Items Similar to Portrait of a Lady - Etching by Thomas Cheesman - Early-19th century
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Thomas CheesmanPortrait of a Lady - Etching by Thomas Cheesman - Early-19th centuryEarly-19th century
Early-19th century
About the Item
Portrait of a Lady is a beautiful etching on paper, realized by the English artist Thomas Cheesman (1760 - 1834).
Signed on plate on the right corner, the watercolor etching is d'après Sir W. Beechy .
The work is glued on cardboard. Total dimensions: 38 x 32 cm.
The artist wants to define a well-balanced composition, through preciseness and congruous colors.
Good conditions.
Thomas Cheesman (1760 - 1834) was a English engraver (chiefly in stipple), draughtsman. Pupil of Bartolozzi, Cheesman’s engravings were made after religious, literary and sentimental subjects by contemporary artists. He is thought to have died shortly after his last work was exhibited at the Society of British Artists, in 1834.
- Creator:Thomas Cheesman
- Creation Year:Early-19th century
- Dimensions:Height: 8.67 in (22 cm)Width: 7.09 in (18 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,732 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Grasse, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Flowers- Lithograph by Ernesto Treccani - 1973By Ernesto TreccaniLocated in Roma, ITFlowers is an Original Lithograph realized by Ernesto Treccani in 1973. Limited edition of 125 copies, editor "La Nuova Foglio SPA". Very good condition on a white cardboard. Hand...Category
1970s Abstract Figurative Prints
MaterialsLithograph
- Portrait of a Woman -Lithograph by Roland Oudot - 1950sBy Roland OudotLocated in Roma, ITPortrait of a Woman is a litograph realized by Roland Oudot. Hand signed on the left corner and numbered 30/90 on the right corner. Passpartout included ...Category
Mid-20th Century Abstract Figurative Prints
MaterialsLithograph
- Figure - Lithograph by Ernesto Treccani - 1970sLocated in Roma, IT"Figure" is an original Lithograph artwork realized by Ernesto Treccani. Hand-signed at the bottom. Numbered, edition XLII/L In excellent conditions. This is an original Artwork r...Category
1970s Abstract Figurative Prints
MaterialsLithograph
- Self-Portrait - Offset and Lithograph after Willem De Kooning - 1985By Willem de KooningLocated in Roma, ITSelf-portrait with Imaginary Brother is an offset and lithograph print after Willem De Kooning in 1938. The print suite was realized in 1985 in a limited edition of 2500, and curate...Category
1980s Abstract Expressionist Figurative Prints
MaterialsOffset, Lithograph
- Profile - Original Etching by Giacomo Porzano - 1972By Giacomo PorzanoLocated in Roma, ITProfile is an original modern artowork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972. Black and white etching. Hand-signed and dated on the lower right. Numbe...Category
1970s Contemporary Portrait Prints
MaterialsEtching
- Birds - Original Etching by Benn - Mid-20th CenturyLocated in Roma, ITGirl at the Window is an original Etching realized by Benn (Bencjon Rabinowicz) in the Mid-20th Century. Hand signed on the lower right margin Go...Category
1950s Modern Figurative Prints
MaterialsEtching
You May Also Like
- RueckenaktBy Claude GaracheLocated in Kansas City, MOTitle: Rueckenakt Medium: Etching Edition: 50 Signed and numbered by hand Size: 21.5 × 17.6 on 25.0 × 19.9 inches COA provided Claude Garache is a French artist. He has worked in pa...Category
1990s Abstract Impressionist Figurative Prints
MaterialsEtching
- "Omaggio a Michelangelo" Monochromatic Abstract Figurative Etching Ed 98/200By Giacomo ManzúLocated in Houston, TXMonochromatic abstract figurative etching by Italian artist Giacomo Manzú. The piece depicts an image of Jesus Christ with a distinct facial expression on wove paper. Signed and editioned 98/200 by the artist at the bottom. Glass framed in a natural wooden frame. This particular work is included in the 1975 Portfolio "Omaggio a Michelangelo" (Homage to Michelangelo) which comprises 13 prints (8 partly colored etchings and 5 color lithographs). The portfolio includes other original signed and editioned prints by artists Horst Antes, Jorge Castillo, Emilio Greco, Renato Guttuso, David Hockney, Jean Ipoustéguy, Fiacomo Manzù, Marino Marini, André Masson, Henry Moore, Eduardo Paolzzi, Fritz Wotruba, and Paul Wunderlich. Dimensions Without Frame: H 31 in. x W 23.5 in. Artist Biography: Giacomo Manzù, original name Giacomo Manzoni, (born December 22, 1908, Bergamo, Italy—died January 17, 1991, Ardea), Italian sculptor who, in the mid-20th century, revived the ancient tradition of creating sculptural bronze doors for ecclesiastical buildings. His sober realism and extremely delicate modeling alternately achieved austere severity and sensuousness of form and surface, lending a new spirit of vitality to figurative bronze sculpture. Manzù had to leave school at an early age to learn a trade, and he was apprenticed to local craftsmen who taught him to carve wood and to work in metal and stone. After service in the Italian army from 1927 to 1928, Manzù went to Paris to try his luck as a sculptor, but after three weeks he collapsed from hunger and was deported back to Italy. He settled in Milan, and, after receiving a commission in 1929 to decorate a chapel at the Catholic University, he devoted himself to sculpting full-time. Manzù’s early works were nudes, portraits, and biblical subjects, executed in a style that at first was influenced by Etruscan, Egyptian, and medieval art. However, he soon adopted the Impressionist techniques of the Italian sculptor Medardo Rosso...Category
20th Century Abstract Portrait Prints
MaterialsEtching
- Black and White Figurative Print of a Woman 9/20By Beth SecorLocated in Houston, TXBlack and white etching of a young woman named Jessie Magdalene Brewer. This piece features Beth Secor's iconic swirling and knotted brushwork that echo the dense weave of a tapestry...Category
Early 2000s Abstract Portrait Prints
MaterialsEtching
- Girl with flowers. 1968, paper, etching, 68x51 cmLocated in Riga, LVGirl with flowers. 1968, paper, etching, 68x51 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her studi...Category
1960s Abstract Figurative Prints
MaterialsPaper, Etching
- AfricanLocated in Santa Fe, NMAFRICAN This hand crafted Giclee print on canvas of 'African', by Boris Chetkov, provides the opportunity to own and enjoy a Chetkov masterpiece at a very affordable price. Produ...Category
1980s Abstract Expressionist Portrait Prints
MaterialsGlaze, Gesso, Giclée
- Living Painting - Colour PochoirBy (after) Sonia DelaunayLocated in Collonge Bellerive, Geneve, CHFull-page, colour pochoir of costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...Category
1960s Abstract Geometric Figurative Prints