Composite XVII oil paint stick print
View Similar Items
Richard SerraComposite XVII oil paint stick print2019
2019
About the Item
- Creator:Richard Serra (1939, American)
- Creation Year:2019
- Dimensions:Height: 29 in (73.66 cm)Width: 38.5 in (97.79 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Palm Desert, CA
- Reference Number:1stDibs: LU166629673592
Richard Serra
Minimalist sculptor Richard Serra, who was based between New York City and Cape Breton Island, Nova Scotia, may be described as the art world’s father of steel. He was particularly renowned for monumental arcs, spirals and ellipses made from massive sheets of oxidized CorTen steel, which occupy large interior and exterior spaces and dwarf visitors who wander through them, like abstract mazes. The most famous of these works is his "Torqued Ellipse" series, begun in 1966 and inspired by a Baroque 17th-century Roman church.
These site-specific sculptures, whose parts are manufactured in Germany, can be found from King City, Ontario, and the Netherlands, to the Storm King Art Center and Dia: Beacon, both in Upstate New York.
Before turning to steel, Serra produced abstract sculptures from nontraditional materials — fiberglass, rubber or molten lead — which he splashed or threw in their liquid states against the walls of studios or exhibition spaces, recording their shapes and angles. He also worked in video and performance art, producing a number of films that address the manufacture and use of his signature material: steel.
Beginning in 1971, Serra produced large-scale drawings that related to or were inspired by completed sculptures. Made with ink, charcoal, lithographic crayon or paintstick on handmade paper or linen, such works as Trajectory #4 or Double Rift II clearly reflect the forms and feeling of his signature steel sculptures.
Find authentic Richard Serra prints, paintings and other art on 1stDibs.
- Fontaine Jo Syffert, Abstract black colorful printBy Jean TinguelyLocated in Palm Desert, CA185/300 Born in Fribourg, Tinguely grew up in Basel, but moved to France in 1952 with his first wife, Swiss artist Eva Aeppli,[1] to pursue a career in art. He belonged to the Parisian avantgarde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (Nouveau r̩alisme) in 1960. His best-known work, a self-destroying sculpture titled Homage to New York (1960), only partially self-destructed at the Museum of Modern Art, New York City,[2] although his later work, Study for an End of the World No. 2 (1962), detonated successfully in front of an audience gathered in the desert outside Las Vegas. Tinguely married fellow Swiss artist Eva Aeppli in 1951. In 1971, Tinguely married his second wife, Niki de Saint Phalle with whom he collaborated on several artistic projects such as the Hon-en-Katedrall[3] or The Cyclop.[4] Jean Tinguely died in 1991 at the age of 66 years...Category
Late 20th Century Abstract Prints and Multiples
MaterialsScreen
- Their Place in the SongBy Toni FlynnLocated in Palm Desert, CAToni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsCanvas, Ink, Acrylic
- Not Indifferent, Let Alone ObliviousBy Toni FlynnLocated in Palm Desert, CAToni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsCanvas, Ink, Acrylic
- A Hint of FinalityBy Toni FlynnLocated in Palm Desert, CAToni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsCanvas, Ink, Acrylic
- Baby Menorca, Pastisset ThreeabstractLocated in Palm Desert, CAThe 3 paintings in this small body of work reflect some of the influences from my visit to Menorca. The needlepoint especially is inspired by the cobbled streets and fences that mean...Category
21st Century and Contemporary Abstract Mixed Media
MaterialsCanvas, Thread, Paper
- Yellow and gold on paper.....abstract with pigmentBy Pamela StockamoreLocated in Palm Desert, CAAmerican abstract painter Pamela Stockamore lives and maintains a studio in Litchfield, Connecticut. She received an MFA in Painting from Pratt Institute, with minor concentrations i...Category
21st Century and Contemporary Abstract Mixed Media
MaterialsRag Paper, Pigment
- Alice in GraylandLocated in New York, NYAlan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...Category
1970s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Handmade Paper, Etching, Aquatint, Screen
- Buoy Landscape IV, Mixed media signed/n limited edition Ab Ex relief printBy Sam GilliamLocated in New York, NYSam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...Category
1980s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Pencil, Graphite, Drypoint, Etching, Aquatint, Screen
- Peace of the Rock (mixed media abstract aquatint and silkscreen, edition of 20)By Alan J. ShieldsLocated in New York, NYALAN SHIELDS Peace of the Rock, 1974 Mixed Media Aquatint & Silkscreen Signed and numbered 14/20 in graphite pencil recto Frame included: held in original vintage frame Measurements...Category
1970s Abstract Geometric Abstract Prints
MaterialsAquatint, Screen
- DespairiaBy Frank StellaLocated in London, GBOver a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from t...Category
1990s Abstract Abstract Prints
MaterialsEngraving, Mezzotint, Etching, Aquatint, Lithograph, Screen
$49,820 - Libertinia, from Imaginary PlacesBy Frank StellaLocated in London, GBRelief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were als...Category
Late 20th Century Abstract Abstract Prints
MaterialsEngraving, Etching, Aquatint, Lithograph, Screen
- RiallaroBy Frank StellaLocated in New York, NY1995 Etching, aquatint, collagraph, lithograph, and screenprint in colors, on handmade wove paper 46 1/2 x 32 1/2 in. (118.2 x 82.5 cm) Edition of 24 Signed, dated, and numbered in p...Category
1990s Abstract Abstract Prints
MaterialsHandmade Paper, Etching, Aquatint, Lithograph, Screen
Price Upon Request