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Michael Craig-MartinBook -- Set of ten, Print, Bound , Still Life, Pop Art by Michael Craig-Martin1997
1997
$5,162.99
£3,750
€4,416.94
CA$7,073.04
A$7,848.13
CHF 4,111.02
MX$96,239.14
NOK 52,290.75
SEK 49,360.23
DKK 32,939.87
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About the Item
Book, 1997
Michael Craig-Martin
The complete portfolio, comprising ten double page screenprints in colours
On Archival Rag Endleaf white paper
Signed, dated and numbered from the edition of 150 on the justification page
Bound as issued in grey-cloth covered boards
With one additional double page screenprint on two separate sheets
Signed and numbered from the edition of 150 verso
Loose as issued within a matching slipcase
Printed by Advanced Graphics, London
Co-published by Alan Cristea Gallery, London and Ridinghouse Editions, London
Housed within the original grey-cloth covered solander box
Each sheet: 33 × 54.5 cm (13 × 21.5 in)
Portfolio: 36.2 × 56.5 × 3 cm (14.3 × 22.3 × 1.2 in)
- Creator:Michael Craig-Martin (1941, British)
- Creation Year:1997
- Dimensions:Height: 13 in (33 cm)Width: 21.46 in (54.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU80918275782
Michael Craig-Martin
Michael Craig-Martin is a British-Irish conceptual artist and influential educator, renowned for his vivid depictions of everyday objects and significant contributions to contemporary art. Born on August 28, 1941, in Dublin, Ireland, he grew up in the United States and later studied at Yale University, where he earned a Master of Fine Arts. Craig-Martin's early work in the 1960s and 1970s aligned with the conceptual art movement, focusing on the relationship between objects and ideas. One of his most famous works, An Oak Tree (1973), embodies the conceptual art ethos, presenting a glass of water on a shelf and claiming it is an oak tree through the power of artistic transformation. This piece became a defining moment in his career and a cornerstone of conceptual art. By the 1990s, Craig-Martin shifted towards a more visual approach, creating large-scale paintings and installations featuring flat, vibrant colors and crisp outlines of ordinary objects such as lightbulbs, shoes, and laptops. These works explore the cultural significance of mass-produced items, elevating the mundane into symbols of modern life. Beyond his artistic practice, Craig-Martin is celebrated as an influential teacher. As a professor at Goldsmiths, University of London, he mentored numerous artists who became leading figures in the Young British Artists (YBA) movement, including Damien Hirst, Sarah Lucas, and Gary Hume. His role as an educator significantly shaped the trajectory of contemporary British art. Over his career, Craig-Martin has exhibited internationally, with major retrospectives at institutions such as the Serpentine Gallery in London and the Irish Museum of Modern Art in Dublin. He was knighted in 2016 for his services to art and education. Today, Michael Craig-Martin continues to push artistic boundaries, using his distinctive style to reflect on consumerism, technology, and the evolution of visual culture. His work remains a vibrant exploration of the intersection between art, objects, and ideas, cementing his legacy as a pioneering figure in modern and conceptual art.
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