Sculptures

TITLE: Pietrasanta 03 ARTIST: Daniele Basso YEAR: 2016 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, wood and Blue Colour DIMENSIONS: 50 x 50 cm The project "Vertical Reflection", artworks in steel, felt and wood, investigates vertical modernity meeting horizontal tradition, fast-paced fashion versus the paralysis of conventions, the boundary between private and public dimensions, trends and beliefs. “A Vertical Reflection of thoughts and hints that metaphorically mark the stages of man’s journey in search for the meaning of life...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Hand Forged Iron Stone Mosaic Pricket Sconce Candelabra Holocaust Memorial Judaic Wall Sconce Sculpture David Palombo was an Israeli sculptor and painter. He was born in Turkey a...

TITLE: VR2018_SC08 ARTIST: Daniele Basso YEAR: 2018 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror polished by hands, rusted iron, olive and walnut wood DIMENSIONS: ...

In this abstract sculpture by Ruth Vollmer, the fusion between contrasting concepts: mathematical precision and natural "organicism", materials in both raw and manipulated states are evident. Signed by the artist. Ruth Vollmer (1903 - 1982 New York City), was a German artist born in Munich. She was born in 1903 and named Ruth Landshoff. Her father, Ludwig Landshoff, was a musicologist and conductor and her mother, Phillipine Landshoff, was an opera singer. Their family was Jewish. At age 19 she began to work as an artist and took the advice of her father to draw every day. She also had many connections to the teachers and students at the Bauhaus. In 1930 she married a pediatrician named Hermann Vollmer, whom she met in Berlin. Ruth and Hermann move from Germany to New York in 1935. Ruth begins work designing window displays for Bonwit Teller, Tiffany's, Lord & Taylor, and other department stores. Her displays experimented with wire, steel, and copper mesh to create figural forms. In 1943, Vollmer becomes a U.S. citizen. In 1944 she receives a commission from the Museum of Modern Art for its fifteenth anniversary exhibition, "Art in Progress." Vollumer continues to work with wire mesh and shows her work Composition in Space at the Museum of Modern Art's 1948 exhibition "Elements of Stage Design." In 1950, she was commissioned to create a mural for the lobby of 575 Madison, where Vollmer created a large wall relief that used wire rods and wire mesh to play with light, texture, and transparency. Vollumer visits Giacometti for a second time during the summer of 1951. During the 1950s she begins to works with clay as well. Additionally, in 1954 she begins to teach at the Children's Art Center at the Fieldston School in Riverdale and continued to teach until the mid-sixties. In 1960, Vollmer participates in the NYU discussion series "Artists on Art" with her friend Robert Motherwell. 1960 is an important year because she also has her first one-person exhibition at Betty Parson's Section Eleven gallery space. Throughout the 1960s Vollmer works with bronze and as well as showing at Betty Parson's gallery several times. In 1963, she joins the group American Abstract Artists (AAA) and includes her work in their exhibitions from 1963 on. By 1970 Vollmer's art is working with complex geometrical forms and mathematical concepts, particularly spirals and platonic solids. Sol LeWitt wrote a short essay on Vollmer's work for Studio International titled "Ruth Vollmer: Mathematical Forms." Vollmer protests the cancellation of the Hans Haacke at The Solomon R. Guggenheim exhibition by writing a letter to the director, Thomas Messer, in 1971. In 1976, she had a large one-person exhibition at the Neuberger Museum of Art. In 1982, Ruth Vollmer dies after a long battle with Alzheimer's. A majority of her large personal art collection of over one hundred sculptures, paintings, and drawings is donated to MoMA. Her art collection included works by Carl Andre, Mel Bochner, Eva Hesse, Sol LeWitt, Ad Reinhardt, Frank Stella, Agnes Martin, and Vardea Chryssa. Exhibitions 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

TITLE: Miami 03 ARTIST: Daniele Basso YEAR: 2016 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, wood and Blue Colour DIMENSIONS: 50 x 5...

TITLE: NYC 03 ARTIST: Daniele Basso YEAR: 2016 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, wood DIMENSIONS: 50 x 50 cm The project...

Heavy Hand Forged Brutalist Iron Ram or Goat Sculpture David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati, General Exhibition, Art in Israel 1960 Tel Aviv Museum of Art Artists: Naftali Bezem, Nachum Gutman, Shraga Weil, Shraga, Marcel Janco, Ruth Schloss

TITLE: VR2017_SC07 ARTIST: Daniele Basso YEAR: 2017 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror polished by hands, rusted iron, olive and walnut wood DIMENSIONS: ...

The artworks of 2031 series bring up the subject of epochs clash and the search for balance in a modern technological world. Symbolic accents in this series are even more contrasting...

TITLE: NYC 02 ARTIST: Daniele Basso YEAR: 2016 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, wood DIMENSIONS: 50 x 50 cm The project...

TITLE: Miami 01 ARTIST: Daniele Basso YEAR: 2016 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, wood and Blue Colour DIMENSIONS: 50 x 5...

TITLE: HK 02 - HARLEQUIN ARTIST: Daniele Basso YEAR: 2015 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror and coloured felt DIMENSIONS: 120 x h 40 cm The most excit...

TITLE: VR2018_SC05 ARTIST: Daniele Basso YEAR: 2018 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror polished by hands, rusted iron, olive and walnut wood DIMENSIONS: ...

TITLE: HK 05 - OLIVE GREEN & PINK ARTIST: Daniele Basso YEAR: 2015 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror and coloured felt DIMENSIONS: 160 x h 40 cm The m...

STEEL ROOM, 1989, steel sculpture, 8 x 8 x 8”, signed and dated. Peter Lodato was born in 1946 in Los Angeles, California, has exhibited extensively and received significant acclai...

sculptural glass vase no.4 (horizontal) of 4 unique pieces of volume III approximate dimensions: Ø 4 x 30 cm length Shaped by fire collection of glass vessels...

Artist Len Klikunas creates meditative minimalist sculptural artworks that modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture, energy and matter. It employs shizen (自然): the Japanese concept of naturalness, absence of pretense, or artificiality. Material is stretched over a supporting three-dimensional framework, like a tent, and coated with paint allowing shadows and reflections to fill the spaces in between. This sculptural three-dimensional 18-inches square and 5-inch deep post-minimalist artwork is wired and ready to hang. It is created with mixed media on canvas, stretched over a three-dimensional wooden form. The artist finishes the sides of this artwork as a continuation of the front and signs and titles the artwork on the back. Convenient local Los Angeles area delivery. Affordable worldwide shipping for US and international art collectors. A certificate of authenticity issued by the art gallery is included. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is characterized by “mindful artlessness” and simplicity. The natural-like radiation that comes from the structure of the materials and color schemes expresses calmness. With a fusion of art and architecture, Klikunas presents compositions focused on abstract reliefs based on regularity and geometry that defy conventional perceptions. Through strategic placement and a rich color palette that also includes monochrome paintings, he creates three-dimensional structures that engage viewers in a captivating visual experience. Len Klikunas' sculptural minimalist works are represented by Artspace Warehouse Los Angeles. They have been included in numerous exhibitions at galleries and art fairs as well as private and public collections throughout the world. REPRESENTATION Artspace Warehouse, Los Angeles, California EDUCATION 1966 BA Stanford University 1970 MA California State University Fullerton 1973 Photography Mt. Hood Community College SOLO EXHIBITIONS 2018 Lacy Lines, The District, Boise, Idaho Horizons, Landscapes, The District, Boise, Idaho 2013 Block in the Void, The District, Boise, Idaho 2012 Back of the Light, The District, Boise, Idaho 1979 Nudes by Klikunas, Courtyard Gallery, Portland, Oregon 1976 Solar Votives, Clackamas College Gallery, Oregon City, Oregon GROUP EXHIBITIONS 2022 “Lines In Motion”, Artspace Warehouse, Los Angeles, CA 2020 Midnight Blue, Artspace Warehouse, Los Angeles, CA Reflections and Shadows, Meridian Library, ID Behind the Red Door, Initial Point Gallery, ID 2019 Affordable Art Fair, New York, NY Roots, Nampa Civic Center, Nampa, ID Binary Response, Artspace Warehouse, Los Angeles, CA After Dark: A Duality, Nampa Civic Center, Nampa, ID 2018 Affordable Art Fair, New York, NY Artspace Warehouse, Los Angeles, CA Art Palm Springs, CA 2017 Artspace Warehouse, Los Angeles, CA 2016 6 by Six, Art Source Gallery, Boise, Idaho (juried) This American Life, Treasure Valley Artists Alliance, Boise, Idaho (juried) Celebrating Private Idaho, Treasure Valley Artists Alliance, Boise, Idaho (juried) Inner Workings, Surel's Place, Winston C. Mitchell and Surel L. Mitchell Family Foundation honorarium, Garden City, Idaho (juried) 2015 Hunting and Gathering Exhibition, Treasure Valley Artists Alliance, Boise, Idaho (juried) Artspace Warehouse, Los Angeles, California 2nd 2015 Showcase Competition, winner, Artslant Bellingham National Salon des Refusés, Whatcom Museum, Bellingham, Washington 2011 Elon University Gallery, Elon, North Carolina 2010 Idaho Triennial, Boise Art Museum, Boise, Idaho TV & FILM The Kardashians, Hulu 911 S5, Fox Minx, HBO American Housewife S5 The Laundromat, Netflix Good Time Charlie, TBS PUBLICATIONS 2010 ArtDaily 2010 Boise Weekly 2010 Sustain + Expand, Boise Art Museum, Boise, Idaho 2010 Idaho Statesman, Boise, Idaho, Taking the Pulse of Idaho’s Art...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

KAWS Brown Companion, 2016. New and sealed in its original packaging. This classic KAWS figurative sculpture was published by Medicom Japan in conjunction with the exhibition, KAWS: Where The End Starts at the Modern Art Museum of Fort Worth. New/never displayed & accompanied by original packaging. Medium: Painted Vinyl Cast Resin. Year: 2016. Dimensions: 11 × 5 inches. New, unopened; excellent condition. Stamped on underside of foot; from a sold out edition of unknown. KAWS: Spanning the worlds of graffiti, pop art, and consumer culture, KAWS’ bodies of work are highly charged, each conveying his underlying wit, irreverence, and affection for our times. He has primarily looked to and appropriated from pop-culture animations (including The Smurfs, The Simpsons, SpongeBob, and Peanuts) to form his artistic vocabulary for his paintings, drawings, and sculptures. Now well known for his larger-than-life sculptures and hard-edge paintings that emphasize line and color, KAWS’s cast of hybrid cartoon/human characters, with similarities to popular cartoon figures and logos like Mickey Mouse and the Michelin Man, are perhaps the strongest examples of his exploration of humanity. These figures have amicable names—Chum, Companion, Accomplice—and express and provoke an array of human emotions, from sad, overwhelmed, pathetic, and weary, to shy. They reflect feelings and situations we can empathize with in presentations that are balanced with humor, heartening in their cartoon aesthetic. (source: The Modern Fort Worth). Related Categories Shepard Fairey. Street Art. Damien Hirst. Street Art. Pop Art. Brown Kaws companion...

From a limited edition of 1000. Plate signed on the bottom. Espresso cup and saucer can be displayed as an Anish Kapoor sculpture with the sauce...

TITLE: Oops ARTIST: Daniele Basso YEAR: 2022 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless steel mirror finished by hands and resin blue DIMENSIONS:...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Utilizing geometric abstraction, Billy Criswell creates asymmetrical compositions that explore light, color, perspective and space. His modern sculptures evoke a sense of imploding/exploding and motion/counter-motion, challenging viewer perception. Reminiscent of the abstracted forms of Cubism, combined with Louise Nevelson’s monumental wooden assemblages, the intimate scale of Criswell’s abstract one-of-a-kind sculptures reflects a profound response to 20th century modernism. Visual elements of celestial bodies, aerodynamics, architecture and nature challenge viewers to develop their own perceptions of the work. This 22 inch high by 24 inch wide blue wooden sculpture is ready to be displayed. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Based in Southern California, Criswell’s works have been exhibited in solo and group exhibitions in museums and galleries throughout the United States, including the Nahcotta Gallery in Portsmouth, New Hampshire and the Pierce-Dunham Gallery in Houston, Texas. In addition, his work is part of many public and corporate collections, including the Chicago Arts Council in Chicago; Pfizer Corporate Headquarters in New York, NY; the Grand Hyatt Hotel in Tokyo, Japan; and Disney Studios in Los Angeles, CA. Criswell is also a recipient of the 2011 United States Artists Foundation Project Grant, as well as a Pollock-Krasner Foundation Grantee in 2010. EDUCATION 2007-2010 Guest Art Consultant, Pasadena Art Center 1996-2000 School of Design, Art & Architecture, Santa Monica, CA 1980-1984 University of Maryland, Bachelor of Fine Arts EXHIBITIONS 2016 Artspace Warehouse, Los Angeles, CA 2014 Artspace Warehouse, Los Angeles, CA 2010 International Print Center, New York, NY 2010 Enormous Tiny Art...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

TITLE: ROARR -TANTANTAN ARTIST: Daniele Basso YEAR: 2020 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless steel mirror finished by hands and resin blue...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

TITLE: Fraboom (Brutus) ARTIST: Daniele Basso YEAR: 2022 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue resin and stainless Steel mirror finish by hands DIMENSIONS: 42 x 25 x h 24 cm ...

TITLE: Opiyaya (Barnabus) ARTIST: Daniele Basso YEAR: 2022 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue resin and stainless Steel mirror finish by hands DIMENSIONS: 33 x 13 x h 21 c...

a pair of miniature glass vases with wooden texture, volume X approximate dimensions: Ø 8 x height 10 cm Shaped by fire project explores cultura...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

TITLE: StratoSferica ARTIST: Daniele Basso YEAR: 2018 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror finished and blue nylon DIMENSIONS: 50 x 50 cm Stratos has neve...

sculptural glass vase no.3 (horizontal) of 4 unique pieces of volume III approximate dimensions: Ø 4 x 30 cm length Shaped by fire collection of glass ve...

TITLE: Moka moi pas! ARTIST: Daniele Basso YEAR: 2022 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue resin and stainless steel mirror finish by hands DIME...

Capturing the ephemeral beauty of a pillow recently dimpled with use, Xie Dong’s porcelain pillow sculptures are at once realistic and mysterious. Sculpted with a subtle impression i...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 33.25 in. x 17 in. COA provided Danielle Weigandt explores the construct of events in time and their role in our lives. Time ...

Aluminum

Aluminum

TITLE: Chi Vespa? ARTIST: Daniele Basso YEAR: 2018 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, resin and Blue Colour DIMENSIONS: 50 x 50 cm "Chi Vespa?" Inspired by the famous advertising claim of the 1970s "Chi Vespa Mangia le Mele, chi non Vespa no", the work "Chi Vespa?" by Daniele Basso plays on the reflection of ourselves into the apple shape...

Mini Leaner 12 - Can hang Horizontal or Vertical on the wall or Lean. (can hang 360 degrees with the cleats on the back of the piece) Acrylic, osage orange, and uv resin 42” W, 12” H, 2” D David E. Peterson. The materials that I use are extremely important...

Ruth Bloch, Bronze sculpture, Kiss, 2 figures, classic theme , romantic sculpture, minimalist sculpture

TITLE: Dooh ARTIST: Daniele Basso YEAR: 2022 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue Resin & Stainless steel mirror finish by hands DIMENSIONS: 50 x 50 cm In the mirror, a place of reflection waiting to recognize oneself, hostile territory by nature to Omer Simpson, the magic happens: his reflection is completed! But when he looks his clone in the face ... he can't hold back...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstracti...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Light Green and Blues Acrylic on 3 panels (2 panels are 24 x 18 x 2 inches each, center panel is 24 x 6 x 2 inches) Overall measurement for horizontal install with 1-2 inch recommended spacing, 24" X 43" X 2" inches horizontally Artist Ginny Fox achieves multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel with its delicate, cross hatched motif. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Etapas 1-3 and black box by Alejandro Valencia Plexiglass Overall dimensions: 38 in. H x 9.5 in. W x 3 in. D Epitafos dimensions: 10.25 in. H x 9.5 in. W x 1.4 in. D Etapas 1-3 individual dimensions: 9.25 in. H x 6 in. W x 3 in. D Unique 2017 Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

TITLE: Hic Sunt Leones Blue ARTIST: Daniele Basso YEAR: 2020 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue Resin & Stainless steel mirror finished DIMENS...

TITLE: TicTicTic ARTIST: Daniele Basso YEAR: 2020 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue Resin & Stainless steel mirror finished DIMENSIONS: 27 x 31 x h 23 cm WEIGHT: 3 kg One of the three largest mammals on the planet, the Rhinoceros, lives eternal paradoxes and contradictions. Alien, archaic and primitive, his form is both contemporary and remote. Strong, powerful and majestic with an aggressive appearance, it is instead solitary, reflective and silent in nature. To which we instinctively refer wisdom, substance and stability. Nothing about him is as it seems… and in this I...

Epitafios Plexiglass wall sculpture Dimensions: 10.25 in. H x 9.5 in. W x 1.4 in. D One of a kind Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture, and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

Minimalist abstract three dimensional wall sculpture in a deep burgundy red "Descendant of Cubist," by Japanese born artist, Dai Ban, in 2019 40 x 36 x 5 inches Precision board, lac...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of vibrant blue. Acrylic on 3 panels, Each panel is 24 x 18 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for horizontal install with 1 inch spacing: 24 x 56 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a vibrant blue palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Epitafios by Alejandro Valencia Plexiglass Measures: 9.25 in. H x 18 in. W x 3 in. D Individual size: 9.25 in. H x 6 in. W x 3 in. D Unique 2017 Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

Folded Flat Linen 03 2016 Dimensions: H: 35 cm / W: 36 cm / D: 9 cm Materials: architectural wire mesh, raw linen Born in 1962 in Boulogne-Billancourt, France, Sebastien De Ganay studied political science and film at Columbia University in New York 1986-1990 ( (Bachelor of Political Science, Master of Fine Arts in Cinema) and is co-founder and editor of the art book publishing house onestar press. In addition to numerous exhibition participations, including the Centre Pompidou in Paris and the Landesmuseum Österreich in St. Pölten, Austria, the Institut Français in Vienna showed a comprehensive solo exhibition of the artist in 2014. In 2017, de Ganay realized a highly acclaimed installation for the Kunsthalle Krems. de Ganay lives and works in Austria. de Ganay produces minimalist abstract art works, painting, relief and wall sculpture. Sculptures made of aluminum, linen fabric, plastic, oil painting, wood and other materials. de Ganay joins a tradition of experimental artists. In this sense, for example, the Achromes by the Italian Arte-Povera artist Piero Manzoni, created in the 1960s, point the way for de Ganay's examination of folded linen fabric. "The process of de Ganay's Painting is the process of thought itself; it is a process which turns not away from painting, but towards it. And rather than seeing painting as closure, he presents his work to us as a space of multiple openings, layers, shadows and reflections. Painting is, as much as an object or a process, a state of flux." (Adrian Searle, art critic for The Guardian, London (1994)) In the style of Readymades and Arte Povera, de Ganay starts out from a simple utility material and combines this with an examination of the surface in the tradition of Minimal Art. He designed a limited edition chair "PLEASE" a “4 Piece Chair” customized by John Baldessari, Lawrence Weiner and Rirkrit Tiravanija. SELECT SOLO EXHIBITIONS: 2019 CRISS CROSS - Sébastien de Ganay, Raffaella della Olga, Galerie Steinek, Wien, Österreich "Flip, Flop, Flux", Galerie Ruzicska, Salzburg, Austria 2018 "und, und, und", rauminhalt harald bichler, Vienna, Austria 2017 "Fold on Fold", Häusler Contemporary, Lustenau, Austria "Transposition an Reproduction", Kunsthalle Krems in der Dominikanerkirche, Krems, Austria 2016 "Space on the Move", Hausler Contemporary, Zurich, Switzerland 2015 "Fold", Häusler Contemporary, Munich, Germany "Folded Flat" Galerie Ruzicska, Salzburg, Austria 2014 "Turn the green light on", Institut Français in Palais Clam-Gallas, Vienna, Austria "over again forever" Galerie Steinek, Vienna, Austria 2013 Sébastien de Ganay, "Carton Sculptures", rauminhalt harald bichler, Vienna, Austria St. Moritz Art Masters, Schlosserei, St. Moritz, Switzerland "you are here", Galerie Günter Salzmann, Innsbruck, Austria 2010 Presentation of the "All in one"-project, Galerie Renos Xippas, Paris, France 2009 "Catalogue", Daniel Abate Galeria, Buenos Aires, Argentina 2005 "Máscaras, más cajas, más caras", Daniel Abate Galeria, Buenos Aires, Argentina 2004 "Artist Quarterly", Sotheby’s, Vienna, Austria 2002 Galerie Jacqueline Rabouan-Moussion, Paris, France 2001 "Blanchiment d’argent et haute couture", Galerie Jacqueline Rabouan-Moussion, Paris, France SELECT GROUP EXHIBITIONS: 2019 "THE OTHER IS ONESELF", FRANZ JOSEFS KAI 3, Vienna, Austria "Sculptura", Iris Andraschek, Babi Badalov, Khaled Barakeh, Bernhard Cella, Adriana Czerni, Ramesch Daha, Sébastien de Ganay, Raffaella della Olga, Julius Deutschbauer, Sylvia Eckermann, Anna Jermolaewa, Bouchra Khalili, Thomas Locher, Jonathan Monk, Klaus Mosettig, Rudolf Polansky, Hans Schabus, Slavs & Tatars Gerold Tagwerker, Florian Unterberger, Costa Vece, Martin Walde, Lawrence Weiner, Nil Yalter Häusler Contemporary, Zurich, Switzerland "Sculpture Only", Artists: Michael Venezia, Gary Kuehn, Hamish Fulton Sébastien De Ganay, Haroon Mirza, Roman Signer...

Jaime Avila Ferrer Bomba Blanca 4. Capitolio de Washington DC - Capitolio De la Habana Measure: 20.5" x 5" x 5" Wall ceramic sculpture with gold and copper intervention 2006 Jaime Avila Ferrer is a world-renowned artist whose work combines painting, sculpture, drawing, and photography. He uses mixed media in some pieces such as Dust, in which dots of white paint are applied to a darkened Plexiglas surface to form pictures of urban landscapes from the granulations. Outline for Dust is an artwork in which he connects the cityscape of Bogota with the JFK airport in New York. He uses traditional approaches to examine social, political, and environmental topics. Avila studied civil engineering at the Universidad de Los Andes in Bogota (1983–1987) and received his degree in Fine arts from the same university (1988–1991). He has presented solo shows such as Talento Pirata, Jaime Ávila (Pirate talent, Jaime Ávila), at the Nueveochenta Gallery in Bogota (2013). His first shows in the United States were Life is a Catwalk at the David Rockefeller Center for Latin American Studies at Harvard University and 4th World – Five Cubic Meters at the Boston Arts Academy (2005). Ávila represented Colombia at the XXVI Sao Paolo Biennial in Brazil (2004), the III Liverpool Biennial in the United Kingdom (2004), the II Mercosul Biennial in Brazil, (2000), and the FIAC in Paris, France (1999). He has participated in exhibitions such as ¡No más chicha!, at Alcuadrado Variable in Bogota (2009), the Centro de la Imagen in Mexico City, and the Casa de las Américas in Madrid, Spain (2004), Changing the Focus: Latin American Photography (1990–2005), at the Museum of Latin American Art in Long Beach, United States (2010), Resurfaced: Contemporary Colombian Art...

The ‘Guardian’ by visionary artist Alexander Ney was handcrafted using italian white terra cotta in 2008. Ney began his professional career as a highly productive visual artist, as a...

Artist Commentary: This ceramic vessel was inspired by The Wave Rock formation that's found in northern Arizona. Details: Black Stoneware clay; Cone 5/6 Oxidation Firing Keywords: minimal, abstract, modern, texture Artist Biography: Beverly Morrison...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...