Monastery Prints and Multiples

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Oratij in the 18th Century. Signed on the plate. Good conditions. ...

Ancient of Chateau de Frederiksborg is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the l...

View of Rome is an original Etching and Drypoint realized by Carlo Alberto Petrucci in 1964. Good condition included a white cardboard passpartout (37x52 cm). Hand signed by the artist with pencil. Carlo Alberto Petrucci (4 August 1881 - 11 February 1963) was an Italian engraver, painter and museologist. The son of Luigi, owner of an antique library, and Beatrice del Nero of an old Roman family, after graduating from the Leonardo da Vinci Institute he worked as an accountant. Between 1902 and 1903 he attended the evening classes of the nude school at the International Artistic Association and there he met Umberto Prencipe and Antonio Mancini...

David Loggan (1634-1692) Oriel College, the Hall of the Blessed Virgin, Oxford Engraving, 1675 25 x 35cm To see our other views of Oxford and Cambridge...

Tunisian View is an photolithograph realized in the 1990s by Italian politician Bettino Craxi. Hand-signed. Artist's proof. good conditions with slight foxing and stains on the lo...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College Chapel, Cambridge (Cambridge Series 1956 - 66) Linocut 72 x 41 cm Signed and inscribed A/P in pencil. Hoyle depicts King's College Chapel as both indomitable and delicate. The bold composition sees the chapel's spires surrounded by a fiery orange light against the black night of the background; at the same time, the western facade looks like it could have been cut from paper, or crafted from lace. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous ...

Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Fernando Strina in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the p...

Hélène Besnard-Giraudias is a vintage Poster realized for the exhibition of Hélène Besnard-Giraudias in 1966. In Paris from November to December 1966 to the Galerie Des Orfèvres . ...

Casino di Villa Mattei is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,1710 -...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Trinity Library...

Porta Angelica is an original black and white etching on paper, realized by Alessandro Moschetti. At the top left margin the printed inscription: "ITALIA"; top center: "Roma"; top r...

Roman Temple Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Fernando Strina in the 18th Century. Signed on the plate. Good conditions. The etching bel...

Image dimensions: 17.6 x 24.4 cm. Colberg is a beautiful color lithograph on paper, printed by von Led Kempner and published by von Schaffstein and C. Koln, Rhein. This modern art...

Landscape With Monuments and Figures is an Etching realized by Francesco Cepparuli (1750-1767). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (origina...

Mimasu Daigoro IV is an original modern artwork realized by Utagawa Hirosada (Japanese, active 1825–75) in 1851. Original Woodcut Chuban Dyptich, 1851. Mimasu Daigoro IV in the rol...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) All Souls College...

Original Lithograph by Maurice Utrillo, signed on plate. Beginning of 1900. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Ital...

Arch is original Hand-colored etching, realized by Luigi Rossini (1790–1857) with description on the lower. In good conditions with some folding. Image Dimensions: 25 x 18 cm The ...

Ancient Roman Fresco from Herculaneum from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Nolli in the 18th Century. Signed on the plate. Good co...

Roman Temple Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century. Signed on the plate. Good conditions with some foldin...

Ancient Roman Architectural Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Oraty after Vanni in the 18th century. Signed on...

Chambre des Députés is an artwork realized by Alfred Cadart in the 1870s. Etching. Image size:19x25 Good conditions. Realized for the "Société des Aquafortistes. Born on the in...

Roman temple is an offset print artwork on paper, realized by G. Engelmann. The artwork is signed on the plate. In very good condition. The artwork represents a roman temple with ...

Strasburg Cathedral is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Strasburg Cathe...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis Arches and Columns London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x39cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...

Ancient View of the Forum of Trajan, Rome, is an original modern artwork realized in Italy in the first half of the 19th Century. Original lithog...

The Interior of Geneve is an original Lithpgrapg by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. Image Dimensions: 15 x 21.5 cm T...

Geneve is an original Lithograph, part of the series of prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi. The state of preservation of the artwork is excellent; Image Dimensions: 15.3 x 12 cm The signature is engraved on the plate on the lower left. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

Philadelphia born American painter, illustrator, and etcher Margaret M. Taylor Fox ( 1857 - c.1941 ) attended the Philadelphia Academy of Fine Arts which house a collection of her ...

Candelabrum base ornamented with various arabesques Artist proof, printed on contemporary watermarked paper, wide margins, representing a “candelabrum base ornamented with various arabesques” in P.ce Lanti, Roma. Etching with good contrasts and sharp details.Signed on plate “Cavalier Piranesi F..” on lower-left margin. Good conditions, with usual fold, some foxing and little holes in higher margin due to the binding of the volume “Vases and Candelabras...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Sepulchre's - The Round Church (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

This splendid lithograph L'hopital is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi in 1854. The lithogra...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Andrew Ingamells Jesus College, Cambridge Etching and aquatint 58 x 84 cm Signed in pencil and numbered from the edition of 150. Inspired by David Loggan’s celebrated engraving of the College in 1680, this view of Jesus College was the first of Ingamells’ series of views of Oxford and Cambridge. It took six months to complete and has long-since sold out from the publisher. The Master and Fellows of the College own both the original drawing, which the engraving is based upon, and the copper etching plate...

Pau - France Pittoresque is an original lithograph realized by an Anonymous artist of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in Franc...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Roman Castels is a beautiful offset realized realized after a photograph by Franco Fontana . Excellent conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

Maison is an original lithograph realized by an anonymous engraver of the XIX century. Printed in series of "France Pittoresque" at the top center. Titled in France on the lower ce...

Château de Neuvie is an artwork realized by Henri de Gourcy in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the pu...

French Palaces - France Pittoresque is an original lithograph artwork realized by an Anonymous artist of the 19th century. Four images are included on a single sheet. Printed in ser...

Original etching by G.B. Falda. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who...

Religiosi is a wonderful hand-colored etching on paper, representes a Capuchin friar, a Dominican friar and an Agostian with their typical cassocks, as the pencil inscription on the ...

Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Carlo Oraty in the 18th century. Signed on the plate. ...

Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Niccolò Vanni in the 18th century. Signed on the plate....

The Saint from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

Die Napoleons-Säule is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Lette...

Londonderry is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Londonderry....

To see our other original vintage travel posters, many of which feature ski resorts, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Risch Lau (publisher) Bregenz am Bodensee, Vorarlberg, Bodensee, Österreich (c. 1960) Original vintage poster 86 x 60 cm A church in beautiful Bregenz in Vorarlberg in Austria, from the Austrian poster...

The Interior of Geneva is an original Lithpgrapg by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. Image Dimensions: 20 x 15 cm The...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Hugh Casson (1910 - 1999) The Queen's College, Oxford Lithograph 30 x 24 cm Casson's view of Queen's, with students heading out to the High Street. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...

English Title (short version): Antique marble vase in the Gallery of the Palazzo Barberini Artist proof, printed on contemporary paper, large marg...

Ancient View of Saint Peter is an original modern artwork realized in Italy in the first half of the XIX Century. Original lithograph on Ivory Paper. Inscripted on the lower marg...

Ex Libris Nagy Jozsef is a Contemporary Artwork realized in the Early 20th Century. Original B/W woodcut print on paper. Original Ex Libris paper. Hand-signed by the artist on th...

Melun - France Pittoresque is an original lithograph realized by an Anonymous artist of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in Fra...

French castle is an original etching artwork realized by an anonymous engraver of the 19th Century. Printed in series of "France Pittoresque" at the top center. Included two images...

Fontainebleau is an original lithograph artwork realized by an anonymous engraver of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in France...

View of Rome is a vintage offset print on paper, realized by Godefroy Engelmann in the early 20th Century. In very good condition. The artwork represents the roman landscape " "Cam...