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Red Grooms1988 'van Gogh with Sunflowers' HAND SIGNED Limited Edition1988
1988
About the Item
Paper Size: 34 x 22 inches ( 86.36 x 55.88 cm )
This limited edition lithograph, titled Van Gogh with Sunflowers, was created by the celebrated American artist Red Grooms. The print is part of an exclusive edition of only 75, each signed and numbered by Grooms. Printed on high-quality deckled edge paper, this piece exemplifies Grooms' distinctive and vibrant style.
Van Gogh with Sunflowers pays homage to the iconic Dutch painter Vincent van Gogh, capturing his likeness surrounded by his famous sunflowers. Grooms’ playful and energetic approach brings a contemporary twist to this classic subject, infusing the composition with his characteristic whimsy and bold use of color.
The lithograph is currently framed in an elegant gold frame, which complements the rich hues of the artwork. While the print has not been examined outside of the frame, it presents beautifully and is ready for display.
Red Grooms is known for his dynamic and often humorous depictions of urban life and historical figures. His ability to blend realism with a cartoon-like aesthetic makes his work instantly recognizable and highly sought after by collectors.
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Attention International Buyers, Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying."
- Creator:Red Grooms (1937, American)
- Creation Year:1988
- Dimensions:Height: 34 in (86.36 cm)Width: 22 in (55.88 cm)Depth: 1.5 in (3.81 cm)
- More Editions & Sizes:34 x 22, 75Price: $7,500
- Medium:
- Movement & Style:
- Period:
- Condition:Items are carefully stored and inspected before shipping. Feel free to request additional photos or ask any questions about their condition—we’re happy to assist!
- Gallery Location:Brooklyn, NY
- Reference Number:Seller: XX1302-B1stDibs: LU129418165402
Red Grooms
Charles Roger Grooms was born in 1937 in Nashville, Tennessee, a city that, with its lively honky-tonk scene and the theatricality of the historic Grand Ole Opry, would later influence much of his work. Nicknamed for his ginger hair, Red enrolled at the Art Institute of Chicago in 1955. A self-proclaimed “restless and undisciplined student,” Grooms spent the next few years moving between schools and cities, including the New School in New York, Peabody College (now part of Vanderbilt University) in Nashville, and Hans Hofmann’s summer school in Provincetown, Massachusetts. Frustrated with the academic track and anxious to enter the New York art scene, Grooms abandoned formal education to focus exclusively on creating art and securing exhibition opportunities in his Chelsea neighborhood. There, he found quick success and a supportive circle of artists that became close friends and collaborators. From the start of his career, Grooms has worked in multiple media, from painting, printmaking, and sculpture, to installation art, filmmaking, and theatrical experiences known as “Happenings.” Much of his art blurs the boundaries between these different forms, such as his large-scale, carefully-crafted environments he calls “sculpto-pictoramas,” and smaller objects like Dalí Salad. In this example, Grooms combines silkscreened and lithographic elements with a wooden base and acrylic dome to create a three-dimensional portrait of the famous Surrealist artist. Grooms is perhaps best known for his colorful and comedic commentary on the culture, politics, and figures associated with the American urban environment and art historical traditions. Relying on satire and caricature, Grooms’ art has paid homage to a wide range of artists including Rembrandt, Auguste Rodin, Thomas Eakins, and Benjamin West, as well as national icons like Thomas Jefferson and Chuck Berry. Grooms’ disparate output is so difficult to classify that he has been compared to the influential Dada artist, Marcel Duchamp. Like Duchamp, Grooms often deliberately confronts the art world establishment, noting in 1974 that “it’s good to have . . . something to go against.” Despite his affinity for defying the mainstream, Grooms is routinely cited by scholars as one of the leading American artists of his generation and was honored with the National Academy of Design’s Lifetime Achievement Award in 2003. The subject of a 1984 mid-career retrospective exhibition held at the Pennsylvania Academy of the Fine Arts, the artist’s work can be found in public collections across the United States, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Hirshhorn Museum and Sculpture Garden, as well as in many international museums. - The Johnson Collection, Spartanburg, South Carolina
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