Hat Prints and Multiples

Edition of 100 Digital print on paper Hand signed by the artist

Edition of 30 & hand signed by the artist

Duane Bryers, American (1911 - 2012) - A Time To Remember, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: Edition of 300, AP, Image Size: 18 x 22.5 inches, S...

JEAN VICTOR DESMEURES - Paris International Colonial Exhibition - 1931 Robert Lang Paris Imp. 1931 Canvas and framed Good condition 100 x 62 cm 800 ...

Judith Bledsoe, American (1938 - 2013) - Horse Acrobat from A Little Circus. Year: 1974, Medium: Lithograph, signed in pencil, Edition: HC, Size: 15 x 10.5 in. (38.1 x 26.67 cm), ...

This is a unique screenprint over structured paper collage by the artist Andy Warhol. It was realised in 1986 and is part of a series of unique collages created in preparation for an...

Night at Bistro David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 25.5 x 19.5 inches Size: 32.5 x 26 in. (82.55 x ...

Image Size: 17" x 17.5" Unframed Limited Edition Fine Art Print of 195 Hand Signed by Annora Spence

Archival pigment print on 290 gsm Moab Rag Fine Art Paper 17 x 10 inches Printers Proof (Sold out edition out of 25) Signed and numbered by the artist

Rockstars Series 32" x 24" Unframed SN Signed and Numbered Edition on Canvas of 250 Hand signed by Stickman

Sailing in the Mist Nils Obel, Danish/American (1937–2018) Date: 1981 Lithograph, signed and numbered in pencil Edition of 200 Image Size: 18 x 24.5 inches Size: 22 in. x 30 in. (55....

Juliette Jourdain Big headed series - Self Portrait 60 x 48 inches 150 x 120cm edition of 8 Also available in: 40 x 32 inches 100 x 80cm edition of 8 Archival Pigment Print Si...

24 x 24 inches - Edition 1 of 5 with 2 APs framing is an additional $420. Shot in 2013 in Amsterdam Inspired by Metsys’ Moneylenders, 1514 Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld...

Lon Megargee 1883-1960 "The Sheepherder" Wood block print Signed in plate, lower right Image size: 10 x 10 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

16 x 12 inches - Edition 4 of 7 with 2 APs framing is an additional $265. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien)....

16 x 16 - Edition 5 of 7 with 2 APs framing is an additional $265. Shot in 2013 in Amsterdam Inspired by Metsys’ Moneylenders, 1514 Photography and acting are kindred spirits in t...

Eduardo Arroyo - Greek Homage - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel.

Limited Edition Giclee on Canvas Hand Signed by Stephen Holland

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Issey Miyake from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on...

Alberto Echegaray Guevara (or Cayman) is an artist and entrepreneur from Argentina, he currently lives and works in Buenos Aires, Argentina. His works explore ancient symbolism, mone...

Artist: Howard Kanovitz, American (1929 - 2009) Title: Paris Review Year: circa 1968 Medium: Lithograph, Signed and Numbered in Pencil Edition: 200 Size: 33 x 26 inches

David Shrigley -- I received a clonk to the head, 2021 70 x 50 cm Printed on 200g Munken Lynx paper Printed by Narayana Press in Denmark Unnumbered from the Edition of 250 Unsigned ...

Otis Kwame Kye Quaicoe Black Rodeo (Special Edition) 2022 Book: 27.5 x 21.5 cm - 11 x 8 1/2 in Print: 25 x 20 cm - 10 x 8 in 168 pages Ha...

TECHNICAL INFORMATION Alex Katz White Visor 2003 Etching Aquatint 33 3/8 x 66 7/8 in. Edition of 75 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Art ...

Eduardo Arroyo - Jeanne d'Arc - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by the artist. Edition of 25. Canvas is stretched. Artwork is in excellent condition. Certificate ...

Juliette Jourdain Big headed series - Self Portrait mounted and framed (matt white) 60 x 48 inches 150 x 120cm edition of 8 Also available in: 4...

Artist's statement: In the last years, parallel to photography and video, I have been making works on canvas, prints, drawings, collages, and small installations. Many of these piece...

A limited edition archival pigment photography print numbered 1/15 and entitled "Smile" by the contemporary artist Luciana Pampalone ( America, 1963). The print features a lady takin...

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

Juliette Jourdain Big headed series - Self Portrait mounted and framed (matt white) 60 x 48 inches 150 x 120cm edition of 8 Also available in: 4...

A contemporary portrait of a woman titled "Straw hat" by Luciana Pampalone ( American, 1963). The archival pigment print is made in black and white and part of Pampalone's Hamptons v...

Portrait photography archival pigment print, Limited edition 1/20 by Luciana Pampalone ( American, 1963) .The art work is entitled " Games People Play" featuring a lady and gentlemen...

The lithograph features a woman with a hat in backlight. The artist gave to its subject a meditative posture. The overall impression leans towards a calm and thoughtful environment t...

In 2022 Alex Katz published the Straw Hat series. These are three beautiful works showing individual portraits of women, each wearing a kind of straw hat. They have this warm, summer...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Alysha Grace Marko Queen on Queen 2020 20 x 26 in Acrylic Paint Queen on Queen contemporary modern figurative Silkscreen Print edition of 20. Dimensions of the silkscreen work on paper are 20 x 26 inches. This colorful figurative Work is part of Alysha Grace Markos...

A charming 19th-century engraving titled “The Little Gleaner”, published in 1877 by C. Klackner in New York. The piece depicts a young girl walking through a wheat field, holding a b...

Serigraph in colors on paper. Hand signed and numbered by Peter Max. From the edition of 125 (there are also Artist Proofs). Sheet size 48 x 36 inches. Image size approx 41.5 x 3...

Lee Wells Swan Song Soirée (EOW L15) End of the World Party Series 2023 Archival pigment print Edition of 5 Signed, dated and numbered by the artist Caption: Swan Song Soirée: In a ...

Lee Wells Swinging Soirée at the Edge (EOW L12) End of the World Party Series 2023 Archival pigment print Edition of 1 Signed, dated and numbered by the artist Caption: Swinging Soi...

Lee Wells Refined Reverie (EOW L5) End of the World Party Series 2023 Archival pigment print Edition of 5 Signed, dated and numbered by the artist Caption: Refined Reverie: As the L...

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by the artist. Edition of 25. Canvas is not stretched. Artwork is in excellent condition. Certific...

Jean-Pierre Cassigneul Title: Sea ​​Breeze, C. 1982 Lithograph Edition E.A. lower left Hand Signed lower right Image size: 61 x 45 cm Sheet size: 66.8 x 51 cm

Eduardo Arroyo 1977 Lithography 87 x 52 cm. Framed Copy 77/100

Hand signed, dated and numbered screenprint on Somerset paper. Image size 29.5 x 23.25 inches. Sheet size 33 x 26 inches. From the edition of 200. Certificate of Authenticity Includ...

Print Sz: 13"H x 14 1/4"W Frame Sz: 14 3/8"H x 15 1/2"W In custom gilt bamboo frame Original color page + 1/4 from Slim Aarons' iconic book "A Wonderful Time" published 1974 The great American polo player Laddie Sanford was another member of the old and distinguished Palm Beach families. Slim Aarons was fortunate to get a picture during the latter part of his career at the Gulfstream Polo Club at Delray, once the winter capital of American polo. The purple and yellow jerseys of the Sanford team represent the Sanford Stud Farm and are the oldest colors on American turf. Stephen Sanford (September 14, 1898 – May 31, 1977), nicknamed "Laddie", was an American polo champion and owner of Thoroughbred racing horses. He was a member of the Meadowbrook Polo Club. He played on the Hurricanes Polo Team. In 1925, he competed in the U.S. Open Polo Championship with his Hurricanes Polo Team (Pat Roark, John Wodehouse, Major Louis Beard), losing to the Meadowbrook team (Cornelius Vanderbilt Whitney, Thomas Hitchcock, Sr., Elmer Boeseke, Devereux Milburn). However, his Hurricanes team won in 1926, with Eric Leader Pedley, Charles Thomas Irvine Roark and Robert E. Strawbridge, Jr. He won again in 1929 (with Charles Thomas Irvine Roark, J. Watson Webb, Jr. and Robert E. Strawbridge, Jr.) and in 1930 (with Eric Leader Pedley, Charles Thomas Irvine Roark and Robert E. Strawbridge, Jr.). Two decades later, he won in 1948 (with James Larry Sheerin, Peter Perkins, Cecil S. Smith) and in 1949 (with James Larry Sheerin, Robert L. Cavanagh and Cecil S. Smith). In 1931, his Hurricanes team (with Pat Roark, James Colt...

Offset lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 500. Artwork is in excellent condition. Certificate of authenticity included. Al...

Classic hand-coloured litho by James Pollard (1792-1867) entitled "Live Bait Fishing For Jack" dedicated to the 'Members of the Waltonian Society, by a Br...

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by the artist. Edition of 25. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Carole A. Feuerman is an American Hyper-Realist sculptor. Along with artists like Duane Hanson...

The painting is being offered with a work and authenticity certificate

Print Published By Haddad's Fine Arts Printed In USA In Good Condition Measures 22.5 x 16.75 in.

Art Desks by E. Brady Robinson features photographs of the desks and working spaces of artists, curators, art dealers and critics throughout the East Coast. This project explores...

The Nomads by Orovida Pissarro (1893-1968) Etching and aquatint, final state 21/42 27 x 41 cm (10 ⁵/₈ x 16 ¹/₈ inches) Signed, Orovida, and dated 1925 Orovida was a gifted printmake...

Gerald Brockhurst, L’Eventail (The Fan), etching, 1926, signed in pencil, from the edition of 76. Reference: Fletcher 22, Wright 22. In good condition, on cream laid paper with margins (a thin spot inherent in paper lower margin near edge), the matrix pristine, archival matting. A fine impression of this small but impressive demonstration of Brockhurst’s mastery of etching. The woman carrying the fan is of course Brockhurst’s favorite model, at least at this time, his wife Anais. She wears an embroidered coat which allows Brockhurst to display his capacity to capture complex textures with the etching needle – much as his predecessor Wenzel Hollar used women’s furs...

the painting is being offered with a work and authenticity certificate

Hand signed & numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Giclee on canvas. Edition of 250. All reasonable offers will be consid...

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Portrait of a Young Lady, ca. 1938 Technique: Original Signed Double-Sided Waterc...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees will be requested for this type of frame + shipping Hugo Pondz...

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...