marker by Ed Ruscha on the lower front, edition of approx. 50 (unnumbered...

Annie Leibovitz Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993 Offset lithograph poster (hand signed) Boldly signed in black marker on the front 30 × 24 inches Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution Unframed This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait. A coveted poster when hand signed by Annie Leibovitz Provenance: Collection of former Trustee of the Portland Museum of Art Annie Leibovitz Biography: Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery. Overview and Early Life For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects. Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children. Education and Work with Rolling Stone Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone. Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover. Photography Exhibits and Move to Vanity Fair In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue. In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984. Advertising Work, Awards, and Honors In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography. n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes...

Robert Longo Aluminum Nights, 1981 Offset Lithograph 28 × 20 inches Boldly signed in black marker by Robert Longo; pencil numbered 114 from the limited edition of 250 on the verso Unframed Aluminum Nights was a 10-year anniversary festival and artist fundraiser at Bond’s. The marathon event saw a capacity audience of many hundreds, and featured an array of performances by artists. Solo and ensemble performances were complemented by video programs over the course of the festival. The roster of artists and presenters included: Eric Bogosian, Brian Eno, David Byrne, Glenn Branca, Nam June Paik, Rhys Chatham, John Giorno, Meredith...

Unsigned offset lithograph in colors on paper. £10 note Di-Faced by Banksy with a portrait of Princess Diana on the front and the motto: "I Promise to Pay the Bearer on Demand the Ultimate Price." The back features Darwin's image and the statement: "Trust No One...

“The duality of art is a fatal consequence of the duality of man.” - Charles Baudelaire “Working with different techniques in print is a major interest in my art practice. I’ve alwa...

Antony Micallef Peace Keeper, 2007 Lithograph printed in colours hand-signed and numbered by the artist 96 × 67 cm 105 x 72 cm (framed) Edition of 400 Antony Micallef is a prominent...

D*Face Race Face, 2022 Hand-signed and numbered by the artist 18 colour hand pulled screen print on 370gsm Lambeth Drawing Paper 100 x 70 cm Edition of 100 Artwork ships in 2-4 weeks

Artist: FAKE Title: 'Super Nurse' Super Size Gold Size: 55.12 x 39.37 Inches (140x100cm) Medium: 6 Color Screen Print Edition: of 20 Year: 2020 Notes:...

Artist: Faile Title: Save Stilettos Size: 39 x 27.5 in Medium: Silkscreen Edition: of 100 Year: 2016 Notes: Custom Framed 18 Color Silkscreen Ink on Paper Archival Coventry Rag 290gsm. Signed & Stamped, Faile 2010 "The prints where released in conjunction with the Bedtime Stories show featuring some of the new processes involved in the wood paintings. These are 18-color silkscreen prints on an archival Coventry Rag 290gsm, deckled edge paper. Based off 3 new images from the show. It was quite a journey to try and convey the wood block paintings...