Steve Kaufman

Homage to Salvador Dali Clocks

Serigraph Signed in pencil

Framed: 56.5 x 43 inches Edition of 6 From the series "Pictures of Pigment" Signed and dated on affixed label

Heart & Soul, 2020 Signed, dated, numbered in pencil Screenprint on paper 30 x 22 inches Edition of 85

Vintage Mona Lisa, 2020 Signed and numbered Silkscreen 22.5 x 30 inches Edition 15 of 35

Signed and numbered in pencil

Screenprint on off-white wove paper Signed and numbered in pencil: 44 from 300 plus an unknown number of AP (inscribed A/P).

Bill Schenck Waco Serigraph 7/58 1981 Hand signed, date and numbered by Schenck in pencil. 25.75 inches H. x 25 inches W. 'Waco' is classic early example...

Bill Schenck Days Of August Serigraph 20/83 1987 Hand signed, date and numbered by Schenck in pencil. 29.50 inches H. x 38.50 inches W. A classic, stunning early example of the iconography of the artist Bill Schenck's 'Pop Western' work. Schenck is of the originators of the contemporary 'Pop' Western Art...

In Cologne, the city of art in Germany, painter and graphic artist Jurgen Kuhl met Andy Warhol for the first time. The American Pop Art artist had come on ...

Printed in glossy purple, lavender, and bright yellow, I'll take my life monotonous by Patrick Caulfield depicts a lattice outlined in black, with three small dots of yellow. A garden lattice...

A classic Rosenquist pop art composition with gold, turquoise, purple, pink, blue, green and yellow. Characteristically surreal and graphic, Rainbow incorporates bold geometric forms with painterly washes of color and airbrush texture. Rosenquist's signature gleaming metallic chrome texture can be seen on an inverted fork behind the glass of a golden window. Paper 25.25 x 30.25 in. / 64 x 77 cm Image 17 x 21.5 in. / 43 x 54.5 cm Lithograph with screenprint on cream-coloured Hodgkinson handmade Wookey Hole paper. Edition of 75 with 8 color trial proofs: this impression 8/8. Signed and dated 1972 lower right in pencil; titled, numbered 8/8 and labeled Color Trial Proof lower left in pencil. This graphic, colorful scene is based on Rosenquist’s 1962 oil painting of the same name, collected in the Museum Ludwig in Cologne. The artist used real glass and wood to construct windows for the original painting – here, house siding is abstracted to bold, black horizontal lines, and the window glass is printed in dark gold ink. At the top of the composition, a window with shutters pushed open is colored in turquoise, with sharp black shadows. The left-hand window pane is shattered, and to the right, the outline of an oversized...

Two artists: Shepard Fairey and C.R. Stecyk III The Pacific Ocean Park pier straddled a dividing line between the cities of Santa Monica and Los Angeles. It was in equal portions: a...