Photorealist Portrait Prints

Artist: (after) Andy Warhol (American, 1928-1987) Title: "John Gotti (Time Magazine Cover)" Series: Time Magazine *Signed by Warhol in the plate (printed signature) lower center Year: 1986 Medium: Offset-Lithography; The complete September 29, 1986, Vol. 128, No. 13 issue of "Time" magazine Reference: "Andy Warhol Prints: Catalogue Raisonné 1962-1987" - Feldman/Schellmann No. IIIB.50, page 278 Framing: Recently framed in a black contemporary moulding with black 100% cotton rag matting and 99% UV protective Museum Glass Framed size: 18.94" x 16.25" Sheet size: 8.25" x 11" Image size: 10.38" x 8" Condition: A complete pristine copy. In excellent condition with strong colors Notes: Provenance: private collection - Gulfport, MS. Warhol was commissioned by Time magazine to design this image for their September 29, 1986 issue. The image featured on this cover is a variation of Warhol's 1986 screenprint edition "John Gotti", (Feldman/Schellmann No. IIIB.50). Based on a publicity photograph. Retains its original mailing address label on verso. "Time magazine, for instance, approached Warhol to produce a number of covers, which furthered his interest in the world of commerce and art, or what he called 'business art'. These include 'New Coke...

Bold lithograph titled "Bread" by Kathe Kollwitz (German, 1867-1945). This piece is one of the Lithographic reproductions of the original lithographs, plate 2 from a series of 10, pr...

Limited edition offset print of the original photorealistic painting, a portrait that portrays a historical reenactment of a civil war volunteer by James Bama...

"Interieur" is a Plate-Signed Print by Emile Bellet. It measures 9 x 10.5 inches, unframed. The date of creation is unknown, but is believed to be within ...

ISAAC MAIMON (Israeli, b.1951). Poster-Romm Art Editions ltd, B&R International Art. Plate signed. Measures 24 x 36 in. Unframed. Good Condition.

Poster. Measures 25.5 x 16 inches and id Unframed. Good/Fair Condition-signs of wear consistent with age and handling. Printed by Alinari in Firenze, Italy (Florence)

Artist: Peter Max, German/American (1937 - ) Title: Bill Clinton Inaugural, An American Reunion, New Beginnings, Renewed Hope Hand signed in marker with dedication Year: 1993 Medium: Poster Size: 36 in. x 24 in Provenance: collection of Friede & Rubin L. Gorewitz Peter Max (born Peter Max Finkelstein, October 19, 1937) is a German-American artist known for using bright colors in his work. Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art. Max was born in Berlin, the son of German Jews, Salla and Jakob. They fled Berlin in 1938, settling in Shanghai, China, where they lived for the next ten years. In 1948, the family moved to Haifa, Israel, where they lived for several years. Peter attended school in Mount Carmel, but was often drawing instead of taking notes. His principal suggested to his parents that he be put in art lessons after school, and he began to study under Professor Hünik, a Viennese Expressionist. From Israel, the family continued moving westward and stopped in Paris for several months—an experience that Max said greatly influenced his appreciation for art. In their short time in Paris, Max's mother enrolled him in drawing classes at the Louvre, where he began to study Fauvism. After nine months in Paris, Max and his family made their final move, settling in Brooklyn, New York, USA. In 1956, Max began his formal art training at the Art Students League of New York in Manhattan, studying anatomy, figure drawing and composition under Frank J. Reilly who had studied at the League alongside Norman Rockwell. In 1962, Max started a small Manhattan arts studio known as "The Daly & Max Studio," with friend Tom Daly. Daly and Max were joined by friend and mentor Don Rubbo, and the three worked as a group on books and advertising for which they received industry recognition. Much of their work incorporated antique photographic images as elements of collage. Max's interest in astronomy contributed to his self-described "Cosmic '60s" period, which featured psychedelic, counter culture imagery. Max's art was popularized nationally through TV commercials such as his 1968 "un cola" ad for the soft drink 7 Up which helped drive sales of his art posters and other merchandise. In 1967, Max solidified his place as a counter cultural icon by designing the flyers for the second ever 'Be In', a political gathering of mainly hippies in New York's Central Park after the Easter parade on March 26, 1967. In 1970, many of Max's products and posters were featured in the exhibition "The World of Peter Max," which opened at the M.H. de Young Memorial Museum in San Francisco. The United States Postal Service commissioned Max to create the 10-cent postage stamp to commemorate the Expo '74 World's Fair in Spokane, Washington, and Max drew a colorful psychedelic scene with a "Cosmic Jumper" and a "Smiling Sage" against a backdrop of a cloud, sun rays and a ship at sea on the theme of "Preserve the Environment." According to The New York Times, "His DayGlo-inflected posters became wallpaper for the turn on, tune in, drop out generation." On July 4, 1976, Max began his Statue of Liberty series leading to his efforts with Chrysler CEO Lee Iacocca to help in the restoration of the statue. Max has been the official artist for many major events, including the 1994 World Cup, the Grammy Awards, the Rock and Roll Hall of Fame, the Super Bowl and others. In 2000, Max designed the paint scheme Dale Earnhardt...

Original, limited edition offset lithograph in colors on paper. Published by Walt Disney Art Classics. Artwork is in excellent condition. All reasonabl...

Delicate drypoint etching of two girls by Dorian Krausz (American, b. 1948). Signed "Dorian Krausz" in the lower right corner. Numbered "196/300" in the lower left corner. Presented ...

Sentimental is the adjective to describe this beautiful portrait of a mother with her innocent child. This is a beautifully framed limited edition lithograph (100/295) on paper sign...

For Sale: Andy Warhol "Ten Marilyns II" This vibrant offset lithograph, based on the 1967 original, is printed on heavyweight quality paper and measures 80.5 × 140.0 cm. Published i...

Artist: Alexander Calder (American, 1898-1976) Title: "Untitled (front cover)" Portfolio: Derrière le Miroir (No. 156) *Issued unsigned, though signed by Calder in the plate (printed signature) lower right Year: 1966 Medium: Original Lithograph on smooth wove paper Limited edition: Unknown Printer: Arte Adrien Maeght, Paris, France Publisher: Galerie Maeght, Paris, France Sheet size: 14.75" x 11" Condition: In excellent condition Notes: Lithograph produced for the 1966 No. 156 "Derrière le Miroir" portfolio in conjunction with a special exhibition of Calder's work at Galerie Maeght, Paris, France in February of 1966 which featured 13 totems and 27 gouaches. The complete folio included a poem by Jacques Prévert and texts by Professor Meyer Schapiro, Alexander Calder, and Nicholas Guppy. Small spiral lithograph and text on verso as issued. In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery...