Arch Prints and Multiples

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Le Canal Saint-Martin. Year: circa 1970, Medium: Lithograph, signed and numbered in pencil, Edition: 118/175, Image Size: 15....

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 60 x 44 cm This engraving was originally published by the Society of Antiquaries of London, an...

Herbert Lambert (1882-1936) Bath, Roman Baths & Abbey 76 x 51 cm Lithograph Published by the Travel Association of Great Britain and N.Ireland this beautiful photographic image en...

John Dixon Scott Stratford-upon-Avon 76 x 51 cm Lithograph Published by the Travel Association of Great Britain and N.Ireland this beautiful photographic image encouraged travel to ...

Harry McCormick, American (1942 - ) - The Archways. Medium: Lithograph, signed and numbered in pencil, Edition: 175, Size: 24.5 in. x 20 in. (62.23 cm x 50.8 cm)

James Basire & John Carter Architectural details of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an ...

Artist: Joseph Hirsch, American (1901 - 1981) Title: The Crucifixion Year: circa 1979 Medium: Lithograph, Signed and Numbered in Pencil Edition: 100 Si...

James Basire & Robert Blemmell Schnebbelie The Chancel of Chatham Church, Kent Engraving 48 x 33 cm This engraving was originally published by the Society of Antiquaries of Londo...

Richard Haas, American (1936 - ) - General Electric Building (Blue). Year: 2005, Medium: Etching, signed and numbered in pencil, Edition: 30, Image Size: 20 x 16 inches, Size: 26 x...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the artist you ...

Wilson, Edward A. (American, born Scotland, 1886 - 1970). UNTITLED - SHIPPING YARD. Lithograph, 1945. Edition of 25, signed and numbered 23/25. 11 x 13 inches (image), 13 1/2 x 15 in...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - La Canal Saint-Martin. Year: circa 1970, Medium: Lithograph, signed and numbered in pencil, Image Size: 15.5 x 25 inches, Siz...

David Roberts RA Part Of The Ruins Of A Temple On The Island Of Bigge – Nubia 1796 - 1864 First Edition lithograph Half plate: 183 Presented in a acid free mount

To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...

To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...

Tower Bridge and Waves at Westminster diptych Overall sheet size: H55.8 X W52 Clare Halifax. Waves at Westminster- a Thames view of the houses of parliament and Big Ben. Limited Edition Print; edition of 100. Clare Halifax, artist, joins Wychwood Art selling art...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görn...

Artist: John Sell Cotman (English, 1782-1842) Title: "Cathedral Church of Notre Dame, at Séez (West Front)" (Vol. 2, Plate 99) Portfolio: Architectural Antiquities of Normandy Year: ...

Artist: August Mosca (1905 - 2003) Title: Subway Station Medium: Lithograph, signed and numbered in pencil Edition: 1/20 Image Size: 14.5 x 16.5 inches...

James Basire & John Carter The Abbey Church of St Albans Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedi...

James Basire & John Carter Stalls in Tiltey Church Essex & Stalls in the Choir of Rochester Cathedral Engraving 50 x 32 cm This engraving was originally published by the Society ...

James Basire & John Carter Specimens of the Architecture and Ornaments of the Abbey Church at St Albans Engraving 62 x 46 cm This engraving was originally published by the Societ...

James Basire & John Carter Architectural fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...

Artist: Giovanni Battista Piranesi, Italian (1720 - 1788) Title: Veduta delle Antiche Sostruzioni Portfolio: Vedute di Roma Year: 1776 Medium: Etching ...

Mabel Oliver Rae (1868-1956) Christ's College Gate 27 x 19 cm Etching Signed and titled. Mabel Oliver Rae was born in Cambridge and trained at the Slade School of Fine Art betwee...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Richard Beer (1928 - 2017) Worcester College...

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

Venice Rio San Barnaba, rif. 535 Platemark inches 27.24 x 11.42 - mm 692 x 289 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Graham Bannister (born 1954) A Venetian Canal Screenprint 76 x 50 cm A screen...

David Roberts RA View Under The Grand Portico of The Temple, Philae 1796 - 1864 First Edition lithograph Full plate: 126 Presented in a acid free mount One of the grander temple com...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the artist you ...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görn...

William Alphonse Lambrecht "Place Saint-Leger, Chambery, France" Original Etching C.1930 Plate dimensions 6.5" wide x 9.75" High Frame dimensions 12.5" wide x 16.5" high Pencil si...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) King's College, Cambridge Engraving 12 x 16 cm An eighteenth-century view King's College, Cambridge, engraved by Pi...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 Signed and numbered on label, verso This artwork is...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Julian Otto Trevelyan, RA (1910 -1988) Caius College II, Cambridge (1959/1962) Signed by the artist and inscribed in pencil Artist's Proof, aside from the edition of 70. The edition consisted of 70 numbered proofs and 30 artist’s proofs. We also have listed one of the 70 numbered proof prints, which is in a purple colourway - rather than the blue here. 37x51cm (14.5×20 inches) This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College and Sidney Sussex...

Mielatz, Charles. IN THE BOWERY. Etching, 1891. Edition size not known. Signed and dated in the plate. 9 7/8 x 7 inches. In excellent condition. Mielatz, taught etching at the Nation...

Bode-Museum, Berlin 62 1/2 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 1/2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, ...

Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla III-3', 2019 engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 Unframed ID: CAM-107 Hand-signe...

'Basilica di Santa Croce-in-Gerusalemme, ed avanzi del Tempio detto di Venere e Cupido' Tinted lithograph by Eugene Cicero after Felix Benoist (1813-1881...

This is a signed reproduction titled Park Presidio in San Francisco by artist Alan Balustein, published and distributed by Image Conscious. Hand-signed and titled in black pen, the i...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Artist: Richard Haas Title: Houses, Texas Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 10/40 Image Size: 17.5 x 24 inches Paper Size: 21.5 x 29 in. (5...

Artist: Richard Haas Title: Kroger's Brotherhood Building Year: 1989 Medium: Silkscreen, Signed and numbered in pencil Edition: 83/100 Paper Size: 40.75 x 29.5 in. (103.51 x 74.93 cm)

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Thames Bridges – Looking East is a limited edition cityscape etching of London by John Duffin. The monochromatic colour scheme of the piece allows you to see every tiny detail. Addi...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Hugh Casson (1910 - 1999) Brasenose College, Oxford Lithograph 30 x 24 cm Casson's view of Brasenose, complete with many a bicycle. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...

Arms, John Taylor (American 1887-1953). SHADOWS OF VENICE - IL PONTE DI RIALTO, VENEZIA. Etching, 1930. Edition of 140 + 14 Artist's Proofs. 10 x 12 inches (Plate), 11 3/8 x 157/8 in...

Clare Halifax Bridge of Sighs Oxford Limited Edition 8 colour screen print Edition of 75 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset sa...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) The University of Oxford Botanic Garden (1675) Engraving 40 x 50 cm An eighteenth-century view of one of Oxford's dreamiest spaces: the Botanic Garden, engraved by David Loggan, the noted engraver, draughtsman, and painter. The University of Oxford Botanic Garden was founded in 1621 and is the oldest botanical garden in Great Britain. Loggan's engraving focuses on its architectural qualities, with four features of the garden highlighted for their beauty, symmetry, and prowess of design. Of particular interest in this etching are the six trompe l'oeil pieces: four gently curling pieces of paper which frame the gates of the garden, and two heraldic banners borne by cherubs and sporting legends about the garden's foundation. The Danby Gate (bottom left) at the front entrance to the garden is one of the three entrances designed by Nicholas Stone...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Sepulchre's - The Round Church (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). An interior engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Edition limited to 50 Size: 22" x 28" Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly or...