Robert RauschenbergMcGovern1972
1972
About the Item
- Creator:Robert Rauschenberg (1925 - 2008, American)
- Creation Year:1972
- Dimensions:Height: 40 in (101.6 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Signed, dated 72, and numbered by the artist. Framed in period plexibox frame Very good condition.
- Gallery Location:Toronto, CA
- Reference Number:
Robert Rauschenberg
Robert Rauschenberg was one of the preeminent American artists of the 20th century, occupying a singular position that straddled the Abstract Expressionist and Pop art movements, drawing on key elements of each. An artistic polymath equally adept at painting, collage and silkscreening, Rauschenberg is best known for for the complex assemblages of found objects he termed “combines.”
Rauschenberg was born in Port Arthur, Texas, in 1925. He first began to seriously consider a career in art in 1947, while serving in the U.S. Marines. After leaving the service, he briefly studied art in Paris with support from the G.I. Bill, then moved to North Carolina to attend Black Mountain College, home to a flourishing cross-disciplinary art community. Among his peers there were choreographer Merce Cunningham and composer John Cage, both of whom became friends and artistic collaborators.
Relocating to New York in the mid-1950s, Rauschenberg was initially put off by what he perceived as the self-seriousness of the adherents of Abstract Expressionism, then the dominant movement in the New York art world. Like Andy Warhol and Roy Lichtenstein, Rauschenberg was drawn to the visual landscape of popular culture and mined its imagery for inspiration. He used unorthodox materials like house paint and tried novel techniques in his studio like running paper over with a car whose wheels he had inked. Shortly after his inaugural solo exhibition at Leo Castelli Gallery, which featured paintings and drawings, he pivoted to a new format, creating his first found-object combines, which became his signature. The most famous of these is the 1959 Monogram in which a taxidermied goat is surrounded by a car tire, recalling the way a person’s initials are interwoven in the design referred to by the title.
Later in the 1960s, Rauschenberg turned his attention to silkscreening, creating prints that feature iconic figures of the day, very much in line with the style and content of Pop art. One such work, 1965's Core, which was created to commemorate the Congress of Racial Equality, combines photographs of President Kennedy, an unidentified Native American man, and a statue of a Civil War soldier with images of highways, amusement parks, street signs, and other features of the built environment. A circular color-test wheel sits at the composition’s formal core, reflecting the work’s commentary on race and ethnicity.
Throughout the 1960s and ‘70s, Rauschenberg experimented with printing on unusual materials, such as Plexiglas, clothing and aluminum. Venturing even further afield, he created performance works, such as his 1963 choreographed piece “Pelican” and the 1966 film Open Score. In 1998, the Guggenheim Museum presented a large and comprehensive retrospective of Rauschenberg’s work, highlighting his influence on American art in the second half of the 20th century.
Find original Robert Rauschenberg art for sale on 1stDibs.
- ShippingRetrieving quote...Ships From: Toronto, Canada
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Passion Over ReasonBy General IdeaLocated in Toronto, OntarioIn 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...Category
1980s Post-Modern Figurative Prints
MaterialsScreen
- General Idea "Ursa Major and Taurus"By General IdeaLocated in Toronto, OntarioGeneral Idea formed in 1967 in Toronto and over the next nearly 30 years made a remarkable contribution to post-modern art. Their body of work combines provocative or banal imagery with wit and irony, creating subversive cultural critiques on a wide range of topics from the role of the artist in society to the AIDS crisis. Two of the members, Felix Partz and Jorge Zontal died of AIDS in 1994. Its surviving member, AA Bronson...Category
1980s Post-Modern Figurative Prints
MaterialsColor
- The 1971 Miss General Idea PageantBy General IdeaLocated in Toronto, OntarioIn 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of four decades, they made a significant ...Category
1970s Post-Modern Prints and Multiples
MaterialsScreen
- CornucopiaBy General IdeaLocated in Toronto, OntarioIn 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...Category
1980s Post-Modern Figurative Prints
MaterialsScreen
- Down the DrinkBy General IdeaLocated in Toronto, OntarioIn 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...Category
1980s Post-Modern Figurative Prints
MaterialsScreen
- Dr. Brute's ShieldBy General IdeaLocated in Toronto, OntarioIn 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...Category
1980s Post-Modern Figurative Prints
MaterialsScreen
- Jungle IBy Niki de Saint PhalleLocated in Ljubljana, SIJungle I. Original color litograph, unknown year. Niki de Saint Phalle was a French-American naive artist, a sculptor, painter and filmmaker, also known...Category
Late 20th Century Post-Modern Figurative Prints
MaterialsLithograph
- La sourceBy Valerio AdamiLocated in Ljubljana, SILa Source. Original color lithograph, 1984. Edition of 150 signed and numbered impressions on Arches paper. Published by Galerie Maeght-Lelong in Paris, France. Adami Valerio...Category
1980s Post-Modern Figurative Prints
MaterialsLithograph
- AngélusBy Valerio AdamiLocated in Ljubljana, SIAngélus. Original color lithograph, 1982. Edition of 100 signed and numbered impressions on Arches paper. Published in Paris by Galerie Maeght-Lelong. Valerio Adami is an Italian art...Category
1980s Post-Modern Figurative Prints
MaterialsLithograph
- Red cloudsLocated in Ljubljana, SIRdeči oblaki (eng. Red clouds). Original color silkscreen and lithograph, 1975. Edition of E.A. (artist’s proof) signed and numbered impressions on Arches paper. Metka Krašovec...Category
1970s Post-Modern Figurative Prints
MaterialsLithograph, Screen
- OlympiaBy Friedensreich HundertwasserLocated in Ljubljana, SIOriginal signed color poster lithograph, 1983. Edition of 150 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter O...Category
1980s Post-Modern Abstract Prints
MaterialsLithograph
- GerminalBy Valerio AdamiLocated in Ljubljana, SIGerminal. Original color lithograph, 1983. Edition of 100 signed and numbered impressions on Arches paper. Valerio Adami is an Italian artist knows for his Nouvelle Figuration moveme...Category
1980s Post-Modern Figurative Prints
MaterialsLithograph