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Art Subject: Arch
"The Bridge, 1889" Print After Vincent Van Gogh
Located in Clinton Township, MI
Published Franz Hanfstaengl Munchen.
Printed In Germany.
Print Measures 19.75 x 21.25 in.
Print In Good Condition.
Category
20th Century Prints and Multiples
Materials
Offset
Shadows of Venice
Located in Middletown, NY
Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....
Category
Mid-20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Shadows in Mexico
Located in Middletown, NY
Etching on bluish-grey, antique laid paper, 5 x 3 5/8 inches (127 x 93 mm), signed, dated, and inscribed "III" in pencil, lower margin. A proof impression from the third state (of 3)...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching
Julian Trevelyan, Tower Bridge, etching and aquatint
Located in London, GB
To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller".
Julian Trevelyan (1910-19...
Category
1960s Modern Figurative Prints
Materials
Etching, Aquatint
View of the Interior of the Colosseum by Francesco Piranesi, 1835
Located in New York, NY
Piranesi, Francesco.
Le Antichita Romane.
This plate: View of the interior of the Colosseum.
Hind 134, 1st Paris edition, 1835.
Original etching.
Plate size: 19 1/2 x 28 1/4 i...
Category
Early 19th Century Prints and Multiples
Materials
Paper
'Skyline from Jersey Heights' — 1930s Modernism
Located in Myrtle Beach, SC
Adriaan Lubbers, 'Skyline from Jersey Heights', lithograph, 1930, edition 25. Signed, titled, and numbered '4/XXV' in pencil. Dated 'Paris 1930' in pencil. A fine impression, on crea...
Category
1930s Modern Figurative Prints
Materials
Lithograph
Fiesole, an Ancient Tower
Located in Middletown, NY
Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Chateau Valeri, French chateau, garden estate plan, mid 17th century engraving
Located in Melbourne, Victoria
'Chateau Valeri'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citie...
Category
Mid-18th Century Rococo Landscape Prints
Materials
Engraving
Piranesi, Hand Coloured Period Engraving, Vue d'un Superb Palais de Rome
Located in Cotignac, FR
A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass.
Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings.
From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver."
After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna.
From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...
Category
Late 18th Century Baroque Landscape Prints
Materials
Paper, Ink, Watercolor
Durham. Paul Sandby C18th English landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Durham'
Engraving by F Chesham after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by G...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
Avanzi della Biblioteca ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Avanzi della Biblioteca in Villa Adriana, di opera retticolata is an original etching realized by Luigi Rossini.
From the collection “Le antichità de’ c...
Category
1820s Old Masters Landscape Prints
Materials
Etching
Paris : Seine River and Notre Dame Church - Stone Lithograph
By Henri Rousseau
Located in Paris, IDF
Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after)
Paris : Seine River and Notre Dame Church
Stone lithograph after a painting
Printed signature i...
Category
1970s Post-Impressionist Landscape Prints
Materials
Lithograph
"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100
Located in Soquel, CA
"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100
Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a closeup on a large stone building, with a landscape reflected in the windows. The building has carved ornamentation in a classical style. There is a bright red sunset in the background behind the building. The title refers to the author Gabriel García Márquez.
Signed "Carol Summers" in the lower right corner.
Numbered and titled "93/100 Casa Marquez" in the upper right corner.
Presented in a silver colored aluminum frame.
Frame size: 19.25"H x 23.25"W
Paper size: 16"H x 20"W
Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented.
In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother.
From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum.
In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category
1980s Contemporary Landscape Prints
Materials
Ink, Handmade Paper, Woodcut
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Landscape Prints
Materials
Lithograph
Limoges (French Church Series #32)
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed.
A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates.
Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954.
Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University.
ABOUT THE ARTIST
“John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker
Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York.
In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category
1930s American Realist Landscape Prints
Materials
Etching
'Paris, The Pont Neuf', Post-Impressionist, Fernand Léger, Musée d'Art Moderne
By Yves Ganne
Located in Santa Cruz, CA
Stamped verso with Certification of Authenticity for Yves Ganne (French, b. 1931). Signed lower right, 'Y. Ganne', inscribed lower left, 'Epreuve d' Artiste...
Category
Mid-20th Century Post-Impressionist Landscape Prints
Materials
Paper, Lithograph
Werner Drewes, 125th Street at Broadway, NYC
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival.
The reference is Rose 183. It...
Category
1930s American Modern Landscape Prints
Materials
Drypoint
Dufza - Paris - Quai de la Tournelle - Original Handsigned Etching
Located in Collonge Bellerive, Geneve, CH
Dufza - Paris - Quai de la Tournelle - Original Handsigned Etching
Circa 1940
Handsigned in pencil
Dimensions: 20 x 25 cm
Unumbered as issued
Category
1940s Modern Nude Prints
Materials
Etching
Queen's Gate, at Caernarfon, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Queen's Gate, at Caernarvon'
Engraving by William Watts (1752-1851) and William Angus after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select ...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
Bridge over the Seine, Folk Art Lithograph by Claude Tabet
Located in Long Island City, NY
Claude Tabet, French (1924 - 1979) - Bridge over the Seine. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 19 x 23 inches, Size: 22 x ...
Category
1970s Folk Art Landscape Prints
Materials
Lithograph
New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving, Etching, Aquatint
Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving, Etching, Aquatint
Egyptian Temple - Chromolithograph by A. Alessio - Early 20th Century
Located in Roma, IT
Egyptian Temple is a print on ivory-colored paper realized by A. Alessio in the early 20th Century. Signed on the plate on the lower.
.
Vintage Chromolit...
Category
Early 20th Century Modern Figurative Prints
Materials
Lithograph
Triumphal Arches - Original Lithographs and Watercolors - Mid 19th Century
Located in Roma, IT
Triumphal Arches is a beautiful lot of five hand-watercolored lithographs realized by an Italian artist of the XIX century later watercolored, and repre...
Category
Mid-19th Century Modern Figurative Prints
Materials
Watercolor, Lithograph
1967 Iconic travel poster for Paris by Bernard Buffet - Notre Dame de Paris
Located in PARIS, FR
In 1967, renowned French artist Bernard Buffet created an iconic travel poster for Paris, commissioned by French Railways (SNCF). This poster is a stunning example of how fine art an...
Category
1960s Prints and Multiples
Materials
Lithograph, Paper
Notre Dame - Original Lithograph - Mid-19th Century
Located in Roma, IT
Notre Dame is an original modern artwork realized in the Mid-19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower central margin: Notre Dame - Cathedral i...
Category
Mid-19th Century Modern Landscape Prints
Materials
Lithograph
Photogenic Drawings Poster famed Japanese photographer (Hand Signed by Sugimoto)
Located in New York, NY
Hiroshi Sugimoto
Photogenic Drawings (Hand Signed), 2012
Offset Lithograph Poster. (Hand signed by Hiroshi Sugimoto)
Unframed
This offset lithograph poster was hand-signed by photogr...
Category
2010s Contemporary Landscape Prints
Materials
Offset, Lithograph, Permanent Marker
Bridge of Sighs II, Giclee print, Oxford, Architecture, bridge
By Gary Wing
Located in Deddington, GB
Bridge of Sighs II by Gary Wing Limited edition print by Gary Wing, featuring the iconic Hertford Bridge in Oxford, also known as the Bridge of Sighs. Original work also available. S...
Category
2010s Contemporary Landscape Prints
Materials
Giclée
Uses and Customs - Bridge in Venice - Lithograph - 1862
Located in Roma, IT
Bridge in Venice is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the...
Category
1860s Modern Figurative Prints
Materials
Lithograph
Bridge, Amsterdam
Located in New York, NY
James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches.
Provenance:
Vivian and Meyer P. Potamkin, Philadelphia;
sale, Sotheby’s, New York, May 11, 1989, lot 302
Samuel Josefowitz, Pully, Switzerland
A very fine, shimmering impression of this great rarity.
This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...
Category
1880s Impressionist Landscape Prints
Materials
Etching
Joseph S. Sims, The Mills of Manayunk (Pennsylvania)
Located in New York, NY
This print is signed, titled, and dated, in pencil.
Manayunk was an industrial town to the north of Philadelphia.
Category
Mid-20th Century American Modern Landscape Prints
Materials
Lithograph
"Moulin a Veules" original etching
Located in Henderson, NV
Medium: original etching. This impression on cream laid paper was printed in 1884 for the "French Etchers" portfolio, and published in New York. Image size: 9 x 11 3/4 inches (225 x ...
Category
1880s Prints and Multiples
Materials
Etching
Mathematical Bridge Queen's College, Cambridge etching by Mabel Oliver Rae
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Mabel Oliver Rae (1868 - 1956)
Queens' Bridge, Cambridge
Etching
13 x 9 cm
Titled lower left and signed lower right in plate, and again in pencil outside plate.
The college's famed Mathematical Bridge, which reflects in the ruffled waters of the River Cam.
Kate Hillman of the Cambridge University Engineering Department notes that: "One of the most recognisable structures on the Cam, Queens' College bridge was originally built in 1749 by James Essex the Younger. Since then it has been rebuilt twice to the original design of William Etheridge, once in 1866 and again in 1905. In 1866 the bridge deck...
Category
1920s Modern Landscape Prints
Materials
Etching
'Canal Saint-Martin', School of Paris, Paris MoMA, Post-Impressionist landscape
By Yves Ganne
Located in Santa Cruz, CA
Signed lower right, 'Y. Ganne' for Yves Ganne (French, born 1931) and inscribed 'Epreuve d'Artiste', lower left.
Yves Ganne first studied at the Ecole des...
Category
Mid-20th Century Post-Impressionist Landscape Prints
Materials
Paper, Lithograph
I Hear the Brooklyn Bridge Singing, bright colors, urban landscape, new york
Located in Brooklyn, NY
Edition limited to 50
Size: 22" x 28"
Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly or...
Category
2010s Hard-Edge Landscape Prints
Materials
Archival Pigment
Interior of a House - Original Mixed Media Drawing - 19th Century
Located in Roma, IT
"Interior of a House" is an original pencil, china ink and pastels drawing on ivory paper by Anonymous Artist of XIX Century.
In very good condit...
Category
19th Century Modern Figurative Drawings and Watercolors
Materials
Pencil, Pastel, Ink
Chiesa Dedicata a Sant'Ignacio - Etching by G.B. Falda
Located in Roma, IT
Chiesa dedicata a Sant’Ignatio is a wonderful black and white etching on cream-colored paper realized in the second half of the XVII century by Giovanbattista Falda.
Signed on plate on the lower left margin "Giò Batta...
Category
Late 17th Century Old Masters Figurative Prints
Materials
Etching
The Bridge - Etching by Bruno Croatto - 1897
Located in Roma, IT
The Bridge is an original etching realized by the Italian master Bruno Croatto.
Hand-signed on the lower right. '97
Good conditions except for some sma...
Category
1890s Modern Figurative Prints
Materials
Etching
"Whisperings at a Cross Point" - Doorway Arch Drypoint Etching
By Susan Varjavand
Located in Soquel, CA
Charming drypoint etching of a series of three arched interior doorways by Susan Varjavand (American, 1941-2018). Numbered, titled, and signed ("13/20 Whisperings at a Cross Point Susan Varjavand") along the bottom edge. Presented in a new cream mat. No frame. Image size: 14"H x 11"W
Susan Varjavand (American, 1941-2018) was an artist from San Francisco, California. She studied with Patricia Pearce (American, b. 1948) while at the College of San Mateo, as well as with Richard Bowman (American, 1918-2001) and Alan May...
Category
1980s American Impressionist Interior Prints
Materials
Paper, Ink, Drypoint
Veduta delle rovine di una Conserva... - Etching by L. Rossini - 1826
Located in Roma, IT
Veduta delle Rovine di una Conserva d'acqua per la Villa di Domiziano vicino a Castel Gandolfo negl'Orti Lodovisi
Image dimensions: 42 x 52 cm.
From th...
Category
1820s Old Masters Figurative Prints
Materials
Etching
S. Maria della Spina Church, Pisa - Vintage B/w Photograph - Early 20th Century
Located in Roma, IT
S. Maria della Spina Church, Pisa is an original photograph taken in Pisa, Italy, realized by an Anonymous photographer.
Titled on the lower.
Very Good conditions.
Category
Early 20th Century Modern Landscape Photography
Materials
Photographic Paper
Roman Arch - Original Screen Print by Marco Orsi - 1980s
Located in Roma, IT
Roman Arch (Arch of Settimo Severo) is an original screen print on paper realized by Italian artist Marco Orsi (1926 - 1999).
Hand-signed on the lower righ...
Category
1980s Modern Figurative Prints
Materials
Paper, Screen
"The Bridge of Narni" by Camille Corot. Limited Edition Lithograph: TP 666
Located in Clinton Township, MI
Limited Edition Print of "The Bridge of Narni" by Camille Corot
Published by The Twin Editions, New York Graphic Society, 1959.
Print measures 19 in x 26.2 in. Printed in Switzerland...
Category
20th Century Landscape Prints
Materials
Lithograph
Rome, Palatine Hill - Original Etching and Dry-point by Cesare Biseo - 1898
Located in Roma, IT
Rome, Palatine Hill is a wonderful etching and dry-point on paper by realized by Cesare Biseo in 1898.
Hand-signed and dated with the description on the lower in pencil.
In very go...
Category
1890s Figurative Prints
Materials
Drypoint, Etching
The Sepulchre of Ladislao. Etching by Augusto Fornari - Mid 1800
Located in Roma, IT
The Sepulchre of Ladislao is an etching engraved by Augusto Fornari, an artist who lived in Rome between 1812 and 1864. The paper sheet presents the signature “Fornari inc.” engraved...
Category
Mid-19th Century Modern Figurative Prints
Materials
Etching
Trinity College Cambridge Great Gate etching R Warwick c. 1920 print
By R Warwick
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...
Category
1920s Modern Landscape Prints
Materials
Etching
Joseph Nash ca. 1839-49 Frontespice "The Mansions of England in the Olden Time"
By Joseph Nash
Located in Chicago, IL
A hand-colored lithograph by Joseph Nash of the Frontespice "The Mansions of England in the Olden Time", 1839-1849, printed by Charles Joseph Hullmandel (Pub. London: T. M'Lean, 1839...
Category
1830s English School Interior Prints
Materials
Lithograph, Paper
Original French Modernist E.A. Proof Lithograph Signed Bernard Buffet New York
Located in Portland, OR
Very rare original Signed E.A. Artist's Proof, color lithograph, "New York", by Bernard Buffet (1928-1999). Circa 1980.
A Landscape image by the celebrated French Modernist figurative artist Bernard Buffet, titled "New York". The color litho shows buildings and skyline in New York City, this is a rare image from a series of New York views produced by Buffet.
The artwork is signed in pencil lower left "E.A", Artist's Proof in French, from the limited edition numbered prints (which was limited to 150) , it is also boldly signed "Bernard Buffet" lower right.
Condition is excellent, we at Bloomsbury Fine...
Category
1980s Modern Landscape Prints
Materials
Lithograph
Edwin La Dell Cambridge King's College from Copper Kettle Signed Lithograph
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Virtue, Bode–Museum, Berlin
Located in Los Angeles, CA
Virtue, Bode–Museum, Berlin
50 x 62.5 inches
ed. of 10
$6000
signed and numbered on label, verso
Reinhard Görner, with his large format photographs orchestrates the monumentality...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Lambda
SHADOWS OF VENICE - IL PONTE DI RIALTO, VENEZIA.
Located in Portland, ME
Arms, John Taylor (American 1887-1953). SHADOWS OF VENICE - IL PONTE DI RIALTO, VENEZIA. Etching, 1930. Edition of 140 + 14 Artist's Proofs. 10 x 12 inches (Plate), 11 3/8 x 157/8 in...
Category
1930s Landscape Prints
Materials
Etching
King's College, Cambridge engraving Pieter van der Aa after David Loggan iii
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
King's College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view King's College, Cambridge, engraved by Pi...
Category
Early 18th Century Realist Prints and Multiples
Materials
Engraving
IN THE BOWERY
Located in Portland, ME
Mielatz, Charles. IN THE BOWERY. Etching, 1891. Edition size not known. Signed and dated in the plate. 9 7/8 x 7 inches. In excellent condition. Mielatz, taught etching at the Nation...
Category
1890s Landscape Prints
Materials
Etching
George Washington Bridge, Silkscreen on Aluminum by Richard Haas
By Richard Haas
Located in Long Island City, NY
A lithograph and silkscreen on aluminum by Richard Haas from 1999. A detailed sectional view of the support and suspension structure of the George Washingt...
Category
1990s Photorealist Landscape Prints
Materials
Metal
Rubio Canyon Falls, Mt. Lowe, Cal. Kurtz and Allison Chromolithograph 1893
Located in Paonia, CO
Rubio Canyon Falls, Mt. Lowe, Cal. shows a waterfall cascading thru a canyon of boulders and trees paralleling a wooden stairway and bridge. This historic image was published by Loui...
Category
Late 18th Century Landscape Prints
Materials
Lithograph
Uses and Customs - Como Cathedral - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Como Cathedral is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the g...
Category
1860s Modern Figurative Prints
Materials
Lithograph
Tower Bridge and Waves at Westminster Diptych, Limited Edition Cityscape Print
Located in Deddington, GB
Tower Bridge and Waves at Westminster diptych Overall sheet size: H55.8 X W52 Clare Halifax. Waves at Westminster- a Thames view of the houses of parliament and Big Ben. Limited Edition Print; edition of 100.
Clare Halifax, artist, joins Wychwood Art selling art...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Paper, Screen
Uses and Customs -Interior of St. Peter's Basilica - Lithograph - 1862
Located in Roma, IT
Uses and Customs -Interior of St. Peter's Basilica is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...
Category
1860s Modern Figurative Prints
Materials
Lithograph
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Joan Mitchell’s Rare, Late-Career Diptych Buzzes with Life
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
The 1stDibs Guide to Types of Abstract Art
Get to know the key movements and artists who have influenced visual culture for more than a century.
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Andy Warhol and Suzie Frankfurt’s ‘Wild Raspberries’ Cookbook Is an Artful, Fanciful Delight
This set of recipes and original prints might not make you a better chef. But it will make you smile.
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”