Monastery Prints and Multiples

Uses and Customs - Chinese is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governme...

Uses and Customs - 11th and 14th Tuscany is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Cove Harbour is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Cove Harbou...

Uses and Customs - Palace of the Podestà in Florence is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe:...

Uses and Customs -Interior  of St. Peter's Basilica is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...

Uses and Customs - Church of San Giovanni in Pistoja is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe:...

Uses and Customs -  Duomo of Siena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the ...

Uses and Customs - Fiesole is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governme...

Uses and Customs - The Colosseum is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the go...

Etching on fine, light cream laid paper, 2 1/4 x 2 15/16 inches ( 58 x 75 mm), full margins. Signed and inscribed "II" in pencil, lower margin. A trial proof impression of the second...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous...

Ghenet Mariam Church is a modern artwork realized by Lino Bianchi Barriviera in 1947. Black and white etching. Signed and dated on plate. Plate n.53 (as reported on the higher mar...

Christening of the Royal Princess in Portugal  is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " His...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message...

Pau - France Pittoresque is an original lithograph realized by an Anonymous artist of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in Franc...

Ex Libris  -  Fil. Balbi is an Artwork realized by Alberto Helios Gagliardo in Mid 20th Century. Etching. Good conditions.

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Sepulchre's - The Round Church (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Ex Libris - Giuseppe Cavti is an Artwork realized in Mid 20th Century. Woodcut. Good conditions. The artist wants to define a well-balanced composition, through preciseness.

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Piper (1903-1992) Exeter College, Oxford Screenprint, signed in pencil 81.9 x 61.0 cm Including hand-finished, black-painted frame. One of Piper’s largest and most impressive prints, here featuring Gilbert Scott’s chapel at Exeter. It is often claimed that he based it on Paris’s Sainte Chapelle...

Arch is original Hand-colored etching, realized by Luigi Rossini (1790–1857) with description on the lower. In good conditions with some folding. Image Dimensions: 25 x 18 cm The ...

Anthony of Padua or Anthony of Lisbon born Fernando Martins de Bulhoes 15 August 1195 – 13 June 1231) was a Portuguese Catholic priest and friar of the Franciscan Order. He was born and raised by a wealthy family in Lisbon, Portugal, and died in Padua, Italy. Noted by his contemporaries for his powerful preaching, expert knowledge of scripture, and undying love and devotion to the poor and the sick, he was one of the most quickly canonized saints in church history, being canonized less than a year after his death. He was proclaimed a Doctor of the Church by Pope Pius XII...

Customs - Military signs of the ancient Jews is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of...

Cityscape - France Pittoresque is an original lithograph realized by an Anonymous artist of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Oratij in the 18th Century. Signed on the plate. Good conditions. ...

Roman Castels is a beautiful offset realized by Franco Fontana. Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous...

"The lands of Rome" 1850's is an original lithograph realized by an Anonymous Artist of the XX Century . The state of preservation of the artwork is very good. Sheet dimension: 22...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) York Minster Engraving 12 x 16 cm An eighteenth-century view of the York Minster, engraved by Pieter van der Aa aft...

Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Fernando Strina in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the p...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous ...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Oratij in the 18th Century. Signed on the plate. Good conditions. ...

Roman Temple Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Fernando Strina in the 18th Century. Signed on the plate. Good conditions. The etching bel...

Tunisian Architecture is an original photolithography realized by Bettino Craxi in the 20th Century. Artist's proof. Hand-Signed. Published in the Portafoglio "Tunisiaca 1995: d'...

This artwork titled "Ulm on the Danube" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Frederick Christian Lewis (1779 - 1856) after Frederick Nash (1782 - 1856) St Mary's Church, Oxford (1813) Aquatint with original hand colouring 21 x 27 cm Published by Rudolph Ackermann (1764 - 1834). Frederick Nash was born in Lambeth. He studied architectural drawing under Thomas Malton and then enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton and Edward Wedlake Brayley, subsequently becoming a member of the Society of Painters in Watercolours - a group of painters who had left the Royal Academy following complaints of under-recognition of their works. Nash became primarily a landscape painter and toured the rivers of Germany. Frederick Christian Lewis was an English etcher, aquatint and stipple engraver, landscape and portrait painter. He studied under J. C. Stadler and in the schools of the Royal Academy and aquatinted most of Thomas Girtin's etchings of Paris...

Composition is an original Contemporary artwork realized by Laurent Schkolnyk (Paris, 1953). Original Etching on paper. Passepartout is included (cm 60 x 40). Hand-signed and n...

View of Rome is an original Etching and Drypoint realized by Carlo Alberto Petrucci in 1964. Good condition included a white cardboard passpartout (37x52 cm). Hand signed by the artist with pencil. Carlo Alberto Petrucci (4 August 1881 - 11 February 1963) was an Italian engraver, painter and museologist. The son of Luigi, owner of an antique library, and Beatrice del Nero of an old Roman family, after graduating from the Leonardo da Vinci Institute he worked as an accountant. Between 1902 and 1903 he attended the evening classes of the nude school at the International Artistic Association and there he met Umberto Prencipe and Antonio Mancini...

Ancient Roman Fresco from Herculaneum from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Nolli in the 18th Century. Signed on the plate. Good co...

Ancient of Chateau de Frederiksborg is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the l...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

Ex Libris Pavelky is an original Modern Artwork realized in the Half of the 20th Century. Original B/W woodcut on ivory-colored paper. Hand-signed in pencil on the lower right co...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Porta S.Spirito is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,1710...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck (early 19th century) after Augustus Charles Pugin (1762 - 1832) All Souls...

Roman Temple is an offset print artwork on paper, realized by Godefroy Engelmann. the artwork is signed on the plate. In very good condition. The artwork represents a roman temple....

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 – 2000) Gate of Honour, Caius College Cambridge (1965-6) Linocut 56x43cm Full sheet size 96x68cm Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists of whom in the post war era probably Bawden and Kenneth Rowntree are the most famous. Diverse in style, they created figurative work – in stark contrast to the abstract work of the St Ives artists at the opposite end of the country. (If he had not died whilst on active service as a war artist, off Iceland in an air-sea rescue, Eric Ravilious would have had this accolade.) The Fry Art Gallery in Saffron Walden was established to celebrate the works of the Great Bardfield group. Hoyle taught at St Martin’s School of Art from 1951-60, Central School of Arts and Crafts from 1960-64, and Cambridge School of Art from 1964...

Ancient Vie of Piazza San Marco, Venice, is an original modern artwork realized in Italy in the half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted in Capit...

The Interior of Geneve is an original Lithpgrapg by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. Image Dimensions: 15 x 21.5 cm T...

Melun - France Pittoresque is an original lithograph realized by an Anonymous artist of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in Fra...

Bude is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters: ...

Original poster of R. Devignes for the SNCF and the city of Troyes, its medieval streets, its old historical monuments. Troyes is a city of the region Grand Est, in the North-East o...

Schiras in Persien is an original modern artwork realized in Italy in the mid of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in capita...

Porta Angelica is an original black and white etching on paper, realized by Alessandro Moschetti. At the top left margin the printed inscription: "ITALIA"; top center: "Roma"; top r...

View of Catania and the Aetna is an original modern artwork realized in Italy in the half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lower margin ...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

Ancient View of St. Gebhardsberg is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Andrew Ingamells Jesus College, Cambridge Etching and aquatint 58 x 84 cm Signed in pencil and numbered from the edition of 150. Inspired by David Loggan’s celebrated engraving of the College in 1680, this view of Jesus College was the first of Ingamells’ series of views of Oxford and Cambridge. It took six months to complete and has long-since sold out from the publisher. The Master and Fellows of the College own both the original drawing, which the engraving is based upon, and the copper etching plate...

Le Kelaca à Ellora is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the central margin in Capital L...