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William BromleyPortrait of Raphael - Original Etching by William Bromley - 18101810
1810
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About the Item
Portrait of Raphael is an original artwork realized by William Bromley (1769 - 1842).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, Bensley, 1810.
A the bottom center the name of the man portrayed "Raphael". Name of the sculptor and engraver in the lower margins.
Good conditions, except for some stains.
Johann Caspar Lavater was a swiss theologian and philosopher known throughout Europe for his studies on physiognomy. Following the physiognomy tradition of Della Porta and of many Renaissance and Baroque philosophers, he believed that the character of a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english edition of his Essay).
Lavater was convinced that he could show his theories by analyzing the portraits of some of the main historical figures of the past, in some cases taken from paintings or (mainly for antiquity) sculptures. Some of the engravings in his volume, made by great masters of the time, are still considered today as graphic masterpieces.
- Creator:William Bromley (1815 - 1888, British)
- Creation Year:1810
- Dimensions:Height: 12.6 in (32 cm)Width: 10.24 in (26 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1236291stDibs: LU65038769682
William Bromley
William Bromley was a London historical and genre painter who was the grandson of William Bromley, the engraver. Bromley was a prolific exhibitor at Suffolk Street, where he displayed over 187 works. He also exhibited at the Royal Academy and the British Institution between 1844–70. Bromley was a clever draughtsman and a good painter, who improved upon the landscape genre of his time by placing his figures in such a way that the action was concentrated, and the point of his anecdote was invariably realized.
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