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Style: Vienna Secession
Period: 1910s
Ottokar Mascha Folio, plate 8: "Poster for the 1st Vienna Secession Exhibition"
By Gustav Klimt
Located in Chicago, IL
After GUSTAV KLIMT (1862-1918) THESEUS UND MINOTAURUS, 1898, final design submission for poster advertising the first exhibition of the Vienna Secession, (In Mascha, no. 8) As a cele...
Category
1910s Vienna Secession Prints and Multiples
Materials
Lithograph
Ottokar Mascha Folio, plate 18: "Shaw Oder Die Ironie Poster" by Egon Schiele
By Egon Schiele
Located in Chicago, IL
after EGON SCHIELE (1890-1918) SHAW ODER DIE IRONIE POSTER, C. 1912, (In Mascha, no. 18) Schiele’s poster is an advertisement for a lecture to be given ...
Category
1910s Vienna Secession Prints and Multiples
Materials
Lithograph
Ottokar Mascha Folio, plate 9: "Darmstadt Poster"by Joseph Maria Olbricht
By Joseph Maria Olbrich
Located in Chicago, IL
After JOSEPH MARIA OLBRICHT (1867-1908) DARMSTADT POSTER, 1901, (In Mascha, no. 9) One of the founding members of the Vienna Secession and a highly esteemed architect, Olbricht was c...
Category
1910s Vienna Secession Prints and Multiples
Materials
Lithograph
Untitled Woodcut
Located in Wilton, CT
Original hand-colored woodcut from a portfolio of Secessionist fashion illustrations. Signed in the lower right margin by the artist, Reni Schaschl (1895-1979), a talented member of...
Category
1910s Vienna Secession Prints and Multiples
Materials
Woodcut
R. Layni, Zeichnungen folio, "The Artist's Wife, Seated" Collotype plate VI
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterfu...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
Rittersporn und Fingerhut (Larkspur and Foxglove)
Located in Fairlawn, OH
Rittersporn und Fingerhut
(Larkspur and Foxglove)
Color woodcut, printed on wove paper with mica flecks, 1916
Signed lower right (see photo)
Inscribed lower left (see photo)
Reference: Merx 276
Condition: good-very good
One spot of staining on the far left edge of the composition (see photo)
Color very fresh and vibrant
Full sheet as issued
Image size: 19 x 13 3/8 inches
Carl Thiemann...
Category
1910s Vienna Secession Prints and Multiples
Materials
Woodcut
R. Layni, Zeichnungen folio, "Woman with Greyhound" Collotype plate III
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
R. Layni, Zeichnungen folio, "Reclining Nude w/Green Stockings" Collotype PL XI
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
R. Layni, Zeichnungen folio, "Two Girls, Lying Entwined" Collotype plate VIII
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
R. Layni, Zeichnungen folio, "Nude With Raised Arm" Collotype plate IX
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
R. Layni, Zeichnungen folio, "One-Year-Volunteer Private" Collotype plate V
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
R. Layni, Zeichnungen folio, "Seated Woman with Bent Knee" Collotype plate I
Located in Chicago, IL
After Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
R. Layni, Zeichnungen folio, "Torso" Collotype plate IV
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
R. Layni, Zeichnungen folio, "Portrait of a Child" Collotype plate X
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful draftsmanship and precocious insight into the human condition. Part of the first wave of Austrian Modernism, he was swept away by the Viennese fascination with the tension between Life and Death (known in the works of Freud and his later interpreters as Eros and Thanatos). Life, identified with attraction, love, sexuality, and reproduction, and Death, represented by distortion, disease, repulsion, and hysteria, often appeared in the same composition, thereby suggesting the frightening life cycle of the human mind and body.
Young throughout his career, Schiele universalized his childhood traumas, thriving libido, insecurities, fears, and longings. His contorted line, jarring contrasts, and flat areas of color, demonstrate an early alliance with Expressionist philosophy and artists who were relentlessly frustrated by conventionality in all its forms. Schiele’s work embodied man’s disorientation and confusion in a seemingly absurd world, a world plagued by disease and war. It continues to be astonishingly relevant today, not just because it helped define Modernism but also because it revealed the dark and immutable aspects of the human condition.
Zeichnungen is a fine art print portfolio published by Verlag der Buchhandlung Richard Lanyi, Vienna, 1917, printed by Max Jaffe...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
R. Layni, Zeichnungen folio, "Male Nude in Red Loincloth" Collotype plate II
Located in Chicago, IL
After Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
R. Layni, Zeichnungen folio, "Russian Soldier" Collotype plate VII
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful draftsmanship and precocious insight into the human condition. Part of the first wave of Austrian Modernism, he was swept away by the Viennese fascination with the tension between Life and Death (known in the works of Freud and his later interpreters as Eros and Thanatos). Life, identified with attraction, love, sexuality, and reproduction, and Death, represented by distortion, disease, repulsion, and hysteria, often appeared in the same composition, thereby suggesting the frightening life cycle of the human mind and body.
Young throughout his career, Schiele universalized his childhood traumas, thriving libido, insecurities, fears, and longings. His contorted line, jarring contrasts, and flat areas of color, demonstrate an early alliance with Expressionist philosophy and artists who were relentlessly frustrated by conventionality in all its forms. Schiele’s work embodied man’s disorientation and confusion in a seemingly absurd world, a world plagued by disease and war. It continues to be astonishingly relevant today, not just because it helped define Modernism but also because it revealed the dark and immutable aspects of the human condition.
Zeichnungen is a fine art print portfolio published by Verlag der Buchhandlung Richard Lanyi, Vienna, 1917, printed by Max Jaffe...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
R. Layni, Zeichnungen folio, "Kneeling Female Semi-Nude" Collotype plate XII
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful draftsmanship and precocious insight into the human condition. Part of the first wave of Austrian Modernism, he was swept away by the Viennese fascination with the tension between Life and Death (known in the works of Freud and his later interpreters as Eros and Thanatos). Life, identified with attraction, love, sexuality, and reproduction, and Death, represented by distortion, disease, repulsion, and hysteria, often appeared in the same composition, thereby suggesting the frightening life cycle of the human mind and body.
Young throughout his career, Schiele universalized his childhood traumas, thriving libido, insecurities, fears, and longings. His contorted line, jarring contrasts, and flat areas of color, demonstrate an early alliance with Expressionist philosophy and artists who were relentlessly frustrated by conventionality in all its forms. Schiele’s work embodied man’s disorientation and confusion in a seemingly absurd world, a world plagued by disease and war. It continues to be astonishingly relevant today, not just because it helped define Modernism but also because it revealed the dark and immutable aspects of the human condition.
Zeichnungen is a fine art print portfolio published by Verlag der Buchhandlung Richard Lanyi, Vienna, 1917, printed by Max Jaffe...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
Sema portfolio, 1912, "Male Nude I" Lithograph print 21/215
By Egon Schiele
Located in Chicago, IL
MALE NUDE (SELF-PORTRAIT) I by Egon Schiele, 1912, a brush and ink lithograph on vellum paper made for the Munich-based artists’ association, Sema 15 Originalsteinzeichnungen portfol...
Category
1910s Vienna Secession Prints and Multiples
Materials
Lithograph
Slowakisches Bauernhaus,
By Karl Schwetz
Located in New York, NY
Schweiz, Karl. Slowakisches Bauernhaus, Ca 1911. Color linoleum cut.
Framed.
Provenance: Galerie Michael Pabst, Munich.
Noted artist, painter, illustr...
Category
1910s Vienna Secession Prints and Multiples
Materials
Linocut
Fruhling
By Josef Siccard-Redl
Located in New York, NY
Siccard-Redl, Josef. Fruhling, Ca 1910. Color wood engraving, Signed and titled in pencil by the artist.
Little is known of this artist other than he worked in Vienna during the
...
Category
1910s Vienna Secession Prints and Multiples
Materials
Engraving
Ottokar Mascha Folio: plate 11 "5th Secession Exhibition Poster" by Kolo Moser
Located in Chicago, IL
after KOLOMAN MOSER (1868-1918) 5TH SECESSION EXHIBITION POSTER, 1899, (In Mascha, no. 11) A pivotal figure in early-20th century Austrian ...
Category
1910s Vienna Secession Prints and Multiples
Materials
Lithograph
H.O. Miethke Das Werk folio "Portrait of Hermine Gallia" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category
1910s Vienna Secession Prints and Multiples
Materials
Paper
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“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
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Young throughout his career, Schiele universalized his childhood traumas, thriving libido, insecurities, fears, and longings. His contorted line, jarring contrasts, and flat areas of color, demonstrate an early alliance with Expressionist philosophy and artists who were relentlessly frustrated by conventionality in all its forms. Schiele’s work embodied man’s disorientation and confusion in a seemingly absurd world, a world plagued by disease and war. It continues to be astonishingly relevant today, not just because it helped define Modernism but also because it revealed the dark and immutable aspects of the human condition.
Zeichnungen is a fine art print portfolio published by Verlag der Buchhandlung Richard Lanyi, Vienna, 1917, printed by Max Jaffe...
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Vienna Secession prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Vienna Secession prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Gustav Klimt & K.K. Hof-und Staatsdruckerei, (after) Gustav Klimt, (after) Egon Schiele, and Gustav Klimt. Frequently made by artists working with Paper, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Vienna Secession prints and multiples, so small editions measuring 3 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $250 and tops out at $125,000, while the average work sells for $3,500.
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