Vertical Still-life Prints

In Portrait #1, François Houtin transforms botanical motifs into an elaborate fantasy of form and texture. Using fine, rhythmic lines, he constructs an imaginary figure that feels pa...

GARDEN FLOWERS is an original hand drawn lithograph enhanced with hand coloring by the renowned American Pop artist, Peter Max. GARDEN FLOWERS was created in 1979 printed using tradi...

Salvador Dalí (Spanish, 1904-1989) Date: Circa 1982 Medium: Offset lithograph in color on paper Edition: Limited edition, typically 100 copies; this one is numbered EA Signature:...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Artist: Ben Shahn, American (1898 - 1969) Title: The First Word of Verse Arises from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Siz...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Guitariste (Guitarist), from the album, Picasso, Oeuvres 1920-1926, 1926, originates from the 1926 editi...

Brad Davis’s "Bob’s Used Auto Parts" is an oil painting on wood panel measuring 18 x 14 inches, presented in a contemporary frame with overall dimensions of 20 x 16 inches. Framed an...

Clark, A.H. The Lotus. Ca 1890.Original Lithograph. 22 3/4 x 13" sheet, 26 1/2 x 17" on linen. Rare.

Salvador DALI (1904-1969) Casanova : A Pear for Thirst, 1967 Original etching Printed signature in the plate On vellum Rives 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog r...

This exquisite lithograph after Fernand Leger (1881–1955), titled Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Nature morte 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

Biagio Civale, Italian/American (1936 - ) - Flowers, Medium: Screenprint, Signed, numbered, and titled in pencil, Edition: PA 29/50, Image Size: 19.5 x 13.5 inches, Size: 24 x 20...

Lithograph on vélin du Marais paper. Paper Size: 11 x 8.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the volume, Poèmes 1923-1958. Dix dessins d...

"Basquiat"is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smalle...

This exquisite lithograph after Georges Braque (1882–1963), titled Feuillage noir (Black Foliage), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Vincent van Ojen is a true master of the woodcut technique. Through years of dedication and research, he has perfected this ancient medium, resulting in works of remarkable depth and...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

This gray and white Japanese-inspired monotype was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly long stems ...

Brad Davis’s "Still Life with Pet Coke", a 2025 oil painting on wood panel, is a hauntingly atmospheric composition that blurs the line between classical still life and contemporary ...

7-color woodcut on Somerset white 500 gsm

This exquisite lithograph after Jean Cocteau (1889–1963), titled Manuscrit (Manuscript), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collabor...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Palme (The Palm), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 editio...

Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892). 235mm by 145mm (sheet) Walter Hood Fitch was a Scottish botan...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6...

Original large format still life photograph from Linda Rosewall's botany study series "Flora Italiana", an intensely beautiful body of works exploring the botanical splendor of Italian flowers in the natural world with highly detailed captures. Flora Italiana ( Papavero Bianco ) delicate white poppy flower petals 64 x 48 inches (162 x 122cm) signed edition of 7 40 x 30 inches (102 x 76cm) signed edition of 25 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ___________________ About the artist Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act. The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera. At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis Manarchy...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Salvador Dali - The Violet Boot - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12". Catalogue Raisonné : Field ...

This lithograph, produced in an edition of 100, and signed and numbered by James Rosenquist, is offered by CLAMP in New York.

Artist: Donald Sultan Title: Wallflower 26 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

This original lithographic poster was created for an exhibition of works at the Musée D'Art Moderne in Céret, France, in 1957. This portrait of Spanish Sculptor and Picasso friend, M...

Artist: Peter Max (1937) Title: Garden Flowers & Vase of Flowers (Two Artworks) Year: 1979 Edition: 347/350, plus proofs; 143/350, plus proofs Medium: Lithograph on Somerset paper Si...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Vase of flower is a modern artwork realized by Fabio Failla in 1966. Mixed colored etching. Hand signed, dated and numbered on the lower margin. Plate n.1 Edition of 25/99. Incl...

A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...

'Snowy Feverfew' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateu...

Hand titled, dated, initialed and numbered by the artist. From the Fruits and Flowers suite. Sheet size 23 x 22 inches. Image size 12 x 12 inches. Frame size approx 31 x 30 inches. A...

DINNER PARTY #2 - An art print on paper featuring a dinner plate with a timeless pattern. It elevates an everyday object, reminding us of the quiet beauty in what we use daily. Fits ...

'Large-Leaved Saxifrage' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professo...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: As a kid the ice cream truck was a nei...

An image that originally appeared in an astrological calendar for the year 1766. Tokyo: Shuei-Sha, 1766. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 in...

Blue Glove (Michael Jackson) by Tom Schierlitz a highly detailed glamorous still life photograph of the performer's iconic blue and gold sequin and Swarovski rhinestone crystal glove...

Gilded vintage payphone against pale pink architectural wall, from a series of photographic observances capturing found conceptual objects in urban c...

Double Poppies Pink 2025 
Color silkscreen with enamel inks, flocking and sand on Rising 4-ply museum board 
Sheet size: 52.5 x 30 inches (133 x 76 cm)
 Image size: 48.5 x 26 inches ...

Linen-backed original 1939 James Montgomery Flagg vintage poster: You're in Trust; we must protect it from fire. "If we would have forests--we must prevent fires: Maryland Stat...

ABOUT THE ARTIST: Gaia Barnatan explores surreal, dreamlike spaces through the medium of digital collage. Her work aims to create a sense of balance, playfulness and curiosity, and e...

Size: 36,5 x 30 cm / 14,37 x 11,81 inches Limited Edition of 206/300 Signed and numbered by Laurent Durieux

One of several spectacular groupings of engravings fresh from a Bronxville Mansion. Ten Copperplate engravings by Benjamin Maund (British) in the finest gilt frames wonderfully matte...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. The print measures 36 x 24 inches total, with an image size of 32 x 20 in. and a 2 inch...

This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...

Artist: Peter Max Title: Lady with Portrait Medium: Screen print in colors Date: 1971 Edition: 129/250 Sheet Size: 29 3/4" x 21 3/4" Frame Size: 36 3/4" x 28 3/4" Signature: Hand sig...

"Ali" is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smaller im...

This artwork "Un Vase de Fleurs II (Flowers in a Vase)" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Frederic Menguy, 1927-2007. It is ...

'262. Helvella pityophila 263. Helvella crispa 264. Helvella elastica' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique,"...

'Antirrhinum Orontium' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...

Artist: Ben Shahn, American (1898 - 1969) Title: Many Things from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5 x 17.75 in....

Rudy Fernandez, American (1948 - ) - Sangre de Vida, Year: 1984, Medium: Lithograph and 3-D collage, signed, numbered, titled and dated in pencil, Edition: 45/75, Size: 31.75 x 2...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº2 + Year: 2023 + Edition Size: 20 + Stamped and Certificate of Authenticity p...