Items Similar to Pensioner of Trinity Hall; Doctors in Law and Physic engraving by John Agar
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Rudolph AckermannPensioner of Trinity Hall; Doctors in Law and Physic engraving by John Agar1815
1815
About the Item
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Common Dress of Pensioner of Trinity Hall, Doctor in Law, and Doctor in Physic (1815)
Aquatint with original hand colouring
25 x 30 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of three variations of early nineteenth-century Oxford academic dress.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
- Creator:Rudolph Ackermann (1764 - 1834)
- Creation Year:1815
- Dimensions:Height: 9.85 in (25 cm)Width: 11.82 in (30 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Generally very good; slight toning to paper.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU795315184142
Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies, and decorative prints.
About the Seller
4.8
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2014
1stDibs seller since 2017
337 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllRobert Woodlark, St Catharine's College, Cambridge founder engravings
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Robert Woodlark Founder of Catherine Hall, Cambridge from a Picture at the Hall (1815)
Hand-coloured aquatint
24 x 20 cm
Published by Rudolph Ackermann (1764 - 1834).
A copy of this engraving is held by the National Portrait Gallery, reference NPG D4871.
Robert Woodlark (also spelled Wodelarke) was an English academic and priest. He was the Provost of King's College, Cambridge, and the founder of St Catharine's College, Cambridge. He drew up the original statutes for the governance of the college and obtained a charter from Edward IV...
Category
1810s Realist Prints and Multiples
Materials
Aquatint
St John's College, Cambridge Library engraving by the Havells for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
D Havell (1785 - 1822) after William Westall (1781 - 1850)
The Library of St John's College, Cambridge (1815)
Hand-coloured aquatint
24 x 29.5 cm
Published by Rudolph Ackermann...
Category
1810s Realist Prints and Multiples
Materials
Aquatint
Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Jesus College...
Category
1810s Realist Prints and Multiples
Materials
Aquatint
Westminster Abbey Chantry Chapel Screen engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854)
Screen Over the Chantry of Henry V, Westminster Abbey (1812)
Hand-coloured aquatint
26 x 31 cm
Published by Rudolph Ackermann...
Category
1810s Realist Prints and Multiples
Materials
Aquatint
Westminster Abbey South Aisle engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854)
East End of South Aisle, Westminster Abbey (1812)
Hand-coloured aquatint
31 x 24 cm
Published by Rudolph Ackermann...
Category
1810s Realist Prints and Multiples
Materials
Aquatint
Westminster Abbey St Erasmus' Chapel 1812 print by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Bluck after Frederick Mackenzie (1788 - 1854)
East Side of St Erasmus' Chapel, Westminster Abbey (1812)
Hand-coloured aquatint
28 x 19 cm
Published by Rudolph Ackermann...
Category
1810s Realist Prints and Multiples
Materials
Aquatint
You May Also Like
The Circus Dressing Room
By Dame Laura Knight
Located in Missouri, MO
Dame Laura Knight (1877-1970)
"The Circus Dressing Room" 1925
Aquatint Engraving
Signed in Pencil Lower Right
Image Size: approx 14 x 9 inches
Framed Size: approx. 23.5 x 18.5 inche...
Category
1920s Realist Figurative Prints
Materials
Engraving, Aquatint
Price Upon Request
The Circus Dressing Room
By Dame Laura Knight
Located in Missouri, MO
Dame Laura Knight
"The Circus Dressing Room" 1925
Etching
Ed. 20
Signed Lower Right
Image Size: approx. 14 x 10 inches
Framed Size: approx. 23.5 x 17.75 inches
An English impressio...
Category
1920s Realist Figurative Prints
Materials
Aquatint
Printemps Breton
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
Category
1920s Realist Landscape Prints
Materials
Engraving, Drypoint, Etching, Aquatint
"Gardiens du Logis" original etching and aquatint
By Félix Hilaire Buhot
Located in Henderson, NV
Medium: original etching and aquatint with drypoint. Also known as "Les amis du Saltimbanque". Catalogue reference Bourcard/Goodfriend 76. Printed in 1902 and published by the Revue ...
Category
Early 1900s Realist Prints and Multiples
Materials
Etching, Aquatint
George Brookshaw's Black Frontiniac Wine Grape Aquatint from "Pomona Brittanica"
By George Brookshaw
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful Black Frontiniac Wine Grape hand-colored aquatint engraving, plate XVII from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a rich mottled background.
The print is presented in a gold and burgundy-colored wood frame and a light gray mat. The print is in very good condition.
Another Brookshaw engraving from his series of fruit illustrations is available on 1stdibs. It is framed and matted identically to this one. It can be viewed on our 1stdibs storefront by typing Timeless Intaglio...
Category
Early 19th Century Realist Figurative Prints
Materials
Aquatint
Self Portraits Jim Dine portfolio of nine self portrait etchings aquatint
By Jim Dine
Located in New York, NY
Jim Dine Self Portraits (1971)
Portfolio of nine drypoints, each from one 20.3 x 15.2 cm (8 x 6 inch) copper plate
Printed in brown-black on she...
Category
1970s Realist Portrait Prints
Materials
Etching, Aquatint
