Hat Prints and Multiples

'La Bergère Turque' (The Turkish Shepherdess) by Georges Manzana Pissarro (1871-1961) Etching 33.5 x 27 cm (13 ¼ x 10 ¾ inches) Signed lower left, Manzana Pissarro, titled and inscri...

Hand signed and numbered by the artist. Image radius approx 24 inches. From the main edition of 300. Artwork is in excellent condition. Certificate of Authenticity is included. All...

A limited edition archival pigment photography print numbered 1/15 and entitled "Smile" by the contemporary artist Luciana Pampalone ( America, 1963). The print features a lady takin...

the painting is being offered with a work and authenticity certificate

Hand signed & numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Giclee on canvas. Edition of 250. All reasonable offers will be consid...

Hand signed, dated and numbered screenprint on Somerset paper. Image size 29.5 x 23.25 inches. Sheet size 33 x 26 inches. From the edition of 200. Certificate of Authenticity Includ...

The painting is being offered with a work and authenticity certificate

Art Desks by E. Brady Robinson features photographs of the desks and working spaces of artists, curators, art dealers and critics throughout the East Coast. This project explores...

"Lovers" Black & White Photography 24" x 24" in Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube...

TECHNICAL INFORMATION Prefab77 Amsterdame Gold 2015 8 color screenprint on black plike paper 32 7/8 x 23 in. Edition of 50 Pencil signed and numbered, accompanied with a certificate...

"Un Parisienne a Longchamp" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (126/200) in the lower left...

Rockstars Series 32" x 24" Unframed SN Signed and Numbered Edition on Canvas of 250 Hand signed by Stickman

Juliette Jourdain Big headed series - Self Portrait mounted and framed (matt white) 60 x 48 inches 150 x 120cm edition of 8 Also available in: 4...

Juliette Jourdain Big headed series - Self Portrait mounted and framed (matt white) 60 x 48 inches 150 x 120cm edition of 8 Also available in: 4...

Juliette Jourdain Big headed series - Self Portrait 60 x 48 inches 150 x 120cm edition of 8 Also available in: 40 x 32 inches 100 x 80cm edition of 8 Archival Pigment Print Si...

Juliette Jourdain Big headed series - Self Portrait 60 x 48 inches 150 x 120cm edition of 8 Also available in: 40 x 32 inches 100 x 80cm edition of 8 Archival Pigment Print Si...

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

"Love" Black & White Photography 24" x 24" inch Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

18" x 26" Unframed Limited Edition Print with Hand Embellishment of 50 Hand Signed by Johnathan Ball

36 x 36 inches - Edition 1 of 3 with 2 APs framing is an additional $525. Shot in 2013 in Amsterdam Inspired by Metsys’ Moneylenders, 1514 Photography and acting are kindred spiri...

Limited Edition Geclee Print 1 of 50 Edition, on Watercolor Paper , hand-embellished by watercolor. The size of geclee print is 11"X14" . Size with the white matt is 20″X16″. Frame ...

This etching is by the artist Jacob Gildor. This is probably an artist proof aside the standard edition of 20 hand signed and numbered impressions.

Magnificent original and unique work by Yvon Taillandier _ 2015 his emblematic character that he calls "Capitipède" ("Capi" for the head and "pède" for the foot) Screen printing...

Linda Stein, Bella Abzug 408 - Signed Limited Edition Feminist Contemporary Fine Art Print Linda Stein considers her Women of Courage Mood Portraits series a feminist labor of lov...

Alysha Grace Marko Queen on Queen 2020 20 x 26 in Acrylic Paint Queen on Queen contemporary modern figurative Silkscreen Print edition of 20. Dimensions of the silkscreen work on paper are 20 x 26 inches. This colorful figurative Work is part of Alysha Grace Markos...

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by the artist. Edition of 25. Canvas is not stretched. Artwork is in excellent condition. Certific...

the painting is being offered with a work and authenticity certificate

A contemporary portrait of a woman titled "Straw hat" by Luciana Pampalone ( American, 1963). The archival pigment print is made in black and white and part of Pampalone's Hamptons v...

Portrait photography archival pigment print, Limited edition 1/20 by Luciana Pampalone ( American, 1963) .The art work is entitled " Games People Play" featuring a lady and gentlemen...

Soody Sharifi, Archival Inkjet Print, Middle Eastern Artist. Framed artwork in excellent condition. Edition of 3. Signed and numbered by artist on verso.

French actress Brigitte Bardot on the set of 'Les Petroleuses' a.k.a. 'The Legend of Frenchie King', directed by Christian-Jaque in Spain, 1971. Posthumous Edition Gelatin Silver Pr...

French actress Brigitte Bardot on the set of 'Les Petroleuses' a.k.a. 'The Legend of Frenchie King', directed by Christian-Jaque in Spain, 1971. Posthumous Edition Gelatin Silver Pr...

Paul Newman and Lee Marvin are captured talking a publicity still for Stuart Rosenberg's 1972 comedy western Pocket Money in Tucson, Arizona. The American Western buddy comedy sees P...

Lee Marvin is photographed on the set of Stuart Rosenberg's film Pocket Money in 1972. The American Western buddy comedy sees Paul Newman, a cowboy who is down on his luck, team up w...

This art work titled "Les Cavaliers" 1988 is an original large colors lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E...

This art work titled "Le Bonheur Entrevu" 1988 is an original large colors lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and number...

Alex Katz (b. 1927) Red Grooms and Elizabeth Ross (From the Pas de Deux Portfolio) 1993-1994 (92/150) Screenprint in colors on Arches Cover 36 x 20 in

"Herd of Honor", Rodeo Photography Print, Black and White Photography, 2022 “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. ...

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

Shipped rolled in a tube, unframed. Accompanied with the certificate of authenticity. Exclusive limited edition, numbered out of 20 pieces. Litography in colour on fine art paper: H...

Agent X 50 Cent (Gold) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper ...

Agent X Eminem (Gold) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2...

GLADIOLUS HARVEST is a hand drawn, limited edition lithograph by the South Carolina artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper, 100% aci...

TECHNICAL INFORMATION: Derrick Adams Pixie - Style Variation 1 2023 Screenprint and archival inkjet 27 x 20 in. Edition of 50 Pencil signed and numbered

In 2022 Alex Katz published the Straw Hat series. These are three beautiful works showing individual portraits of women, each wearing a kind of straw hat. They have this warm, summer...

"Sunrise 1", a cool, zoomed portrait in the characteristic style of Alex Katz. Wonderful colors and a the feeling of a hot summer day. Signed "Alex Katz" bottom right and numbered "3...

"Red Hat Ada" is a very typical portrait of Alex Katz' wife and life-long muse Ada. Over 70 years of marriage, he has depicted her uncountably often. This is a very outstanding portr...

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

AFRICAN AMERICAN WOMAN is an original hand drawn, limited edition lithograph by the renowned African American woman artist Elizabeth Catl...

Technical Information: Alex Katz Straw Hat 3 2022 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 75 1/2 x 42 in. Edition of 100 P...

Technical Information: Alex Katz Sunrise 1 2022 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 54 x 40 1/2 in. Edition of 100 Pencil signed and numbered

Alex Katz (b. 1927) Sunrise 1, 2022, (33/100) Archival Pigment Ink on Innova Etching Rag Fine Art Paper 54 x 40.50 in

Alex Katz (b. 1927) Straw Hat 3, 2022, (49/100 + 20 AP + 6 HC + 1 BAT + 1 RTP) Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 g...

Black & White Photography, Horse Pictures, Rodeo Photography-Herd of Honor “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. I...

ANDY WARHOL (1928-1987) This Warhol 'Witch' print from Any Warhol's Myths series is a 1981 screenprint in colors on Lenox Museum Board. It is a numbered print Ed. 26/200 in colors, ...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

This Alex Katz work consists of a green background with the portrait of a woman with dark hair dressed in white wearing a straw hat. This original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: Alex Katz Title: "Straw Hat Vivien...

Addisonjones photography, Contemplative Beauty portrait photography ABOUT THIS PIECE: This piece of fine art photography for sale named "Contemplative Beauty" was part of a portrai...