Items Similar to Queens' College, Cambridge engraving by Bluck for Ackermann
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Rudolph AckermannQueens' College, Cambridge engraving by Bluck for Ackermann1814
1814
$548.29
£400
€476.77
CA$749.19
A$844.59
CHF 447.66
MX$10,412.56
NOK 5,441.86
SEK 5,230.49
DKK 3,555.91
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Bluck (early 19th century) after William Westall (1781 - 1850)
Queen's College from the Private Walk (1814)
Aquatint with original hand colouring
19 x 28 cm
Published by Rudolph Ackermann (1764 - 1834).
William Westall was a British landscape artist. He was born in Hertford and enrolled at the Royal Academy schools in 1799. He later became the draughtsman for a voyage to Australia and the South Seas. After being shipwrecked, he travelled to Canton in China and to India, staying in Bombay for several months. He returned to England in 1805 but later set off for Madeira and Jamaica. He became a member of the Society of Painters in Water Colours (1811) and an associate of the Academy (1812). Following a mental breakdown, he regularly visited the Lake District and published ‘Views of the Valley and Vale of Keswick’ (1820). His series of aquatints of the Thames, the great universities, and England's public schools for Ackermann are among his most popular works.
John Bluck was an aquatint engraver, mainly of topographical views, but also of marine and sporting subjects after his contemporaries. He produced plates for numerous publications.
Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
- Creator:Rudolph Ackermann (1764 - 1834)
- Creation Year:1814
- Dimensions:Height: 7.49 in (19 cm)Width: 11.03 in (28 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Colours very good, mounted to board, old mount staining to margins within platemark, a little toning to paper.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU795315149662
Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies, and decorative prints.
About the Seller
4.8
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2014
1stDibs seller since 2017
345 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All1804 St George's Chapel Windsor Castle print
By Frederick Nash
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Meghan Markle; to see some ...
Category
Early 1800s Realist Landscape Prints
Materials
Etching, Aquatint
Samuel Howitt: 'Battle between Buffalo and Tiger' print after Thomas Williamson
By Thomas Williamson
Located in London, GB
Samuel Howitt (1765-1822) after Thomas Williamson (1758-1817)
Exhibition of a Battle between a Buffalo & a Tiger' from Oriental Field Sports (1819)
Hand-coloured aquatint
35 x 47 cm
Captain Thomas...
Category
Early 19th Century Realist Animal Prints
Materials
Aquatint
Andrew Ingamells (b.1956), Jesus College Cambridge engraving after David Loggan
By Andrew Ingamells
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Andrew Ingamells
Jesus College, Cambridge
Etching and aquatint
58 x 84 cm
Signed in pencil and numbered from the edition of 150.
Inspired by David Loggan’s celebrated engraving of the College in 1680, this view of Jesus College was the first of Ingamells’ series of views of Oxford and Cambridge. It took six months to complete and has long-since sold out from the publisher.
The Master and Fellows of the College own both the original drawing, which the engraving is based upon, and the copper etching plate...
Category
21st Century and Contemporary Realist Landscape Prints
Materials
Etching, Aquatint
King's College, Cambridge engraving by Havell for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
1810s Realist Prints and Multiples
Materials
Aquatint, Engraving
Venice etching, view of Santa Maria della Salute
Located in London, GB
Venetian View of Santa Maria della Salute
Etching and aquatint
14 x 18 cm
Signed in bottom left and right hand corners.
View of Santa Maria della Salute from Riva degli Schiavani ...
Category
20th Century Realist Landscape Prints
Materials
Etching, Aquatint
1804 St George's Chapel Windsor Castle print
By Frederick Nash
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Frederick Nash (1782-1856) Drawn and etched
Engraved by F C Lewis
North East View of St George's Chapel, Windsor
To the Right Reverend the Lord Bishop of Norwich and Dean of Windsor
London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804
55x40cm
Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category
Early 1800s Realist Landscape Prints
Materials
Etching, Aquatint
You May Also Like
Le Chat et Les Fleurs
By Édouard Manet
Located in Middletown, NY
Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...
Category
1860s Realist Figurative Prints
Materials
Aquatint, Etching
Communipaw, NY; January Thaw
By Thomas Moran
Located in Middletown, NY
A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park.
New York: 1884. Etching with aquatint on cream laid p...
Category
Late 19th Century Realist Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Pink Poppy
By Mark Adams
Located in San Francisco, CA
Artist: Mark Adams (American, 1925-2006)
Title: Pink Poppy
Year: 1980
Medium: Color aquatint
Paper: Wove
Image size: 11.25 x 8.5 inches
Sheet size: 18 x 13.5 inches
Framed size: 20....
Category
1980s Realist Figurative Prints
Materials
Color, Aquatint
Philip Pearlstein 'View Over Soho, Lower Manhattan' NYC signed, print
By Philip Pearlstein
Located in San Rafael, CA
Philip Pearlstein (1924-2022)
View Over Soho, Lower Manhattan, 1977
Aquatint in colors on wove paper
Edition 7/41
Signed, editioned and titled in pencil lower left
Printed by the Orl...
Category
1970s Realist Landscape Prints
Materials
Aquatint
Self Portraits Jim Dine portfolio of nine self portrait etchings aquatint
By Jim Dine
Located in New York, NY
Jim Dine Self Portraits (1971)
Portfolio of nine drypoints, each from one 20.3 x 15.2 cm (8 x 6 inch) copper plate
Printed in brown-black on she...
Category
1970s Realist Portrait Prints
Materials
Etching, Aquatint
Pair of Early 19th Century "Conchology" Conch Shells Color Etchings c.1802
Located in San Francisco, CA
Pair of Early 19th Century "Conchology" Color Etchings c.1802
Fantastic pair of hand colored etchings titled "Conchology".
Published in London on December 24th, 1802.
Each plate s...
Category
Early 19th Century Realist More Prints
Materials
Engraving, Aquatint
