Items Similar to Jeune Femme Cousant; Madame Helleu (Young Woman Sewing, artist's wife)
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Paul César HelleuJeune Femme Cousant; Madame Helleu (Young Woman Sewing, artist's wife)1892
1892
About the Item
Paris: Gazette des Beaux Arts, 1892.
Etching and dry point on cream laid paper. 7 9/16 x 5 7/8 inches (191 x 148 mm), full margins. Signed in pencil, lower right margin. A dark, inky impression of this touching portrait of the artist's wife. Scattered marginal mat tone and light tone, tab marks on top left and right visible on recto, well outside of the image area.
- Creator:Paul César Helleu (1859-1927, French)
- Creation Year:1892
- Dimensions:Height: 7.57 in (19.23 cm)Width: 5.875 in (14.93 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:
Paul César Helleu
Rich impression with dramatic drypoint burr and tone no other artist epitomizes the whole atmosphere of elegance and hedonistic pleasure which pervaded Paris society at the first decade of the century as does Helleu. A close friend of Proust and the inspiration for one of the principal characters in La Recherche du Temps Perdu, Helleu’s whole life style echoed the incomparable elegance and flow of his drawing, the sheer style of his art, and his eye for the poses of the beautiful women who were his friends and his patrons. During the 1870’s, Helleu had come to know the painters of Impressionism and also artists Sargent and Whistler who became his special friends and inspiration. By the early 1880’s, he had already developed the quality of expressive sweeping line, which is the essence of his drawing, but in 1885 he was encouraged by Tissot to try working on prints in drypoint. At this time, Tissot had decided, after the death of his lover and model Kathleen Newton, to travel to the Holy Land on an artistic pilgrimage. Having decided he would no longer engrave, he gave Helleu his diamond stylus…a literal and figurative “passing of the baton”. It was in the incision and texture of drypoint that his art was to reach one of its greatest peaks. He had an innate feel for the balance between a lightly curving stroke and the deeply cut highly tonal burr of the strongest drypoint. Around the turn of the century he started to combine drypoint with multi-inking in colors, the areas of color restricted to such touches as the bows on the hats, the hair color or the red of the lips. The plate was drawn at a single sitting, and then the color inks were brushed onto it. The results are some of the most splendid and decorative of all Belle Époque prints.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2004
1stDibs seller since 2022
30 sales on 1stDibs
Typical response time: 11 hours
- ShippingRetrieving quote...Ships From: Middletown, NY
- Return PolicyA return for this item may be initiated within 30 days of delivery.
More From This SellerView All
- The Spectacle SellerBy Adriaen Jansz van OstadeLocated in Middletown, NYEtching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...Category
Mid-17th Century Old Masters Figurative Prints
MaterialsDrypoint, Laid Paper, Etching
- 14th Street OrientalBy Isabel BishopLocated in Middletown, NYNew York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...Category
Mid-20th Century American Modern Portrait Prints
MaterialsAquatint, Drypoint
- La Marchande des Quatres-SaisonsBy Edgar ChahineLocated in Middletown, NYEtching with drypoint on cream wove paper, 11 3/4 x 13 3/4 inches (297 x 347 mm), full margins. Signed in pencil and numbered 32/40, lower margin. Minor mat tone and several small lo...Category
Early 20th Century Post-Impressionist Portrait Prints
MaterialsHandmade Paper, Rag Paper, Drypoint, Etching
- Vieille Masken, La Servante AnversoiseBy Félicien RopsLocated in Middletown, NYEtching with engraving and drypoint printed in brownish black ink on cream laid paper with a partial heraldic A and fleur-de-lis watermark, 5 5/8 x 4 1/4 inches ( 341 x 107 mm), full...Category
Late 19th Century French School Portrait Prints
MaterialsLaid Paper, Engraving, Drypoint, Etching
- René de Laudonnière Sablais (de Burdigale). After Crispjin van de Passe IBy Charles MeryonLocated in Middletown, NYParis: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins. Dog-eared left corner, extending 3-inches into the sheet, but well ou...Category
Mid-19th Century French School Portrait Prints
MaterialsLaid Paper, Etching, Drypoint, Engraving
- My DaughterLocated in Middletown, NYDrypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...Category
Early 20th Century Modern Portrait Prints
MaterialsEtching, Drypoint
You May Also Like
- Self Portrait by Jim Dine (plate one from Self Portraits portfolio 1971)By Jim DineLocated in New York, NYJim Dine, Self Portrait 1971 drypoint on Hodgkinson Hand Made Tone-Weave paper Paper 18 x 14 in. / 46 x 36 cm Plate 8 x 6 in. / 20 x 15 cm plate one from Self Portraits (1971) portfo...Category
1970s Realist Portrait Prints
MaterialsDrypoint
- Jeunesse Dorée (Kathleen Nancy Woodward). (Gilded Youth.)By Gerald Leslie BrockhurstLocated in Storrs, CTJeunesse Doree. Fletcher 80. 10 7/8 x 8 7/8. Edition 75 in this state (there was also 1 trial and 4 proofs in state I; 2 trials and 2 proofs in state II; and 2 proofs of state 3, p...Category
1940s Modern Portrait Prints
MaterialsEtching, Drypoint
- La Duchesse de Marlborough, Consuelo VanderbiltBy Paul César HelleuLocated in Storrs, CTPaul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...Category
Late 19th Century Modern Portrait Prints
MaterialsDrypoint, Etching
- Chez Madame DupontBy Edmund BlampiedLocated in Storrs, CTChez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full shee...Category
1930s Modern Figurative Prints
MaterialsDrypoint, Etching
- En Pension.By Edmund BlampiedLocated in Storrs, CTEn Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...Category
1920s Modern Figurative Prints
MaterialsDrypoint, Etching
- Dans les Cendres (In the embers)By Albert BesnardLocated in Storrs, CTDans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...Category
Late 19th Century Impressionist Figurative Prints
MaterialsDrypoint, Etching
Recently Viewed
View AllMore Ways To Browse
Tab Light
Femme Antique
Antique Tab
Antique Gazette
Jeune Femme
Paul Cesar
Paul Cesar Helleu
Campbell Soup Cans
Campbells Soup Can
Warhol Soup Print
Portrait African American Woman
Spanish Arab
Andy Warhol Soup Prints
Modern Colorful Wood Sculpture
Pastel Portrait Sketch
Portrait On Tin
Native Chief
Marilyn Signed Warhol