Cloud And Sea First Edition

1989

Paper Size: 31.25 x 25.75 inches ( 79.375 x 65.405 cm ) Image Size: 24.5 x 24.5 inches ( 62.23 x 62.23 cm ) Framed: No Condition: A: Mint Additional Details: This poster by Ernest T...

This Museum Reproduction Edition Serigraph, printed by Editions Limited in 1991 and published by Gallery A.P. J. Graphic Station, features artwork from the Albright-Knox Art Gallery ...

This iconic serigraph titled "Red Bridge" by Allan D'Arcangelo is a masterful example of his distinct, minimalist approach to American Pop Art and Hard-Edge Abstraction. Published by...

This signed serigraph by Tom Wesselmann, titled "Country Bouquet with Delphinium," was created for a Tammy Wynette concert in Vermont in 1989. Printed on heavy rag paper, this vibran...

ROY LICHTENSTEIN Clinton Gore (Limited Edition Campaign Button), 1992 Mixed Media Screenprint on political button (Plate Signed Roy Lichtenstein) 1 3/4 × 2 3/4 x 0.3 inches Limited...

Robert Indiana (1928-2018) was a pre-eminent figure of American Pop art best known for his masterpiece, the iconic "LOVE". Inspired by the mythology of the American dream, Indiana e...

Robert Indiana Colby ART (Sheehan, 80), 1973 Silkscreen in Colors on White Wove Paper Pencil signed and numbered 69/100 on the front with artist's copyright @Robert Indiana lower right front Published by Robert Indiana with copyright; Printed by Seri-Arts, Inc. Vintage metal frame included Classic early 1970s work. There was a time, we are told, when every prestigious collector in Germany would have an edition of Robert Indiana's iconic ART print prominently hanging in their home. This is an uncommon and desirable Robert Indiana piece from the early 1970s. Boldly signed in graphite on the recto (front), numbered and bearing the artist's copyright: @ Robert Indiana 1973...

Skulls (FS.II.159) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 50/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame. Catalogue - Feldman Schellmann, #159 (II.159 Skulls 1976) Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc. Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...