Abstract Expressionist Prints and Multiples

Medium: Original Lithographic Poster, 1974 Classic Poster Paper - Perfect Condition A+ This original composition used exactly the same plates for the poster and for the Lithograph ...

Brenda Zappitell is a painter known for her use of exuberant colors and vigorous brushwork. Zappitell synthesizes her observations of nature, the concept of Mindfulness or awareness ...

Artist: Darryl Hughto, American (1943 - ) Title: Starting Over Year: circa 1982 Medium: Serigraph, signed and numbered in pencil Edition: 160, AP Image Size: 39 x 24 inches Size: 42....

Theodoros Stamos was one of the original Abstract Expressionist artists working alongside Jackson Pollack and Willem de Kooning in New York City. His ...

This artwork titled "Red Boat" 1963 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed, t...

Artist: Arman, French (1929 - 2005) Title: Flamenco Year: Circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 150, HC 10 Size: 41 in. x 29.5 in. (104.14 cm x 7...

Wonderful silkscreen abstract of yellow and mauves suggesting a doorway to new posibilities by Di Pierro (American, 20th Century), 1989. Numbered left corner "25/75" and signed lower...

Untitled - Man and Bird I Dimitri Petrov, American (1919–1986) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 250 Image Size: 22 x 29.5 inches Size: 22 x 30 in...

Serge Poliakoff - Abstract Beach - Original Lithograph Published in the deluxe art review, XXe Siecle 1968 Dimensions: 32 x 24 cm Publisher: G. di San ...

Red Echo Adja Yunkers b. 1900, Riga, Russia; d. 1983, New York Adja Yunkers was born Adolf Junkers on July 15, 1900, in Riga, Russia (now Latvia). He studied art in Petrograd (now Saint Petersburg), but from 1917 to 1919 his schooling was interrupted by military service in the Russian army. Yunkers soon left Russia for Europe and traveled extensively for the next two decades, settling for long periods in Cuba, France, and Germany. During much of his early career, Yunkers was active in political as well as artistic movements. At times his political investments even outweighed his commitment to his art, and in 1936 he moved to Spain to fight in its civil war. When the war ended in 1939, he moved to Stockholm and began to focus on art making again. He became associated with the Swedish Surrealists and published three journals devoted to art and politics. These handcrafted publications signaled a strong interest in printmaking, and in the 1940s he made many woodblock prints depicting distorted objects and figural compositions that demonstrate the influence of German Expressionism on his work. In 1947, Yunkers moved to New York and began to teach at the New School for Social Research. After four tumultuous marriages, he married one of his former students from the New School, Dore Ashton, in 1952. Ashton became an art critic for the New York Times in 1955, and through her, Yunkers was introduced to the artists who would become known as the Abstract Expressionists. He began drawing with pastel directly on canvas, resulting in large-scale works that recall Color Field painting in their emphasis on the materiality of color. Expanding on this impulse, Yunkers's later work made extensive use of negative space, collage, and monochrome. The influence of Minimalism in this more reduced aesthetic is clear, and his canvases became more object-like. Both printmaking and bookmaking were central to Yunkers's oeuvre. He founded the Rio Grande Workshop in New Mexico (where he also taught) in 1949, publishing an entirely handmade art magazine called Prints in the Desert. In 1969 he illustrated a limited-edition book by the poet Octavio Paz, a collaboration that sparked both a friendship and a number of additional illustrated books in the years to come. Yunkers also produced two large public works on commission: A Human Condition (1966), a mural for Syracuse University, and a tapestry produced for Stony Brook University (1968), both in New York. Yunkers had his first solo exhibition in 1921 at the Maria Kunde Galerie, Hamburg, Germany. Later that same year, he was part of a group show featuring Eastern European and Russian artists, including Alexander Archipenko, Marc Chagall, and Vasily Kandinsky, held in Hannover, Germany. He was included in an exhibition organized by the Print Council of America entitled American Prints Today. A snapshot of the state of American printmaking at the time of the exhibition. Among the many featured artists were Josef Albers, Leonard Baskin, Ralston Crawford, Adolf Dehn, Fritz Glarner, Grace Hartigan, Jasper Johns, Ynez Johnston, John Paul Jones, Misch Kohn, Mauricio Lasansky, Vincent Longo, Ezio...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

An abstract expressionist lithograph by Karel Appel from 1979. Artist: Karel Appel Title: Walking with my Bird Year: 1979 Medium: Lithograph on Arches, Signed and numbered in pencil...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 75 Size: 35 x 45 inches

Artist: Dan Christensen, American (1942 - 2007) Title: Mojo Year: circa 1980 Medium: Silkscreen, Signed and numbered in Pencil Edition: 11/175 Size: 43 in. x 29.5 in. (109.22 cm x 74...

Intriguing modern figurative print with fantastical animals and a nude female figure with a blue cast in the foreground by artist and printmaker Robert R. Mal...

Artist: Arthur Secunda Title: Starry Night Year: circa 1970 Medium: Stone Lithograph, signed and numbered in pencil Edition: 9/90 Paper Size: 30 x 2...

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whose ...