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Danette LandryLe Corbeau (The Crow)2019
2019
$29,000
£22,053.22
€25,437.32
CA$40,623.69
A$45,465.94
CHF 23,740.32
MX$554,687.12
NOK 301,352.17
SEK 285,964.65
DKK 189,953.89
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About the Item
Bronze on Polished Steel Stand.
Born and raised in Detroit, Michigan, Danette Landry was a longtime resident of California before moving to Paris to pursue studies in cultural anthropology. After receiving a master’s degree and completing her thesis at the Ecole des Hautes Etudes Sociales in Paris, Landry decided to devote herself to a life of art. This turning point manifested as a profound and splintering journey, reigniting a creative process that was instilled at a young age by her mother, a self-taught painter.
Landry calls for a constant reconstruction and materialization of one’s self. This force is represented in her bronze monoliths. Landry identifies each monolith with a gender, and individually they carry a variety of wounds analogous to those found in humanity. The feminine monoliths depict resilience and strength through a complex stacking of very small geometric plates. The masculine monoliths portray a physical and emotional weight bearing a similarity to geological elements with smooth eroded lines and rock-like features. Altogether, Landry's patinated bronze sculptures exude a driving force to survive anything she expresses, representing her individual will to resist and reconstruct life’s trials and hardship.
- Creator:
- Creation Year:2019
- Dimensions:Height: 68 in (172.72 cm)Width: 4 in (10.16 cm)Depth: 4 in (10.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Napa, CA
- Reference Number:Seller: DLX-10091stDibs: LU14426417132
Danette Landry
Danette Landry was a longtime resident of California before moving to Paris to pursue studies in cultural anthropology. After receiving a Master’s degree and completing her thesis at the Ecole des Hautes Études Sociales in Paris, Landry decided to devote herself to a life of art. This turning point manifested as a profound and splintering journey, reigniting a creative process that was instilled at a young age by her mother, a self-taught painter. Landry calls for a constant reconstruction and materialization of one’s self. This force is represented in her bronze monoliths. Landry identifies each monolith with gender and individually they carry a variety of wounds analogous to those found in humanity. Landry's patinated bronze sculptures exude a driving force to survive anything she expresses, representing her will to resist and reconstruct life’s trials and hardship.
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