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Landscape Still-life Prints

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Art Subject: Landscape
From Birker Fell to Sca Fell, Mark A Pearce, Linocut print, bright artwork
Located in Deddington, GB
Mark A Pearce From Birker Fell to Sca Fell Limited Edition Print Edition of 42 Linocut on Paper Image Size: H 45cm x W 45cm Paper Size: H 58cm x W 55cm x D 0.1cm Sold Unframed From ...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Linocut

Mark A Pearce, Moon Rising over Wastewater, Contemporary Landscape Linocut Print
Located in Deddington, GB
Mark A Pearce Moon Rising over Wastewater Limited Edition Landscape Print Edition of 32 Sold Mounted but Unframed Image size: H 36.5cm x W 60cm Mount size: H 52.5cm x W 76cm x D 0.5c...
Category

21st Century and Contemporary Abstract Geometric Landscape Prints

Materials

Paper, Linocut

de Segonzac, Paysage d'Hiver, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1967 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dunoyer de Segonzac...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Arcadia II
Located in London, GB
Arcadia ii Archival ink print on Somerset Satin 330gsm paper with deckled edges 44 x 102 cm hand-signed limited edition of 25 David Wightman is a British artist known for his striki...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Archival Pigment

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Materials

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Cascades No. 1
Cascades No. 1
$100 Sale Price
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H 2.25 in W 3.5 in
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Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
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Late 18th Century Naturalistic Still-life Prints

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