David Shrigley

The Plant Loves Me -- Print, Screen Print, Plant, Text Art by David Shrigley

2023

Keep Your Ass Away From The Cactus, 2020 David Shrigley Screenprint in colours, on wove paper Signed and numbered on an accompanying COA From the edition of 125 Sheet: 76 × 56 cm (2...

Keep Your Ass Away From The Cactus, 2020 David Shrigley Screenprint in colours, on wove paper Signed and numbered on an accompanying COA From the edition of 125 Sheet: 76 × 56 cm (2...

Book, 1997 Michael Craig-Martin The complete portfolio, comprising ten double page screenprints in colours On Archival Rag Endleaf white paper Signed, dated and numbered from the ed...

Gerberas, 2020 Michael Craig-Martin Screenprint in colours, on Arches 88 paper, Signed, dated and numbered from the edition of 125 Published by Jealous Gallery, London, unframed. F...

Pumpkin Object (White) & Pumpkin Object (Yellow), 2016 Yayoi Kusama The set of two painted cast resin multiples Each stamped on the base Accompanied by the original boxes Diameter:...

Yellow Flowers, 2022 Jonas Wood Screenprint in colours, on 410gsm Somerset tub sized Satin Enhanced White paper Signed, dated and numbered from the edition of 100 From the portfolio...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 20 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 10 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

Plastic on Paper is an edition of 30 screenprints made with Wassaic Project’s Edition Program. I worked with master printer McKinzie Trotta to translate my sculpture processes into a...

Gary Hume Pinks 2002 Silkscreen 17 3/8 x 14 inches; 44 x 36 cm Edition of 45 Signed, titled, dated and numbered in graphite (lower recto) Frame available upon request Available fr...

A colorful pop art drawing of a whimsical landscape scene featuring red flowers, green trees, yellow sun, and blue sky and clouds with cubist furniture on a front porch. Two flies converse over bentwood chairs drawn in black, red and white, in this whimsical work by famed New York artist Michael Hurson. Framed in white enamel. Paper 23.5 x 32.5 in. / 59.5 x 82.5 cm Frame 27 x 35 x 2 in. / 68.5 x 89 x 5 cm Two Flies on a Bentwood Chair by Michael Hurson. Lithograph on white paper with silkscreen on plexiglass, in a cream-colored lacquer frame. Edition 70: this impression 56/70. Signed by the artist with initials and numbered 56/70 in pencil lower right. Prepackaged and framed: ready to ship immediately, and ready to hang out of the box. This mixed-media lithograph with silkscreen portrays the colorful scene of a lush, sun-drenched front porch. Hurson's whimsical play on geometry and three-dimensionality is enhanced by the layers of plexiglass and paper upon which the image is printed. In the center of the composition, printed on the base layer of paper, a bright yellow sun sits atop a liquid, sky-blue background, and a jaunty, crayon-textured cloud. A porch door...

"S (It Is Safe To Be A Woman)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edition of 40. Each print is signed, stamped and numbered. The prints measure 17x17". Note the double-sided printing – surfaces of text, surfaces of image. See the full installation (photo above) as a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking Sculptures...