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Takashi Murakami
Takashi Murakami Skateboard Decks: set of 2 (Murakami Flowers Murakami skulls)

2015-2017

About the Item

Takashi Murakami Skateboard Decks: Set of 2 works: 2015-2017: Takashi Murakami Skulls Skateboard Deck 2015: this highly collectible limited edition Murakami skateboard was published in 2015 as part of a collaboration between Takashi Murakami & Vans. This deck is housed in its original shrink wrapping and features a fun, playful array of Murakami skulls & a bold printed signature on the reverse The next, a collaboration between Takashi Murakami and his friend, the rising Japanese artist 'Madsaki'. The impression is an urban twist on Takashi Murakami’s otherwise highly polished flowers motif. This scarce, limited work was published by Murakami’s Kaikai Kiki Gallery Japan in 2017 and is unopened in its original packaging. Brilliant pieces that makes for vibrant, one of a kind wall-art that hang with ease. Medium: Silkscreen on Maple Wood. Crisp colors. Dimensions (applying to each individual work): 8.0 x 31 inches (20.5 x 79 cm). Condition: each housed in original packaging; excellent overall condition. Each from a sold out limited edition of unknown; printed signatures and publisher trademark on the reverse. One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. _ Related Categories Pop Art, Tokyo Artists, Japan, Contemporary Pop Art, Popular Culture, Contemporary Asian Art, Flowers, Flora. Takashi Murakami. Street art. Graffiti.
  • Creator:
    Takashi Murakami (1963, Japanese)
  • Creation Year:
    2015-2017
  • Dimensions:
    Height: 31 in (78.74 cm)Width: 8 in (20.32 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    NEW YORK, NY
  • Reference Number:
    1stDibs: LU354313828412

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Takashi Murakami Skateboard Decks set of 2 (Murakami Flowers)
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Takashi Murakami Flowers Skateboard Decks (set of 2 works): The black & white deck marks a collaboration between Takashi Murakami and his friend, the rising Japanese artist 'Madsaki' (bio below). The impression is an urban twist on Takashi Murakami’s otherwise highly polished flowers motif - a beautiful juxtaposition between two very different styles from two masters of their craft. This limited work was published by Murakami’s Kaikai Kiki Gallery Japan in 2017. The blue was published circa 2017 in conjunction with the Murakami exhibit: The Octopus Eats Its Own Leg, MCA Chicago. A brilliant set that makes for vibrant, one of a kind wall-art that hangs with ease. Medium: Silkscreen on 2 individual Maple Wood skateboard decks. Crisp colors. Dimensions: 8.0 x 31 inches (20.5 x 79 cm) Condition: each housed in its original packaging; excellent overall condition. Each from a sold out limited edition of unknown; stamped by the artist on the reverse of each. Perhaps Murakami's most iconic motif, these candy-colored, smiling flowers came into the artist's work when he was preparing for his entrance exams for the Tokyo National University of Fine Arts, and he embraced the form over nine years teaching prep-school students to draw flowers. One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. MADSAKI (b. Japan 1974) Joining Murakami has led to a rapid evolution of Madsaki. Now with three Kaikai exhibitions under his belt––Hickory Dickory Dock; Here Today, Gone Tomorrow; and MADSAKI Says “Yo! snipe1 & UFO907, Get Your Asses Over Here!” Madsaki has made a firm imprint on the Murakami canon. In his introduction to Madsaki’s second solo exhibit, Here Today, Gone Tomorrow from 2017, Murakami jokingly points out how his direction and guidance successfully shaped Madsaki’s work. While the debt Madsaki owes to Murakami is patently clear, in an abrupt turnabout it appears that the apprentice guides the master in some ways as well...
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